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Serengotti (2023), by Eugen Bacon

Lisa Hill's avatarANZ LitLovers LitBlog

If you need any proof that the most interesting books being published in Australia come from small publishers, look no further than Serengotti, by Eugen Bacon, a new release from Transit Lounge.  The striking cover design by Peter Lo is just the beginning…

Eugen Bacon is an African-Australian writer who has been attracting international attention for her powerful writing.  She is well-known for her award-winning fantasy and horror fiction, (see her website) but I did not discover her adventurous style until I came across her short fiction collection Danged Black Thing (2021, see my review).

Serengotti also showcases her playful side. I’m not sure, but the title is (I’m guessing) a play on words, one which sent me exploring online (perhaps as the author hoped it would).  The Serengeti is a geographical area of Tanzania, (which is where the author was born).  Its Wikipedia page has very little to…

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The Wonderful Experience Of Being With People Who Make Us Feel Good. By Dr Linda Berman.

An interesting range of sources here with much to ponder. I find myself reflecting how in urgent need, people who are lonely and/or confused or anxious are unable to think through their needs or be fully aware of the needs of others.

waysofthinking.co.uk's avatarwaysofthinking.co.uk

imageHappy Tram Ride – John Peirson. 1994. Wikioo.

“I want to surround myself with people,
who know how to touch the hearts of people ….
People to whom the hard knocks of life,
taught them to grow with softness in their soul.”

Mario De Andrade.( Extract from poem:The Valuable Time of Maturity)

Who are the people who make you feel good? I can imagine that each person reading this will immediately be able to think of someone who has this wonderful capacity. There is usually at least one person in all our lives who makes us feel happier, more supported, appreciated, accepted.

  • The Importance Of Support

The renowned Spanish poet, above, is referring to people who make him feel good, softer, more flexible people … and those are the people with whom he wants to ‘surround’ himself. This sounds almost like a protective shield of goodness and kindness, for such…

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Garden of the Museum of the Order of St John, Clerkenwell, London EC1

Lovely arch; beautiful garden too.

Jane's avatarJane Sketching

On a hot day, in need of healing, I re-discovered this herb garden. It is hidden away the other side of a gate off St John’s Square in Clerkenwell. The gate is open and you can walk right in. There are benches, and aromatic plants. At the back, there’s.a cloister.

I went in the cloister, and found the ideal place to sketch: cool, still, and quiet, with a view from those windows.

Here’s the view:

From the Cloister, looking into the garden, 15th June 2023, 10″ x 8″ in Sketchbook 13

The Order of St John has a long history.

By 1080, a hospital had been established in Jerusalem by a group of monks under the guidance of Brother Gerard. Its purpose was to care for the many pilgrims who had become ill on their travels to the Holy Land. The men and women who worked there were members of…

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Oxford Nuclear Physics Building

Interesting shape and quite a challenge in several shades of grey. Those paternoster lifts could be a safety problem and were common in Vienna, I think.

Jane's avatarJane Sketching

Here is the University of Oxford Nuclear Physics building, seen from the Banbury Road.

The Nuclear Physics building, now the Denys Wilkinson building, University of Oxford. Sketched 27 May 2023, in Sketchbook 13

The building was renamed the “Denys Wilkinson Building” in 2002. It was built in 1967 to the designs of architect Philip Dowson of Arup. The fan-shaped structure originally housed a Van der Graff particle accelerator, now dismantled. [https://manchesterhistory.net/architecture/1960/denyswilkinson.html]

Professor Wilkinson (1922-2016) was the Head of the Nuclear Physics Department from 1962-1976.

The building on the left is the “Thom Building” which houses the Engineering Department. This building had a marvellous “paternoster” lift in the 1970s. (Note 1). This is a lift with single compartments, which operates in a continuous loop, like rosary beads, hence the name. You simply stepped into one of the slowly moving compartments and were carried up or down.

Here is work…

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Paul Sérusier: Synchronie en vert (1913)

Love Sérusier and find his prints amazing- lovely composition.

