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Between Klimt, Mucha, and Hodler: The art of Kolo Moser 4, 1914-18

I find these works fascinating- the rather thick lines seem to give a mosaic quality as with hinterglasmalerei.

hoakley's avatarThe Eclectic Light Company

Although Koloman Moser (1868–1918) had withdrawn from the Wiener Werkstätte in 1907, he continued to undertake design work in his later years. This included design for stamps, and particularly of stage sets for productions in Vienna. But his focus remained on painting, in which he turned increasingly to figurative works.

moserselfportrait1914 Koloman Moser (1868–1918), Self-portrait (c 1914), oil on canvas, 75 x 75 cm, Private collection. Wikimedia Commons.

His Self-portrait from about 1914 is unusual, not for depicting him in the act of sketching a landscape, but for setting himself in the remains of a building which almost comes to dominate the image. His skin tones are now a light ochre, matching the stone walls.

mosercrouchingwomanstudy Koloman Moser (1868–1918), Study for ‘Three Crouching Women’ (c 1914), pencil, Indian ink and pen and red pencil on canvas mounted on paper, 21 x 28.5 cm, Die Sammlung Leopold, Vienna, Austria. Wikimedia Commons.

This study…

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The Agora, Thessaloniki

ms6282's avatarDown by the Dougie

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The Agora is the old Roman Forum and is right in the city centre, just to the north of the Aristotelous Square, which is rather like it’s modern equivalent. It was discovered by accident in the 1960’s when the area was being developed. It was constructed during the 2nd century A.D. on the site of an older Forum from the Macedonian period.

It’s possible to see the remains from the street, but we paid the 4 Euro entry fee to get a closer look, and gain entry to the small museum on the site.

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The Macedonian Heritage website tells us:

The square Upper Agora was paved and surrounded by stoae (porticoes) with two-tiered columns and decorated floors. On the eastern side there was the library and the odeum. Because of the considerable difference between the two levels, a ‘cryptoporticus’ (double subterranean stoa) was constructed under the south portico of the…

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Breakfast with the Ambassador

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Lara

apolla13's avatarNames Throughout the Ages

Lara is a Russian female name, a shortened form of Larissa, the name of a city in Thessaly, Greece, that dates back to five thousand years ago (it’s also the name of a few other towns in the region). Apparently the city received its name from a nymph named Larissa, the daughter of Pelasgus (or the mother in some versions) and which means “stronghold”, “citadel”, or “fortress”. I’ve also seen other sites list it as being derived from  Ancient Greek larix meaning “larch (tree)”, laros, referring to a cormorant or a gull, or laros “sweet, pleasing to the taste”, but I can’t say how accurate any of them are.

Lara could also be a short form of Larunda, also a nymph in Roman mythology (also associated with Muta and Tacita). She was a great talker and couldn’t keep secrets to herself and revealed to Juno that her…

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Radical Views: Egon Schiele 3, 1914-15

Another stunning posting. Love Schiele’s palette and his feeling for structure;both anatomical and architectural.

hoakley's avatarThe Eclectic Light Company

In 1914, Egon Schiele’s works were exhibited around Germany as part of the travelling Werkbund Exhibition, and in Rome, Brussels and Paris. In the summer, he started making drypoint etchings.

schielesmalltown4 Egon Schiele (1890–1918), Krumau an der Moldau (The Small Town III) (1913-14), oil and black chalk on canvas, 99.5 x 120.5 cm, Die Sammlung Leopold, Vienna, Austria. Image by Yelkrokoyade, via Wikimedia Commons.

Krumau an der Moldau (The Small Town III) (1913-14) is based on a view over the town of Krumau from Castle Hill, which is on the opposite bank of the river. Comparison with photographs reveals how faithful this painting is, but Schiele replaced a more modern block of flats at the lower right with a building which appears more in keeping with the mediaeval town.

Although Schiele has continued to remove much of the depth from his view, its buildings still retain some degree of perspective, as…

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Genever

apolla13's avatarNames Throughout the Ages

Genever is a variant spelling of Jenever, the Dutch form of Juniper, referring to a shrub or tree with dark-blue berry-like cones that can be used for flavoring gin and has some medicinal use; Jenever is the name of a Dutch wine flavored with juniper. It comes from Latin iuniperus (juniper tree), of uncertain origin though it’s been linked to Latin iuncus (rush, reed) derived from a PIE source. It sounds similar to Jennifer but the two are not related in any way.

