Chu Teh-Chun (1920 – 2014), Mature Season, lithograph, signedChu Teh-Chunin Chinese and Pinyin (lower right), numbered136/150(lower left), this work is number 136from an edition of150, unframed: 59.5 by 75.5 cm; 23 ⅜ by 29¾ in., Image Source: Sotheby’s
The Los-Angeles-based chamber orchestra Delirium Musicum and director Etienne Gara present the electrifying “Summer 3” by this contemporary composer on their SEASONS album. Discover here: https://w.lnk.to/seasonsLY
SONIA DELAUNAY (1885-1979), Nature morte portugaise, signed and numbered ‘SONIA DELAUNAY 564’ (on the stretcher), oil and wax on paper laid down on canvas, 26 1⁄8 x 37 1⁄4 in. (66.4 x 94.6 cm.), Painted in Portugal in 1916, Image Source: Christie’s
“A joyful testament to Sonia Delaunay’s fruitful and happy years on the Iberian peninsula, Nature morte portugaiseis a powerful expression of colour, movement and light that immerses the viewer in the raucous, sensual atmosphere of the sun-drenched Portuguese marketplace. Painted in the challenging new medium of wax, this work is a superb example of the pictorial experimentation that led the artist and her husband Robert Delaunay to attain new means of expression during their exile in southern Europe, taking inspiration from their new surroundings to blur the lines between the figurative and the abstract, creating a veritable visual tour de force.”
Here is an amazing sight: the hanging bridge over London Wall.
London Wall, hanging bridge. 24 May 2023, about 1pm, 7″ x 10″ in Sketchbook 13
The large building in the centre of the picture is City Tower, 40 London Wall. In front of it is a demolition site where City Place House used to be. The bridge used to connect to City Place House. Now this building has gone, the bridge hangs in space.
In my previous drawing I sketched while listening to the guitar music of Hidè Takemoto. For this drawing, the acoustic accompaniment was mostly percussion. The building site was active. Spasmodic grinding and crashing signalled the removal of concrete. Metallic hammering came from scaffolding under construction.
The big red grid on the right of my picture was hauled upwards and out of sight before I finished drawing it. It was going to be part of…
Odilon Redon, Le Christ et ses disciples, Signed Odilon Redon (lower right), Oil on canvas, 12 3/4 by 9 5/8 in., 32.5 by 24.5 cm, Painted circa 1905, Image Source: Sotheby’s
“The present work draws on the theme of discipleship and the divine nature of Christ rather than a specific episode of the New Testament. Though he was not an orthodox Christian, Redon mixed in Catholic circles and was clearly attracted to the figure of Christ who features frequently at this time.”
Fleur Roos Rosa de Carvalho, ‘Decorative panels’, in Odilon Redon and Andries Bonger: 36 works from the Van Gogh Museum collection, Amsterdam 2022, FREE PDF HERE
Here’s my summer reading list, now I’m all set up to take part again in Cathy’s annual 20 books of summer challenge.
My first five selections were inspired by reading The Shelf, a 2014 book by Phyllis Rose subtitled Adventures in Extreme Reading. I’ve been much-derided for enjoying this book by my children – reading is hardly bass-jumping – but the premise really appeals to me. Rose went to the New York state library, and picked a shelf (almost) at random, pledging to read her way through it. The book was a fascinating exploration of the results of this exercise, and took her away from reading directed by reviews, hype and the canon.
So, off I went to Dulwich Library in South London, and picked up 5 random books off the very first shelf, comprising authors from ABB to ALL.
Three ladies settle in front of the Portugese Coffee House in Market Jew Street. I'm glad in a way,they are only taking drinks. A teapot heralds a certain degree of bourgeois comfort, whilst the lady on the left sips her milkshake like a teenager. They seem oblivious to the marauding prospect of seagulls. The effect this sunshine spell on older skin doesn't bother them. Above pound-stretcher a gull stretches his wings. The black and yellow pennants flutter wildly in the in the incipient breeze. A single-decker spreads a cascade of pollutants. The outspread Guardian announces Johnson to be referred to the police by his own lawyers. To me it feels like a temporary delicate interregnum.
Here is St Giles’ Church, Cripplegate, seen from the public walkway at Wallside. The church is surrounded by the Barbican Estate. Cromwell Tower is in the background. The City of London School for Girls is the lower building, centre and left. Through the gap between the church and the school, you can just glimpse the Barbican Centre.
The magnolia was in bloom!
St Giles from Wallside, Barbican, 1 April 2023 12″ x 9″ [Commission]
I painted this as a commission, for some clients who wanted this particular view. A special request for this commission was that I showed two ducks. These are small, but they are there!
Ducks on the lake.
The white shapes on the lakeside wall are gravestones.
Old London Wall is on the left: part stone, part brick. This is the old Roman wall round the City of London.