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Correction, by Thomas Bernhard, translated by Sophie Wilkins

I think that Bernhard is an interesting writer but not easy to comprehend in it’s entirety. I found aspects of Wittgenstein’s Nephew intriguing. The book is much about illness and depression so not always easy to read. Nevertheless even in translation there is a musicality to the prose. I remember the section on the Viennese café and the comments on the theatre. There is some ironic and dark humour too so definitely worth reading. On Wittgenstein I would recommend Ray Monk’s engaging biography.

Lisa Hill's avatarANZ LitLovers LitBlog

Germans may be considered to be more severe, but the works of the best-known Austrian authors available in English make the Austrians seem even less jolly.  Thomas Bernhard (1931-1989) at least does display a wicked sense of humour in much of his fiction, but he, Peter Handke (b.1942) and Nobel Laureate Elfriede Jelinek (b.1946) show a lot of angry intensity, tempered only by some melancholy, especially in Hendke’s later works. (The Complete Review Guide to Contemporary World Fiction, by Michael Orthofer, Columbia University Press, 2016.)

Well, I can vouch for that.  Despite his recent Nobel, I am not inclined to read Handke, but my experience with Jelinek is that once was enough. And now that I’ve read two by Thomas Bernhard, that might be enough of that angry intensity too.

(Though Joe from Rough Ghosts enjoyed Wittgenstein’s Nephew so I remain open to trying that one too. …

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Autoportrait Day 59~ Toyin Ojih Odutola

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Blue Door, Tuscany, Italy

Those leaves are absolutely stunning!

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Dancing in the Mosque: An Afghan Mother’s Letter to her Son by Homeira Qaderi (Afghanistan)

imogen's avatarImogen is Reading and Watching the World: On Books, Film, Art & More

Translated by Zaman Stanizai

Oh dear, my month of Afghan culture is nearly over, and I’ve still got quite a lot to write up and have read less than hoped because of work commitments plus half term with the kidlings.

Dancing in the Mosque is a memoir by Homeira Qaderi that was first published in the UK in 2021 by Fourth Estate. Qaderi is a formidable and fiercely intelligent woman, born in war-torn Afghanistan during the Soviet occupation, and living for a while as a refugee in Iran.

“Afghanistan is the land of invisible bullets and the land of a death foretold, the land of doomed destinies, and the land of dejected and disgruntled youth, waiting forever for dreams that will never come true. This is how Madar, my mother, Ansari, and Nanah-jan, my grandmother, Firozah, described my homeland to me when I was barely four years old.

Returning…

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Autoportrait Day 58~ Larisa Nikolaevna Kirillova

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Autoportrait Day 56~ Slawa Horowitz-Duldig

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Peace

Lyrix's avatarKlapperhorn

#Ukraine #Russia #RussianInvasion #StoptheWar

there is a door
to exit neverland
you hold the key
in your own hand

even in the
darkest hours
in the face of
forced dispair

heroes aren’t made by
winning wars
they are born by
makin peace

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Léo Delibes’ Lakmé: ‘Duo de fleurs’

Lovely- extraordinary

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Disks of Newton, Study for Fugue in Two Colors, Frantisek Kupka (c.1911), Orphism, Philadelphia Museum of Art, Philadelphia, PA, US, 77.5 x 73.6 cm, Image Source: wikiart, public domain

Mirages: Sabine Devieilhe – French Opera Arias. Album out 10 November 2017: http://wnrcl.me/mirages

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With Lyrics (click for English translation)

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The Classical Girl introduced me to The Flower Duet in her post, Melting into Léo Delibes’ “Flower Duet”. READ MORE HERE.

Thanks for Visiting 🙂

~Sunnyside

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Autoportrait Day 53~ Consuelo Fould

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Thierry de Brunhoff Plays Chopin

Beautiful, entrancing!!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

John La Farge (American, New York 1835–1910 Providence, Rhode Island), Date: ca. 1885, Culture: American, Medium: Watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper, Dimensions: 8 1/4 x 7 in. (21 x 17.8 cm), Credit Line: Bequest of Miss Louise Veltin, 1937, Image Source: TheMet

Too Beautiful For Words…

Thierry de Brunhoff, piano (Bechstein) Recorded in 1973

Thanks for Visiting 🙂

~Sunnyside

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