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Paul Sérusier, Synchronie en vert (1913), oil on canvas, Museo de Bellas Artes de Bilbao

Synchrony in Green is a composition characterised by a limited colour range. The simplification of planes reinforces the sober and expressive nature of this still life, and these values are in turn heightened by the geometric shapes of the elements portrayed. Set in an undefined interior, in the foreground we perceive a jug and three lemons on the table covered with a green tablecloth and, on a second plane, a larger vase containing a eucalyptus branch, to the right of which we see the back of a chair. In addition to its Cézannesque references, this canvas presents decorative and intimate values and is a work characterised by chromatic harmony.

Sérusier was a distinguished painter, professor and theoretician. In the town of Pont-Aven in Brittany he became a close friend of Gauguin’s, disseminating the latter’s…

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The Consolations of Psychotherapy: Why the Question of “Why Did This Happen to Me?” Doesn’t Make Sense

Leon Garber, LMHC's avatarLeon's Existential Cafe

There is no why to suffering, only a how.

How did it affect you? How did it change your outlook, your character, your purpose? What did it do your plans and your incentive to go on? Did it tarnish your spirit? Psychotherapy, in its attempt to address one’s personal distress, often works with the victim to move away from asking the proverbial question of trauma. And many seek treatment because they know they ought to cease asking it, but can’t.

Acknowledging the near complete uncertainty of one’s life entails relinquishing the delusion of control, the belief that he can predict and control the various calamities waiting behind the door of possibility. In his understanding, much of his suffering is personal, engendered by those who wish to harm him and a cruel universe having him atop its hit-list. So, if he does find himself sitting in an inconsequential room with an…

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Ancient Archway, Lombardy, Italy

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There should be dancing in the streets

When one fled past, a maniac maid,
And her name was Hope, she said :
But she looked more like Despair,
And she cried out in the air :

‘My father Time is weak and gray
With waiting for a better day ;
See how idiot-like he stands,
Fumbling with his palsied hands!

‘He has had child after child,
And the dust of death is piled
Over every one but me—
Misery, oh, Misery!’

Then she lay down in the street,
Right before the horses feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

When between her and her foes
A mist, a light, an image rose.
Small at first, and weak, and frail
Like the vapour of a vale :

From Shelley….The Mask of Anarchy

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Dressed for the beach 1892-1922

I notice that currently there are a number of interesting books on the English seaside and it’s history.

hoakley's avatarThe Eclectic Light Company

In the first of these two articles looking at what our ancestors wore on the beach, I had reached 1890 with just a glimpse of lower leg and arm from the wild young things as they paraded themselves in the sun. Otherwise, adults only bared the absolute minimum, most even wearing hats. The only members of the family who could, in the right place, get away with anything less were children, and even they were often well covered up.

William Merritt Chase, A Sunny Day at Shinnecock Bay (1892), oil on canvas, 46.99 x 60.33 cm, Private collection. WikiArt. William Merritt Chase, A Sunny Day at Shinnecock Bay (1892), oil on canvas, 46.99 x 60.33 cm, Private collection. WikiArt.

The citizens of New York often went to the beaches of Long Island, NY, although here William Merritt Chase has travelled far from the crowds, out among the Hamptons, where the more affluent were building their holiday mansions. Chase was a key figure in American art in the late nineteenth century:…

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a wonderful Matisse

Aletha Kuschan's avatarFantabulous Koi

Henri Matisse, “Blue” Still Life, 1907, Barnes Foundation

I have a small reproduction of Matisse’s painting hanging in my studio from a paper clip and I look at it often. I’ve even previously posted a quick, early morning drawing that I made of the picture while sitting in the gloom before dawn.

Looking at Matisse’s picture more closely, I got to wondering what the filaments are below the urn. Any thoughts? They look somewhat like coral or like onions when they sprout (though the color is all wrong for onions). I was able to find the painting’s home (the Barnes Foundation) and a little bit of descriptive information at the museum website, but no mention of the feature that puzzles me.

Thus, alas, the mystery persists.

But seeing the webpage, I knew I must share it with WordPress readers and with my future self since it has a wonderful enlargement…

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