Between Klimt, Mucha, and Hodler: The art of Kolo Moser 4, 1914-18

I find these works fascinating- the rather thick lines seem to give a mosaic quality as with hinterglasmalerei.

The Eclectic Light Company

Although Koloman Moser (1868–1918) had withdrawn from the Wiener Werkstätte in 1907, he continued to undertake design work in his later years. This included design for stamps, and particularly of stage sets for productions in Vienna. But his focus remained on painting, in which he turned increasingly to figurative works.

moserselfportrait1914 Koloman Moser (1868–1918), Self-portrait (c 1914), oil on canvas, 75 x 75 cm, Private collection. Wikimedia Commons.

His Self-portrait from about 1914 is unusual, not for depicting him in the act of sketching a landscape, but for setting himself in the remains of a building which almost comes to dominate the image. His skin tones are now a light ochre, matching the stone walls.

mosercrouchingwomanstudy Koloman Moser (1868–1918), Study for ‘Three Crouching Women’ (c 1914), pencil, Indian ink and pen and red pencil on canvas mounted on paper, 21 x 28.5 cm, Die Sammlung Leopold, Vienna, Austria. Wikimedia Commons.

This study…

View original post 925 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.