The Expendable Man by Dorothy B Hughes

Dorothy B Hughes (1904-93) took a journalism degree in Kansas City, Missouri and started her distinguished career with a prize-winning book of poems. Her first hard-boiled thriller appeared in 1940 and it was followed by more than a dozen in the next decade. Three were made into noir films and in 1944 Hughes went toHollywoodto assist Hitchcock on his film, ‘’Spellbound’’. Here she met Ingrid Bergman and consequently Humphrey Bogart came to buy the film rights to one of her novels.

Available from Persephone Books
The Expendable Man by Dorothy B. Hughes (Paperback – 22 Sep 2006)

‘’The Expendable Man’’ was her last book and appeared in 1963, a time when Hughes was living in Santa Fe, New Mexico. It combines  high suspense with an examination of the endemic racism in the town ofPhoenix,Arizona. Hughes had learnt her craft thoroughly; influenced by deep readings of Eric Ambler, Graham Greene and William Faulkner. She also had written a critical study of Erie Stanley Gardner, perhaps best remembered for the Perry Mason series. It is the lawyers, petty criminals, politicians, soured plainclothesmen of Phoenix that form the suffocating web around  the novel’s heroic proponent, doctor Hugh Densmore, that gives this novel a dramatic momentum and an insight into the morally corrupt towns- folk and contrasts Phoenix and its suburbs, with the  magnificent circling and exotic desert.

Densmore, a medic from Los Angeles hospital driving through along the highway from Indio, through the hot desert littered with hazy clumps of mesquite, on an early May evening is making his way to a family event in Phoenix. He stops to give a lift to the feckless, reckless and manipulative Iris, a rebellious teenager on a wild and urgent mission. This initial act of generosity is one which Hugh comes to deeply regret and propels him into an entanglement of Kafkaesque proportions. Without revealing the taut and swiftly flowing plot, which would spoil the reading, suffice it to say that carefully crafted dialogue and what seems like Densmore’s paranoia makes this a thrilling and convincing read. With a combination of dramatic skill and sensitive understanding, huge issues of crime, illegal abortion and diehard racial discrimination are handled. This compelling novel is an insight into America at a time when President Kennedy was encountering the vigorous opposition and enduring rigidity of demagogues like Governor George Wallace.

The engaging and driven plot has many heart-rending at moments. Hugh Densmore is forced to dissemble to his own family. Indeed circumstances conspire to inhibit his free pursuit of Ellen, the elegant lady that he loves and admires. A significant pleasure in reading Hughes is her poetic and cinematic description of atmosphere;Phoenix, its peculiar suburbs and the drive across the copper and tan sands surrounding the highways that lead into it. There are passages describing anonymous motels, drugstores and diners that repeatedly remind the reader of the anonymity encountered in Edward Hopper’s well-known painting ‘’Nighthawks’’. Dominic Power points out in an intriguing after word just how this background scene was an important prompt in Hughes’s writing. The bleached desert motorway becomes reminiscent of a GeorgiaO’ Keefe landscape. The heat of the day personifies the crushing rapidity impinging on Densmore forcing him to seek a resolution of the situation into which he has been placed.

There is a sense of isolation which dire circumstances force upon Hugh and is particularly poignant in relation to the beautiful Ellen, whose encouragement and earnest support underlines his compelled dependency upon her and his consequent loss of a certain sense of dignity. This is reinforced in pellucid passages, ‘’Hugh and Ellen drove away in silence, over the winding deserted roads that led to town. The moon was high and white; each fence post, each clump of cactus was as distinctly outlined as by the sun. The mountains were moon-gray against the deep night sky. A dog barked from a distant house, the only reminder that they were not on a distant planet.’’

Within the confines of a provocative thriller, Dorothy Hughes has written a superb evocation of American society on the turning point of change. There is a tangible feeling of temperature and pressure- the effect of this is to produce a metamorphosis in the characters which is as instructive as it is engaging to read. Persephone Books have done an excellent job in resurrecting this classic novel which appeals on many levels and holds an emotional tone which is bracing, moving and instructive about the creative struggle for goodness, legality, fairness and truth.

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Bardhonyeth Kernow,Poetry Cornwall (Volume 27)

Bardhonyeth Kernow

This issue contains a wide variety of contributions from over sixty poets from Scotland(which also provides the lichen encrusted wheel arch cover image from Callander) to Germany, from Wales to Spain. Naturally the emphasis are on Cornish poems and it is the landscape of Kernow which provides the inspiration for many of these verses in dialect and Kenewek with a translation and interpretation section carefully chosen by Grand Bard, Mick Paynter. It is good to see the enthusiasm for good poetry in the Duchy from such various sources as French, Scots Gaelic and even the Romany language of Gurbet. This is a collection which is not afraid to approach the edge, like Sam Harcombe, who at Warren Cliff approached, ignoring stakes and danger signals:-

Hoping to catch sight of seal,

I wanted to look closer at the inlet far below, but

riddled with rabbit holes and

cracks it was obviously dangerous.

I went a few steps past the stakes

And still saw not enough

Bernard Jackson prefers the sylvan safety of the Sunlit Leaves as the sun sinks and he wanders entranced by the magic of a slow watered stream:-

Eternal is the flame that ne’er consumes,

Yet blazons leaves, nor shall one instant fade.

From woodland reign that readily assumes

This seasoned garb, immortally arrayed.

In traceries where sunlight shines between,

God’s glory is a miracle of green.

Bardhonyeth Kernow’s Editor Les Merton

Besides such nature poems form Perranuthnoe to Predannack, there are some moving poems inspired by the cheerful and encouraging words from the nursing staff on Geevor Ward which as Donald Rawe puts it “Restore humanity to the clinical desolation”. There are sad, human reflections on Casualty and Geriatric Wards. There are too the lifting memories of repairing with his father My Pink Bicycle by Graham Rippon:-

“Paint it any colour you like”

But the only colour we had was Pink

This little collection is a gem and a tribute to the current interest in poetry in our Duchy.