Category: Art and Photographic History
Beautiful Lithuania
Many years ago my French Master, somewhat radically inclined, offered to teach me Chinese. The condition was that I had first to ensure my French was up to scratch. Unfortunately I was scarcely up to the mark with the language but have in recent years got as far as reading a very easy version of Flaubert with an immense amount of pleasure. I did however have at least one lesson of Chinese and can still recall one or two phrases about writing a character on a blackboard. I also recall seeing on my schoolmasters desk a few copies of a magazine called “China Reconstructs”.
In a very different study overlooking St Ives harbour and bay, I saw a copy of the same journal. This was the study of a friend’s father who had been a brave member of the Chinese Inland Mission. One of the achievements of this famous organisation was to encourage the unbinding of women’s feet. A task interrupted by the Japanese invasion. There was a magnificent cat wandering around the house called “La Fu” and meals at my friends were frequently taken using chop sticks.

Large parts of Cornwall have unfortunately been subject to neglect and decline. A situation which appears to have got still worse under the Tories and due to Brexit. Much reconstruction of public services is urgently needed to avoid further poverty, ill-health and decline. The view below shows another side to Cornwall but unfortunately is all too common.

This is by my friend Ursula Ghee Wieckowska, who lives on the Island of Lewis not far from Stornaway
Snow Hills
March is turning out to be the month of
Blue skies sun and brilliant snow
Not overwhelming snow
Pawprints made by the cats
Prints by the chickens crows and ducks
Then this morning all the prints were gone
It must have snowed in the night
Glistening crystals of snow now
Covering the ground smooth and white
By tonight the garden will be covered in prints again
Then over to the east the hills
Beautiful white covered in snow
The sun shining on them
Showing off their features
From a distance we see
The individual hills
Stac Polly Cul Beag
Cul Mor Sulliven
Canisp
Different shapes
Different personalities
They only appear on some days
This week we have been blessed
Everyday against the blue sky
They stand on the horizon
They stand on the sea
In the town the roads are wet
The traffic has melted the snow
And the black tarmac appears
Some snow is just lying
On the verges and roofs and
In between the trees
I head home and will look at the snow
Through the car windows
Then through my house windows
As long as the sun shines
Then it will disappear into the dark
To come again hopefully tomorrow
When I open the curtains in the morning
I will once again be blinded by the
Sun on the white snow
The London Review of Books editions that arrive every two weeks seem to vary in their interest value. The most recent edition, however, grabbed my interest in a short article on the life of the German Expressionist, George Grosz. Then I went on to read about the amazing Adolfo Kaminsky, the brave photographer and forger on behalf of radical causes. Two good articles and it puts you in the mood to read the rest before the next explosion of magazines arrive with more information having to be processed. (LRB Volume 45 Number 4 -16th Februrary 2023)
Thomas Meaney has visited the Staatsgalerie in Stuttgart and his review of Grosz is particularly interesting from a psychological viewpoint with informative quotations from Walter Benjamin, Hannah Arendt; the former claiming that Grosz’s caricatures were not satire but reportage. His transition to America in 1933 marked a point at which he seems to have attempted to subdue, what he considered, his former arrogance and nihilistic tendencies. Yet he seemed out of sympathy with American society, its cultural interests and the false persona he felt he had to adopt in his teaching of drawing. By 1954 he appears to be in some sort of deep decline. Meaney quotes the Dadaist and friend Schlicter –
“Rarely have I seen a person with such self-destructive rage…..It is a depressing spectacle to see a man whom one once cherished go to the dogs in this way.”
Returning to Berlin where he died in 1958 seems to have exacerbated matters still keenly aware of past issues unresolved.
Secondly, last week there was a dearth of anything but Tory supporting newspapers at Sainsbury’s so I decided to buy the Morning Star. I came across an interview by Chris Searle with the veteran Bassist Dave Green. He and his friend, Evan Parker have just issued a new CD called Raise Four.
The clip above is almost 20 years old but in this recent interview, Green highlights his favourite artists; Roland Kirk, Coleman Hawkins and among British Jazz musicians, Bruce Turner. Green has been a dedicated anti-racist and an ardent believer in constant experimental freedom to develop his craft.
The third article to engage my attention, in this case by the vivid illustrations, was in Saturday’s Guardian and may be found at https://www.theguardian.com/artanddesign/2023/feb/16/women-abstract-expressionism-whitechapel-gallery-krasner-sobel
This article is a review of the Women’s Abstract Exhibition (1940-1970) to be found at the Whitechapel Gallery until 7th May. I particularly was taken by the dark variegated shades of Li Fang’s work of 1969.
I am staring through an orange film. It’s the coloured layer around the Lucozade bottle which attends my high temperature. For reasons no longer clear to me I am in my parent’s bed listening to seagulls overhead. My mother is anxiously awaiting Dr M’s arrival on the ground floor where she has been making up Brussel sprout bags. Dr M is the son of the even more highly regarded “old Doctor M” and the chief G.P. of the practice in the Market Place just around the corner from my Grandfather’s shoe mender’s shop- opposite the church in St Ives. The downstairs in the practice there is crowded in the summer with lobster coloured visitors suffering from painful sunburn.

