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Painted Stories in Britain 5: Joseph Wright, the enlightened artist

At the museum in Derby you get a tremendous feel for the energy of the Industrial Revolution. An inquisitive and explorative spirit.

hoakley's avatarThe Eclectic Light Company

William Hogarth’s death in 1764 brought to an end a new tradition of narrative painting in British art, which had started with James Thornhill (1675–1734) in the early years of that century. Although a few British painters in the middle of the eighteenth century made the occasional narrative work, those appear to have been almost accidental, and years passed before another British artist set out to tell stories in paint.

The next painter also doesn’t appear to have made any conscious decision to tell stories, but became fascinated by contemporary science and chiaroscuro light. As a portraitist and painter of landscapes, Joseph Wright of Derby (1734–1797) at his best was a match for his more famous contemporary Thomas Gainsborough (1727-1788), but Wright also painted very differently when he chose to.

jwrightviewinggladiator Joseph Wright of Derby (1734–1797), Three Persons Viewing the Gladiator by Candlelight (1765), oil on canvas, 101.6 x 121.9 cm…

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Simple Passion by Annie Ernaux (tr. Tanya Leslie)

Sounds like a passionate and deeply engaging read- these Fitzcarraldo Editions are good.

JacquiWine's avatarJacquiWine's Journal

The critically-acclaimed French writer Annie Ernaux is fast becoming one of my favourite chroniclers of the female experience. She writes with remarkable honesty, clarity and a note of vulnerability about various aspects of life, including adolescence, lovemaking, abortion and family. Throughout her work there is an interest in broader society, from social development and progression, to the relationship between individual and collective experiences. 

In Simple Passion (which clocks in at just under 40 pages), Ernaux reflects on the emotional impact of her two-year affair with an attractive married man in the late 1980s. Ernaux is approaching fifty at this time, while her lover — a smart, well-dressed Eastern European with a resemblance to Alain Delon — is thirteen years younger. The passion she feels for this man – referred to as ‘A’ in the book – is all-consuming, to the extent where virtually everything she does revolves around their liaison.

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Claude Monet: Nymphéas (c1910)

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Widecombe in the Moor, England

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Red and Black, Ontario, Canada

Astounding

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Jacobé & Fineta – Joaquim Ruyra (tr. Alan Yates)

Tony Messenger's avatarMessenger's Booker (and more)

Nature is complaining as it goes into decline.

“AUTUMN”, the opening word of Joaquim Ruyra’s short story ‘Jacobé’, a period of shedding, dying back before hibernation and then (later) rejuvenation. Immediately you are transported to the season where the natural world is shedding its vibrancy.

…it is something death-like which moves through the land in accordance with an annual rhythm.

As the author biography tells us:

Joaquim Ruyra was a short story writer, poet and translator, considered a key figure in modern Catalan literature and one of the great narrators of the 20th century. He was in the vanguard of the Catalan Modernist generation as they constructed a new literary model after 1860, when the Catalan language became the vehicle of cultural nationalism. Although he did not produce a large body of work, his short stories set a stylistic benchmark for Catalan literature, including the shaping of a ‘landscape…

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George Clausen: Brown Eyes (1891)

Cookham of course is Stanley Spencer territory so to speak. Lovely delicate paintings.

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Brown Eyes, 1891, by George Clausen, Oil on canvas, H 55.9 x W 41.3 cm, Presented by C. N. Luxmoore 1929, Tate Britain, Image Source: ArtUK

“Clausen studied in France and painted open-air ‘rural naturalist’ subjects in an impressionist style. In 1886 he helped to found the New English Art Club as an alternative exhibition venue to the Royal Academy. This is a portrait of a local girl from the village of Cookham in Berkshire, where the artist was living. The delicate play of light across the model’s features, together with the flicked brushwork in the background, suggest both the freshness and transience of youth.”

Tate Britain

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George Clausen at wikiwand

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George Clausen at the Art UK site

Thanks for Visiting 🙂

~Sunnyside

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River Reflection, Serra da Estrela, Portugal

Lovely, peaceful Portugal

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5 Ways Of Thinking About The Remarkable Power Of Absence. By Dr Linda Berman.

There are many points here which are of interest. Adam Phillips has written on this but recently I came across a selection of poems by Christopher Reid. His beautiful tribute to his late wife is called “The Scattering”

waysofthinking.co.uk's avatarwaysofthinking.co.uk

imageDay and Night – (Max Ernst)

“Absence is a house so vast that inside you will pass through its walls and hang pictures on the air.”

Pablo Neruda

Unlike peace and solitude, a sense of absence can be powerfully disturbing and deeply emotional. What does the concept of absence mean to us? It touches all of us at some points in our lives, in different ways.

Below are 5 interesting thoughts about absence……

1. Neither Presence Nor Absence: Traces.

imageTraces. Abstract Painting 780-1 – Gerhard Richter. Wikioo.

“To live means to leave traces.”

Walter Benjamin

Absence and presence are not always clear cut and they do not have definitive boundaries. There is certainly something in between both of these opposites, and it sometimes feels quite mystical, affecting the atmosphere in a room.

imageSun in an Empty Room.Edward Hopper. 1963. Wikiart.

“People also leave presence in a place even when they are…

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Autoportrait Day 269~ Ethel Walker