Tag: Cornwall

As the winter storms hit Penzance, so does that great painter of storms, steam and whirling chaos, Joseph Mallord William Turner. Not the great English Romantic himself of course, whose late works are currently at the Tate Britain in London until January 25^th next year, but as a film, Mr Turner, by Mike Leigh and in the form of an exhibition currently on view in Penzance Public Library, Turner and Me painted by Vaughan Warren R.A.S. Ancillary works by Vaughan are also on view on the first floor of The Arcade in Chapel Street.

In a year of sombre reflection upon the futility of war, the appearance of original films like Loach’s Jimmy’s Hall and Mr Turner, are inspiring visually. The technique of Loach and Leigh, both of whom use improvisation as a means to authenticity, is inspiring and instructive. Mr Turner has renewed interest in a rumbustious, querulous figure and promises to be exciting viewing. Turner was a protean traveller and visited Cornwall and painted the local landscape including Mounts Bay and the Tamar Valley. Sketches at St Ives established him, according to some authorities, as the founder of the painting tradition there. http://www.tate.org.uk/art/artworks/turner-st-ives-from-porthminster-beach-d41327 Timothy Spall, an exceptional actor and a keen sailor brings his talent and determination to portraying Turner in both his vitality and in his melancholy moods.

Vaughan Warren  http://vaughanwarren.weebly.com/ has a tremendous enthusiasm for Turner and has won the Turner Award himself, as well as the Reynolds Medal and Landseer Award. He also has a track record of interest in the history of art which informs his work at a deep level. He also has an interest in local history. He and his partner Melanie Camp share an enthusiasm for Daphne Du Maurier’s novels and in particular Rebecca and its associated film which was, of course a Hitchcock classic. This has provided the inspiration for an Acrylic, a medium which Vaughan assures us Turner would have loved, The Wreck of the Rebecca, which appears in the current show. Vaughan Warren has found much inspiration too in the work of Julius Olsson, whose contribution in St Ives is the subject of much intriguing study by David Tovey, as well as Whistler, Mondrian and Kandinsky. The latter was an acquaintance of Naum Gabo, who also worked locally, is famous for his writings on the spiritual in art. Warren declares too his intention to strive,” towards an abstract beauty through paint and the image”.

The Victorian restrained grandeur of the public library in Penzance makes for a suitable context for Vaughan’s Turner inspirations. However, because they have to be mounted so high up above the installed illumination, they are not as visible as they might be. It is a reminder that despite the town having many galleries there is limited space in which even experienced artists can display. Turner’s palette is of great interest to Vaughan Warren and more details can be found at http://www.winsornewton.com/uk/discover/articles-and-inspiration/palettes-of-the-masters-jmw-turner

In the current display three works particularly appealed to me. The acrylic on canvas of St Michael’s Mount predominates because of its free use of colour. I also greatly liked small watercolour called Turneresque. It almost goes without saying that this painter shows great facility in all three mediums. The two pictures which are mounted in oval frames make a refreshing change here too. The small painting in the corner which appeals to me most however is Red Interior; Music Room whose contrasting colours remind me a little of Sickert and a little of Gwen John. Anyone who has the opportunity should see the film and Vaughan Warren’s work in Penzance.

In addition to the works displayed in the library there is an opportunity to view Vaughan’s drawing of Nelson’s death mask at the Redwing Gallery, Wood Street in Penzance. The display in Penzance Library may be viewed until mid-December.