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“Free Yet Dry”: Alexander Voloshin Takes Down Prohibition

Breaded cutlets and rowan gin sounds a delightfully formidable combination!

bdralyuk's avatarBoris Dralyuk

When our man Alexander Voloshin and his fellow émigrés, who had seen their share of suffering in the Old World, landed in the United States in the 1920s, they found much to celebrate — but one thing stuck in their craw. That something was prohibition and the Volstead Act, the puritanical law of the land, which wasn’t done away with until 1933. The émigrés had already had a taste of dry living. As I show in one of the first sections of 1917: Stories and Poems from the Russian Revolution, the Tsarist ban on the sale of alcohol during the Great War led to much frustration and, with the coming of the Revolution, to mass raids on cellars and warehouses where wine and vodka were stored. It also led to clever workarounds.

In the brief third chapter of the second part of his epic, On the Tracks and…

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Robert Delaunay: Portuguese Woman (1916)

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Robert Delaunay, Portuguese Woman (The Large Portuguese), 1916, Oil and wax on canvas. 180 x 205 cm Carmen Thyssen Collection

“The outbreak of the First World War found Robert and Sonia Delaunay vacationing in the Spanish resort of San Sebastián. After spending some time in Madrid, they lived from June 1915 to March 1916 in the Portuguese village of Vila do Conde, near Oporto. Both painters were fascinated by the warm, clear light of northern Portugal, which they captured in a series of paintings of country markets. Although Robert Delaunay had ventured into abstract art in 1912–13, unlike other painters, such as Kandinsky and Kupka, he never saw abstraction as an end in itself. Here, figurative and abstract elements merge to enhance the dynamic arrangement of colour. Delaunay maximised colour saturation by mixing oil with wax, a technique he abandoned after his stay in Portugal.”

READ FULL ESSAY: Tomàs Llorens…

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Carlo Mannelli: Trio Sonatas Op.3

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

CHU TEH-CHUN (1920-2014) Sans titre (Untitled) signed in Chinese, signed and dated ‘CHU TEH-CHUN 86’ (lower right); signed in Chinese, signed and dated ‘CHU TEH-CHUN Le 24 avril 1986’ (on the reverse) oil on canvas 82 x 65 cm. ( 32 1/4 x 25 5/8 in. ) Painted in 1986, Image Source: Christie’s

Composer: Carlo Mannelli (Rome, 1640-1697)
Artists: Ensemble Giardino di Delizie
Ewa Anna Augustynowicz, artistic director

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CHU TEH-CHUN at Christie’s

CHU TEH-CHUN at Sotheby’s

CHU TEH-CHUN at Bonham’s

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CHU TEH-CHUN at wikiwand

10 things to know about poet painter Chu Teh-Chun

Chu Teh chun: The Man Behind the Legendary Painter

Chu Teh-Chun in Three Works: Symphonic, Calligraphic, Lyrical

Thanks for Visiting 🙂

~Sunnyside

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Bradford-Upon-Avon, England.

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The Crucifixion in modern paintings

He died to save us all.

hoakley's avatarThe Eclectic Light Company

To mark Good Friday, this year I bring a selection of more modern depictions of the Crucifixion, starting with William Blake in the early years of the nineteenth century.

The Crucifixion: 'Behold Thy Mother' c.1805 by William Blake 1757-1827 William Blake (1757–1827), The Crucifixion: ‘Behold Thy Mother’ (c 1805), ink and watercolour on paper, 41.3 x 30 cm, The Tate Gallery (Presented by the executors of W. Graham Robertson through the Art Fund 1949), London. © The Tate Gallery and Photographic Rights © Tate (2016), CC-BY-NC-ND 3.0 (Unported), http://www.tate.org.uk/art/artworks/blake-the-crucifixion-behold-thy-mother-n05895

Blake’s The Crucifixion: ‘Behold Thy Mother’ from about 1805 is a traditional scene from the Passion, and refers to the Gospel of John, chapter 19 verses 26-27:
When Jesus therefore saw his mother, and the disciple standing by, whom he loved, he saith unto his mother, “Woman, behold thy son!” Then saith he to the disciple, “Behold thy mother!” And from that hour that disciple took her unto his own home.

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Tree Following, December 2022

Great song….from The Thomas Crown Affair. Great photos too!!

JayP's avatarAmblings around Penwith

Sweet chestnut (Castanea sativa) in Penlee Park, Penzance

Just a week or so has made a lot of difference to the leaf cover. The leaves went a lovely golden colour before swooping down to the ground.

