A contemporary of Serebryakova-
[Loose paraphrase from Woman power русского авангарда, by Elena Fedotova, on Colta.ru.]
Between October 16, 2013 and February 16, 2014, the State Tretyakov Museum holds an exhibition titled ‘Between the East and the West’, dedicated to the works of Natalia Goncharova (1881-1962).
Natalia Goncharova has been variously called an Amazon of the avant-garde, a great Russian artist, a left-wing painter of the Russian avant-garde. And yet a 100-odd years ago, conservative critics were deprecating her as an blasphemer and an untalented dauber. When you look at the amazing power of her spiritual cycles, her refined theatrical sketches, her decorative still lifes, it is difficult to understand why so much criticism clung to her, and why her works were snatched right off their displays.
Goncharova’s solo exhibition in 1914 (in Nadezhda Dobychina’s ‘Art Bureau’, at the time, the fashionable gallery for modern art in St Petersburg) created a scandal. An anonymous…
View original post 636 more words