Then there was dear Doc B. Gentle by nature and with a reassuring voice. He was the preferred doctor from my mother’s viewpoint and mine too. In those days the result of the home visit always seemed to be the deep red sugary liquid or lobelline. In more severe cases with itchy rashes and high temperatures it was likely to be M and B. Dear DrB was one of two doctors who had served in the Navy during the War. Thus should the maroon go off and the Lifeboat go out, there would usually be one of these ex-navy doctors on board.
There was a general feeling that any illness was due to the moral failure of the afflicted. It was expressed though as “I told you not to go out in that wind with your duffle coat not properly done up”. In adolescence after overindulgence it would be expressed as- “I told ee you can’t afford to play ducks and drakes with your health”. Or even – “No wonder you have ended up like that and I haven’t seen you take out one of your books to study properly since Christmas”.

Unfortunately I cannot tell you more about the admirable Doctor B as I got to become close friends of his son and his family. They all intrigue me still and their love of sailing, their faith and their company on New Year’s Eve and forbearance for my attempts at Scottish Dancing. I am touched when I recall Dr B insisting in paying me in guineas for helping tutor his son with his A-level Physics. The memory now reminds me of the early parts of “The Garden of the Finzi-Continis”- the tennis and the sunshine.
Then there was DrS – a very different kettle of fish. Seemingly rather austere , quite tall with a head of curly hair that resembled the that of the distant Shakespeare academic Frank Halliday, he tootled through the already numerous crowds on his home visits. Rather taciturn, whilst not greatly welcomed to my childhood bedside visits was of greater support during adolesence. I remember seeing him in bookshops reading advanced ideas of art and French Existentialism. Indeed he was fascinated by living amongst a community of writers and artists.
Those younger doctors were at that time, the only persons in the community to afford cine cameras. These were used to record everything from the incident where the crew of HMS Wave were rescued by breeches buoy to family outings past Seal Island. DrS spent time both conducting audio recordings of important historical events and producing high quality photographs of members of the various art societies in that productive post-war period.
I shall discuss a little more of my personal impressions of preachers and artists in forthcoming posts
More interviews can be found at https://www.fishermenslodgesdigital.com/oral-histories

I recently happened upon these rather homely images of the English countryside, colourful and imaginative. They seem in the same vein as John Nash and perhaps Stanley Spencer. The falling leaves in front of the Mill House, the stream and the pathway adds a certain timeless quality, slightly abstract and yet impressively lyrical. You can read more about this charming painter’s background at https://artuk.org/discover/artists/barnden-bruce-19252009

Mill near Midhurst
Worthing Museum and Art Gallery
Here the scene has become wintry and dominated with delectable petrol blue shades https://www.pinterest.co.uk/mzei/petrol-blue/

Abstract Leaves https://www.mutualart.com/Artist/Bruce-Barnden/A19A99901EB239BB


Fruit crop – Ludwig von Hofmann
I have been contemplating this painting from the mythical world of this not well known German painter who lived (17 August 1861 – 23 August 1945) As Wikipedia informs us “In 1889, he attended the Académie Julian in Paris, where he came under the influence of Pierre Puvis de Chavannes and Paul-Albert Besnard.” Certainly the Art Nouveau and Symbolist styles are present but the general impression of this work is one of tranquil gathering from fruitful nature. After a summer of disturbingly high temperatures and draught it seems a pleasant reminder of what seems a different age. End of summer and Arcadia can exist and as I have recently discovered in the rich orchards of Trengwainton still in existence.
As I have been reading recently about Stanley Spencer and the aftermath of the First World War, I came across the following painting as a comparison. Von Hoffmann’s painting is dated 1906, and according to Boyd Hacock’s “A Crisis of Brilliance“, Spencer’s Apple Gatherers is dated 1912.

To anyone familiar with Spencer, the chunky figures have a certain primitive attractiveness- a robust Bob the Builder robust quality. The abundance and timelessness is achieved by the composition. The sketches upon which it is based shows the time and thought which went into the work. The plenitude of fruit and the couple linking arms around the apple suggest some kind of Eden restored.
In this part of Cornwall we have a special feast referred to as Allan Appletide https://en.wikipedia.org/wiki/Allantide