Origin: Latin, Proto-Indo-European

5ee14b11045bfb1cca93a68a2e0779fcPinterest

Variants:

  • Jenever (Dutch, English)
  • Genievre (French)
  • Genièvre (French)

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Impressions of Thessaloniki

ms6282's avatarDown by the Dougie

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Last week we had a short break in Thessaloniki, Greece’s second largest city, in the north of the country in the province of Macedonia. I had a particular reason for wanting to go there, it’s been on my bucket list for a while, and this was our first ever trip to Greece. I don’t think it will be our last!

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The city, formerly known as Salonica, has a fascinating history – founded by the ancient Macedonians (although after the death of Alexander the Great) it’s been ruled by the Romans, the Byzantine Empire, the Ottomans and, finally the modern Greek State. Under the Ottomans it became a cosmopolitan city, populated by Christians, Muslims and Jews, the latter emigrating here when exiled from Spain and Portugal and becoming the largest ethnic group until they were deported and murdered by the Nazis.

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Flying out from Manchester we spent 4 days in the…

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Es kommt die Zeit…

Wolfregen & Constanze's avatarDas poetische Zimmer

Foto: ©Constanze

„Die Blätter fallen, fallen wie von weit,
als welkten in den Himmeln ferne Gärten…“

(Aus: „Herbst“ von Rainer Maria Rilke)

~ Wenn Blätter fallen… ~

Es kommt die Zeit, wo jeder Baum sich neigt
und müd sich wendet jedes welke Blatt,
weh dem, der dann nichts Lichtes in sich hat
und etwas Leichtes, das ihn sacht erhebt
wie eine Feder, die im Sinken schwebt
aus Flügeln eines Engels, die sanft schwingen
und mächtig rauschen, wenn sie sich entfalten
in einem Überschwang, der stets neu trägt,
und nachts den Schimmer klarer Sterne halten
am weiten Himmel, dem sie still entfallen… –
sieh, diese Hand, die in der Erde gräbt
und in die Tiefen geht, bedächtig schweigt,
sie weiß, dass Lieder trostlos nur verhallen
an feinen Harfen, die zu schwer erklingen,
sie schmückt, in Liebe ewig gottgesandt,
so endlos nah und fern zugleich an Regung
der Schönheit Gärten mit des…

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Paintings of Autumn 1: 1573-1895

A gorgeous selection!

hoakley's avatarThe Eclectic Light Company

For those of us who live beyond the Tropics, I look on autumn/fall as being compensation in advance for what we’re about to suffer in the winter, and Spring as our reward for getting through. In this and the next article, I’d like to celebrate over three centuries of magnificent paintings of the spectacle which we enjoy during the autumn. I will keep my commentary to a minimum, and just let you enjoy these marvellous paintings.

arcimboldoautumn Giuseppe Arcimboldo (1526/7–1593), Autumn (1573), oil on canvas, 76 x 64 cm, Musée du Louvre, Paris. Wikimedia Commons.

rubenshetsteenearlymorning Peter Paul Rubens (1577–1640), An Autumn Landscape with a View of Het Steen in the Early Morning (c 1636), oil on oak, 131.2 x 229.2 cm, The National Gallery (Sir George Beaumont Gift, 1823/8), London. Courtesy of and © The National Gallery, London.

One of Rubens’ last paintings, made during his ‘retirement’ and probably within five…

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The enduring appeal of Struwwelpeter

I wonder what Melanie Klein would have made of him?

europeancollections's avatarLanguages across Borders

In 1844 a German doctor (and later psychiatrist at a psychiatric hospital in Frankfurt) was looking for a book to give his three year old son for Christmas but couldn’t find anything suitable, considering the books on sale to be too long and moralising. He decided to create something himself instead, being accustomed to sketching pictures to pacify child patients. This was Heinrich Hoffmann and his creation was Struwwelpeter, a short illustrated collection of cautionary tales which graphically demonstrated what would happen to children who misbehaved or disobeyed their parents. His bestselling book is one of the most well-known works for children in Germany, running to more than 700 editions, translated into more than 40 languages and with many imitations and parodies. There is even a museum dedicated to Struwwelpeter and Hoffmann in Frankfurt am Main. In this blog post we explore in more detail the original book and…

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