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Dolce Far Niente: Paintings of blissful laziness 1

hoakley's avatarThe Eclectic Light Company

It’s almost August, time for those of us in the northern hemisphere to abandon the sweltering cities and go to indulge in a bit dolce far niente where it’s more comfortable. While we’re doing that, let’s put aside all those busy paintings of active people. Our art needs to chill out too.

The Italian phrase dolce far niente means (literally) sweet doing nothing: it’s the very enjoyment of being idle, the indulgence of relaxation, blissful laziness. If ever there was a hallmark of a painting from the Aesthetic movement, surely it’s a canvas titled dolce far niente. This weekend, I look at paintings with that title, and a small selection of others that stand out for their blissful laziness.

Prior to 1800, there don’t appear to have been any significant (surviving) paintings with the title Dolce Far Niente, and relatively few other contenders.

winterhalterdolcefarniente Franz Xaver Winterhalter (1805–1873) Dolce Far Niente…

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Gratitude to Old Teachers – Robert Bly – Comments

richinaword's avatarmy word in your ear

Gratitude to Old Teachers

When we stride or stroll across the frozen lake,
We place our feet where they have never been.
We walk upon the unwalked. But we are uneasy.
Who is down there but our old teachers?

Water that once could take no human weight—
We were students then— holds up our feet,
And goes on ahead of us for a mile.
Beneath us the teachers, and around us the stillness.

Robert Bly (1926 – 2021)

I did like this simple poem as Robert Bly is not always easy to fathom (excuse the pun).

The journey of life is like a walk across a frozen lake. And I remember as an eight-year-old testing a frozen pond with parts too thin to walk on. Our walk or life journey is unique, and we walk on the unwalked.

We have underneath support from others all our life. Sometimes completely…

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Debussy: La Fille aux Cheveux de Lin

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Gustav Klimt, Goldfish, (detail)

Claude Debussy Préludes, Premier Livre, L. 117: No. 8, La fille aux cheveux de lin Transcr. for Violin and Piano by A. Hartmann, Alessandro Clerici, violin , Elena Brunello, piano

Thanks for Visiting 🙂

~Sunnyside

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Paintings of William Shakespeare’s Plays 8: A Midsummer Night’s Dream 2

hoakley's avatarThe Eclectic Light Company

In the first of these two articles showing paintings of the first act of this play, the fairies attending Titania had just sung her to sleep, allowing Oberon to drop the herbal juice onto her eyelids, which would make her fall in love with the first creature she saw when she woke up.

daddtitaniasleeping Richard Dadd (1817–1886), Titania Sleeping (c 1841), oil on canvas, 59.7 x 77.5 cm, Private collection. Wikimedia Commons.

Richard Dadd’s Titania Sleeping from about 1841 is another elaborate example of faery painting with its intricately detailed human-like creatures. The naked queen has just fallen asleep at the mouth of a grotto. Framing that scene are toadstools, morning glory flowers, and an arch of bats.

huskissonmidsummernight Robert Huskisson (1820-1861), The Midsummer Night’s Fairies (1847), oil on mahogany, 28.9 x 34.3 cm, The Tate Gallery (Purchased 1974), London. © The Tate Gallery and Photographic Rights © Tate (2017), CC-BY-NC-ND 3.0…

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Autoportrait Day 207~ Teruko, Princess Ake

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Autoportrait Day 205~ Elisabeth Chaplin

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Penwith Poetry Uncategorized West Cornwall (and local history)

Schools out!

Schools out and all that entails.

Sun shines on mountains of tomatoes, avocados and oranges.

Tourists looking for something shuffle up Causewayhead.

Locals mostly look a bit lost- some injured or otherwise afflicted.

Seems that about a quarter of shops are closed;

no carpets, no papers and no haircuts.

Pigeons warble and peck under

regimented baskets of scarlet petunias

adding a patina of civic cheer.

In here, a voluble teenager

pronounces and pontificates on

the unlikely history of India,

seemingly annoyed that the food

has not turned up in time.

Lost in the gap between fantasy

and the arrival of the fatty sausage sandwich.

September, results and Speech Day await.

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Leuthen – C.F. Scherenberg

Wunderbar!

paulskin's avatarPreußische Kuriositäten

Another acquisition this month; Leuthen (Gedicht) by Christian Friedrich Scherenberg.

I have yet to read it all, but the first verse seems to fit well with the famous painting of Fritz after the battle of Kolin.

In Nimburg am Brunnen, die Schatten über sich,
Auf einem alten Röhrstamm sitzt König Friedrich,
Von seiner Zeit schlechtweg der König titulirt,
Wiewohl noch mancher König zu seiner Zeit regiert,
Und malt mit seinem Krückstock, der aller Welt bekannt,
Versunken in sich selber, Figuren in den Sand.

Or indeed the one below, which I’ve never seen before, both painted before the book was written (1852).

To finish, a Zungenbrecher:

Der Leutnant von Leuthen befahl seinen Leuten nicht eher zu läuten, bis der Leutnant von Leuthen seinen Leuten das Läuten befahl.

Does anybody still say this after all these years?

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Lost words of Shelley – The Existing State of Things – Politics

richinaword's avatarmy word in your ear

Friday 8 July marked the bicentenary of Shelley (4 August 1792 – 8 July 1822) and below are some lost words only discovered in 2006 from a political pamphlet.

Shelley’s poem was “lost” for nearly 200 years, before a single copy of the pamphlet was“rediscovered” in 2006, and a decade later bought by Oxford’s Bodleian Library, so finally it could be read by the public again

“Shall rank corruption pass unheeded by, 
Shall flattery’s voice ascend the wearied sky;
And shall no patriot tear the veil away
Which hides these vices from the face of day?
Is public virtue dead? – is courage gone?”

These lines are taken fromPoetical Essay on the Existing State of Things, an excoriation of the moral devastation wreaked in late Georgian Britain two centuries ago. It was written by Percy Bysshe Shelley and published anonymously in 1811, in support of the…

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Three Steps in Drawing

Aletha Kuschan's avatarFantabulous Koi

drawing after Cezanne’s Apples & Oranges, 1899, at the Musee d”Orsay

Choose an artist whose work you admire deeply. This is Step One. Find a specific picture that is a favorite and copy some part of it. If you can find a detail in a book or on the internet, you can focus your attention on a manageable portion of the picture. I chose a detail that includes several apples, but I think I might focus on just one apple later today… because I’m in a Cezanne mood and individual Cezanne apples are deep.

Step Two involves taking chances. Here the apples are circles. Considerable time passed before I noticed that Cezanne apples are not apple shaped. They’re more Platonic. They are beautiful renditions of a kind of ideal roundness with beautiful gradations of red and yellow. So you can put the apples where you think they go. And if…

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