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Books I Read in January

You made a great start with Orwell I think. I’ve read a couple of books by Ferdinand Mount. One of these about the Victorian Prime Minister, Lord Aberdeen -basically faction. The other some superb book reviews. Also reading a brilliant biography of Sheridan, an Irish playwright and politician by Fintan O’Toole also brilliantly written. I think it is brilliant that you liked all those books!!!

Courtenay Schembri Gray's avatarCourtenay's Corner

  1. Book v. Cigarettes – George Orwell
  2. Cultish – Amanda Montell
  3. Bright Lights, Big City – Jay McInerney
  4. No. 91/92: notes on a Parisian commute – Lauren Elkin
  5. All Men Want to Know – Nina Bouraoui
  6. Heather – G C McKay
  7. Illness as Metaphor and AIDS and Its Metaphors – Susan Sontag
  8. A Chapbook About Nothing – Scott Cumming
  9. Blue of Noon – Georges Bataille
  10. 84 Charing Cross Road – Helen Hanff

♥️♥️♥️

I resolved to record my reading this year if you didn’t know. I have never done this in my life, and it can feel very self-aggrandizing. However, I offset this by never giving negative reviews. My reasons for this are simple. I would never be so bold as to assume I could tell another writer how to do their job. And, I usually enjoy every book I read, which seems to shock people.

A list like this can…

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Camille Pissarro: The Boulevard Monmartre on a Winter Morning (1897)

Marvellous Pisarro!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Camille Pissarro, The Boulevard Monmartre on a Winter Morning (1897), Size: 25 1/2 x 32 in. (64.8 x 81.3 cm) Medium: Oil on canvas License: Courtesy of The Metropolitan Museum of Art For more: http://www.metmuseum.org/art/collection/search/437310

After spending six years in rural Éragny, Pissarro returned to Paris, where he painted several series of the grands boulevards. Surveying the view from his lodgings at the Grand Hôtel de Russie in early 1897, Pissarro marveled that he could “see down the whole length of the boulevards” with “almost a bird’s-eye view of carriages, omnibuses, people, between big trees, big houses that have to be set straight.” ()

Source: The Metropolitan Museum of Art

Read More

Camille Pissarro – Wikiwand

Thanks for Visiting 🙂

~Sunnyside

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Autoportrait Day 27~ Doris and Anna Zinkeisen

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Film Review: Being the Ricardos (dir by Aaron Sorkin)

I broadly agree with your interesting and thorough review. I saw this film very recently and thoroughly enjoyed it. I liked the feminist themes which were lost on me years ago when the series was prime time on the BBC

Lisa Marie Bowman's avatarThrough the Shattered Lens

Has Aaron Sorkin ever met anyone who doesn’t sound like Aaron Sorkin?

That was the question that I found myself considering as I watched Sorkin’s latest film, Being the RIcardos.  The film may present itself as being a film about Lucille Ball (Nicole Kidman) and Desi Arnaz (Javier Bardem) but neither Lucy nor Desi ever come across as being actual human beings or even celebrities trying to be human.  Instead, they both come across as Sorkin stock characters.  Lucy is the socially maladjusted genius who demands a lot from the people working for her and who struggles with apologizing.  Desi is irresponsible but a hard worker, a man who makes a lot of mistakes but who should never be underestimated.  They speak in quips and they instinctively understand what the people in their audience want to see.  Who can keep up with Lucy and Desi?  Certainly not the suits…

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#NF Dawn of the Belle Epoque

Sounds really interesting. There is a great little book with a memorable chapter on Escoffier called “Proust was a Neuroscientist” by Johan Lehrer. Julian Barnes’s “The Man in the Red Coat” is also quite superb on the era; also brilliantly illustrated.

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Gustave Caillebotte: Le Pont de l’Europe, esquisse (1876)

Love Caillebotte and his perspectives!!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

screenshot_2019-01-19 2018_nyr_15971_0023a_000(gustave_caillebotte_le_pont_de_leurope_esquisse) jpg (jpeg image, 3200 × 251[...]
Gustave Caillebotte (1848-1894), Le Pont de l’Europe, esquisse, stamped with signature ‘G. Caillebotte.’ (lower right), oil on canvas, 25 ½ x 32 in. (64.7 x 81.3 cm.), Painted in 1876, Source: Christie’s

The painting depicts one of the engineering marvels of Caillebotte’s day, an immense bridge spanning the rail yards of the Gare Saint-Lazare. Two men gaze through the massive iron trellises of the bridge toward the depot, the roof of which is glimpsed between the X-shaped girders at the right. Rather than cloaking the latticework of the bridge in vapor, as Monet did in his contemporaneous views of the station, Caillebotte audaciously exploited its unembellished geometry—the embodiment of brute industrial architecture—to organize his composition. The structural elements of the Le Pont de l’Europe, esquisse, flattened against the plane of the canvas and cut off by its edges, press the figures into the very foreground, inviting the viewer to…

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Shades of Green, Croatia

Impressive!!

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Further approaches to building resilience-Mark Vernon and Donald Winnicott

I have been thinking a little about Winnicott and meaning to read a book about him by the redoubtable Adam Philips. However, having sufficient reading material in the form of poetry collections, journals, novels and criticism I still find myself scrolling/chillaxing on You Tube where I found this extraordinarily interesting account by Mark Vernon which repays listening through.

I found Vernon’s approach so engaging that I then found myself intrigued by the following clip where his philosophical and theological approach carries some imaginative and enlightening comments. It is also deeply moving.

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Rainy Night, Paris, France

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Their stories, or: Our stories

I very much like that Kate Blake poem- lucid, laconic and moving.

ben Alexander's avatarThe Skeptic's Kaddish 🇮🇱

Poetry Partners #40

‘My Paternal Grandparents’, a poem by Kate Blake of ‘aroused’

Nana and Pop met on the ward
when she gently tended
his gruesome war wounds

he a tall handsome older gent
she a tiny gentle English rose

he solemnly declared he had nothing
and lived in the middle of nowhere

but love blinded her to his reality
and after the war she sailed south

with another nurse to join their beau’s
a huge adventure in the Australian bush

completely off grid with snakes and spiders
sixteen miles from any neighbour or station

in his family home with his sisters and brothers
the children from his first marriage had moved on

they birthed my aunt and father
she sailed back to UK every two years

taught us all to knit crochet and embroider
the boys were more accomplished than I

A Crystalline by ben Alexander…

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