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Forest Carnival, Romania
Autoportrait Day 276~ Susan Chen
A random survey of self-portraits created by women through the centuries
Asian American painter Susan Chen (born 1992)

Streetcars of Desires, 2020 / Oil on canvas / Meredith Rosen Gallery, NYC
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Blake – magnificent
One of the factors I previously identified as causes of the failure of British narrative painting was lack of formal academic training, which was rectified with the formation of the Royal Academy Schools in London in 1769, when they had their first intake of 77 pupils. A decade later, they enrolled one of their most famous artists, William Blake (1757–1827).
Blake had been born in what is now Broadwick Street, Soho, London, and started as a pupil at a drawing school in The Strand in 1767 or 1768. In 1772, as Hogarth did fifty years before, he started a seven-year apprenticeship with James Basire as an engraver. Basire was a traditional line engraver on copper, and Blake would have gained a sound and practical understanding of that craft. Among the tasks which he undertook was to make copies of the royal tombs in Westminster Abbey for the Society of Antiquaries…
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National Library, Vienna, Austria
Outdoor Dining, Provence, France
Dam’d if you do, or: You don’t
Nice
A ‘Septolet’
Russian officials claim Ukraine's planning hydroelectric Kakhovka Dam's destructionMoscow intends to scapegoat Kyiv.
Septolet?
The Septolet is a poem consisting of seven lines containing fourteen wordswith a break anywhere in between the two parts. Both parts deal with the same thought and create a picture.
This sounds a really engaging and thought provoking read at a time where authoritarianism is attempting to threaten what were regarded as traditional democracies.
I haven’t read much Czech literature, only the usual Kafkas and Josef Skvorecky’s The Cowards (see my review) so I turned to Michael (The Complete Review) Orthofer’s Guide to Contemporary World Fiction (2016) for some guidance in interpreting Jiří Kratochvil’s The Vow: A Requiem for The Fifties (published in Czech as Slib in 2009). Alas, Jiří Kratochvil (b.1940) doesn’t get a mention and this is probably because The Vow is the first of his books to be translated into English, and it’s taken until 2021 for that to happen…
As you can see from his page at Goodreads, and his Wikipedia page Kratochvil is a prolific Czech writer. In 1991 he was awarded the Tom Stoppard Prize for his book Medvědí román (“A Bear’s Novel”) and in 1999 he was awarded the Jaroslav Seifert Prize.
The Vow is a very interesting book, but it’s challenging. Set…
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Lovely colour combination.
At Sunnyside - Where Truth and Beauty Meet

“Georgia O’Keeffe’s early abstractions, although not as well known as her later southwestern paintings, played a pivotal role in the development of American modernism. Grey Blue & Black—Pink Circle is the culmination of O’Keeffe’s Special series, a body of abstract drawings and paintings that she made during the 1920s. She created these works outside the influence of the New York mainstream and before her initial contact with the works of Wassily Kandinsky, whose treatise On the Spiritual in Art had a measurable impact on her later abstract style.
The nodes in the center of the painting recall the headdress of Hopi kachina dancers (and the headdresses of the eponymous kachina dolls); the surrounding whorls of color amplify the suggested motion of the dance and the consonant rhythms of the universe…”
Adapted from
- Eleanor…
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Phyllis Dodd
A thoroughly interesting and informative blog post.Great!!


Phyllis Dodd: ‘Self Portraits.’
Phyllis Dodd was born in 1899 in Chester. Her parents encouraged her early interest in art. Attending the Queen’s School, Chester at the age of eight she won a Royal Drawing Society prize in 1909, drawing her friend Freda from memory. Her father Charles Dodd would take her to the Walker Art Gallery in Liverpool, his death when Phyllis was sixteen was a severe blow. Her mother took in paying guests to send her to Liverpool School of Art, 1917–21, where Will Penn taught her the use of a limited palette; by the 1950s she developed an interest in more positive colour.
In 1921 Phyllis won a Royal Exhibition to the Royal College of Art, 1921–25. This prized and coveted award allowed her £90 a year and expenses towards art materials and travel expenses. Her friends and colleagues at the RCA included Henry Moore (1898-1986), Raymond…
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