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Sun Ray Forest, Hungary

Gorgeous

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Autoportrait Day 109~ Betye Saar

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Eva Cassidy: Fields of Gold

Beautiful song! Reminds me somehow of “Field of the Cloth of Gold” in Shakespeare and also a painting in Proust!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

One of the most beautiful songs I have ever heard….

Wheatfield with a reaper, Vincent van Gogh, September 1889 – 1889

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Eva Cassidy

Thanks for Visiting 🙂

~Sunnyside

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Old Town, Edinburgh, Scotland

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Autoportrait Day 106~ Alison Mason Kingsbury

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Painting Everyday London: 0 Contents and Index

Just love these dark colours and the whole scene reminds me of the poetry of London as expressed by Charlotte Mew.

hoakley's avatarThe Eclectic Light Company

This series looks at paintings made by members of the Camden Town Group. Although largely forgotten today, they played an important role in the transition of British art from the nineteenth century to Post-Impressionism and more recent movements and styles. Their legacy lives on in the London Group.

This article provides a systematic table of contents, and an index of the dominant themes in the paintings covered in articles in this series.

Introduction

Camden Town Group

Ennui c.1914 by Walter Richard Sickert 1860-1942 Walter Richard Sickert (1860–1942), Ennui (c 1914), oil on canvas, 152.4 x 112.4 cm, The Tate Gallery (Presented by the Contemporary Art Society 1924), London. © The Tate Gallery and Photographic Rights © Tate (2016), CC-BY-NC-ND 3.0 (Unported), https://www.tate.org.uk/art/artworks/sickert-ennui-n03846

In 1911, not content with his existing Fitzroy Street Group of artists, Walter Sickert formed the Camden Town Group, consisting of exactly sixteen elected male painters; they decided to exclude women, although several…

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Waterfall, Sao Paulo, Brazil

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Literature Poetry Psychoanalysis

“Autumn Journal” revisited this Spring

For here and now the new valkyries ride

The Spanish constellations

As over the Plaza Cataluña

Orion lolls on his side;

Droning over from Majorca

To maim or blind or kill

The bearers of the living will,

The stubborn heirs of freedom

Whose matter-of-fact faith and courage shame

Our niggling equivocations-

We who play for safety,

A safety only in name.

Whereas these people contain truth, whatever

Their nominal façade.

Listen: a whirr, a challenge, an aubade-

It is the cock crowing in Barcelona.

Sleep, my body, sleep, my ghost,

Sleep, my parents and grand-parents,

And all those I have loved most:

One man’s coffin is another’s cradle.

Sleep, my past and all my sins,

In distant snow or dried roses

Under the moon for night’s cocoon will open

When day begins.

These lines from MacNeice’s poem written in 1938 sadly seem apposite today. The lines refer to the bombing of Barcelona when fascists killed some 1300 people. They also refer to his response which is to seek solace in sleep. https://en.wikipedia.org/wiki/Bombing_of_Barcelona

For a fascinating discussion of MacNeice’s work take a listen to https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-louis-macneice

Now, of course the Spanish Civil War was a totally different situation from the current situation from the Russian invasion of Ukraine. However, the melancholy tone of Autumn Journal resonates with my personal feelings about current events. Firstly, weapons have become vastly more destructive and in a few days the casualties and destruction have become enormous and sadly mch more about to be revealed. In both conflicts, ethnic and religous belief would appear to be active. Although mercenaries and International Brigades are involved the ideological factors such as a belief in Marxism are radically different in form.

The cock which crowed in respect to Barcelona is an Easter image relating to betrayal. Just as with Covid the current response by politicians to the current crisis is totally underwhelming and indicates too how domestic and isolationist narratives have obscured a wider view as to how to resolve or even contain this conflict.

So this melancholia pervades from 80 or more years ago-

Our niggling equivocations

We who play for safety,

A safety only in name

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Aprilgrüße

Lyrix's avatarKlapperhorn

Regen, Hagel, Schnee und Sonnenschein,
hin und her, auf und ab,
so muss das sein.

Es blüht und sprießt,
was wachsen kann,
so fängt die Sommerjahreshälfte an.

(c) Lyrix 2022

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The #1954Club – some reading recommendations for next week

Is there a particular reason for 1954? If I had to hazard a guess I would have thought that was a great time for post-war German literature. I always confuse Elisabeth Taylor with Elisabeth Jane Howard who wrote the Cazalet novels which have been made into a DVD https://www.goodreads.com/series/73774-cazalet-chronicles

JacquiWine's avatarJacquiWine's Journal

On Monday 18th April, Karen and Simon will be kicking off the #1954Club, a week-long celebration of books first published in 1954. Their ‘Club’ weeks are always great fun, and I’m looking forward to seeing all the various tweets, reviews and recommendations flying around the web during the event.

Perhaps unsurprisingly, given my fondness for fiction from the 1940s and ‘50, I’ve reviewed various 1954 books over the past few years. So if you’re thinking of taking part in the Club, here are some of my faves.

Who Was Changed and Who Was Deadby Barbara Comyns

There is something distinctly English about the world that Barbara Comyns portrays here, a surreal eccentricity that could only be found within the England of old. Set in 1911, three years before the advent of the First World War, Who Was Changed and Who Was Dead has all the hallmarks of…

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