The first picture is at the end of November, the second is dated 10th December. The cold winds we have had here have done their work.

Some more sheltered leaves lingered longer. On the ground, the leaf litter is mixed oak and chestnut.

The colour of the chestnut leaves on the ground is – well, a rich chestnut.

Brief interlude for some song lyrics:

When you knew that it was over you were suddenly aware
That the autumn leaves were turning to the colour of her hair

From Noel Harrisons’ Windmills of Your Mind from 1969.

If you are too young to know it, here’s a You Tube link:

(Some…

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Learning How to Listen to and Tolerate Your Negative Feelings

Leon Garber, LMHC's avatarLeon's Existential Cafe

Traumatic childhoods can cause people to attempt to flee their lives by cultivating and pursuing fantasies, or utopic lives, believing that they’ll make up for all the sorrow and harmonize their existence. But, the fantasies never do, with reality pushing back relentlessly.

Throughout history, utopias were the dreamlands of serenity, wherein its residents remained immune from all forms of physical and emotional suffering. And because so many of us believe that we can’t confront and tolerate our negative emotions, we delusionally attempt to create our own knockoffs. The question I get asked most in my work is, “How can I stop feeling that?” ‘That’ can mean sad, angry, afraid, hurt, or guilty. Fundamentally, the person asking doubts their ability to stand those feelings. And doubts their ability to continue living their lives with them.

So, many of my clients are held captive.

But, can you live with guilt or sadness…

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Author Talk: Clem Bastow, and Late Bloomer (2021)

Sounds thoroughly thought provoking.

Lisa Hill's avatarANZ LitLovers LitBlog

Yesterday, a friend and I went to hear  Melbourne-based writer and researcher, Clem Bastow talk with Claire Halliday about her book, Late Bloomer, How an Autism Diagnosis Changed My Life.  This was an event for World Autism Awareness Day at the Brighton Branch of Bayside Library.

This is the blurb for the book, from Clem Bastow’s website:

Late Bloomer is a heartfelt coming-of-age memoir that will change the way you think about autism. Clem Bastow grew up feeling like she’d missed a key memo on human behaviour. She found the unspoken rules of social engagement confusing, arbitrary and often stressful. Friendships were hard, relationships harder, and the office was a fluorescent-lit nightmare of anxiety. It wasn’t until Clem was diagnosed as autistic, at age 36, that things clicked into focus.

The obsession with sparkly things and dinosaurs. The encyclopaedic knowledge of popular music. The meltdowns that would come…

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Pierre Bonnard: Iris et lilas (1920)

Very lovely combination!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Pierre Bonnard, Iris et lilas (1920), oil on canvas, Fondation Bemberg, Image Source: wikimedia

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Les Nabis on Wikiwand

Pierre Bonnard on Wikiwand

Japonisme on Wikiwand

The Nabis at The Art Story

Pierre Bonnard at The Art Story

Bonnard, Pierre, Colta Feller Ives, Helen Emery Giambruni, and Sasha M. Newman. 1989. Pierre Bonnard, the graphic art. New York: Metropolitan Museum of Art. http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll10/id/92079 , (accessed 8 Nov 2018).

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Les Nabis At Sunnyside

Pierre Bonnard at wikimedia

Pierre Bonnard at Christie’s

Art by Theme at Giverny Museum of Impressionism

Thanks for Visiting 🙂

~Sunnyside

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5 Valuable Quotations On The Skills of Containment. By Dr Linda Berman

Interesting and very pertinent. There is an excellent exposition of Winnicott’s work by Adam Phillips

waysofthinking.co.uk's avatarwaysofthinking.co.uk

image

Guardian Hands – Charles Henry Sims. Wikioo.

What doescontainment actually mean?The concept of containment refers to an experience of holding another person so that they feel safe and protected. This ‘holding’ does not have to be in the form of a hug; it can be on an emotional level. We can have such an experience as this within the family, with friends, or in therapy.

Here are 5 quotations to explain the concept further:

Quote 1.

Comfort. 1907. Edvard Munch. Wikioo.

When we hold each other, in the darkness, it doesn’t make the darkness go away. The bad things are still out there. The nightmares still walking. When we hold each other we feel not safe, but better. “It’s all right” we whisper, “I’m here, I love you.” and we lie: “I’ll never leave you.” For just a moment or two the darkness doesn’t seem so bad.

Neil Gaiman

Knowing…

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