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Supertunia Bordeaux Petunia

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Ukrainian Painters: Wladimir Baranoff-Rossiné

Engaging mixture of styles and approaches.

hoakley's avatarThe Eclectic Light Company

This week’s Ukrainian painter is one of several who emigrated from the country after his initial training, and later established himself an international reputation. He’s Wladimir Baranoff-Rossiné (1888-1944), who was born in southern Ukraine, most probably in Kherson, and was initially known as Shulim Wolf Leib Baranov. He first studied art at the art school in Odesa, from where he graduated in 1908.

baranoffrossineboats Wladimir Baranoff-Rossiné (1888-1944), The Boats (1905), oil on cardboard, dimensions not known, Private collection. Wikimedia Commons.

Several of his earliest surviving paintings appear to show views of the River Dnipro, including The Boats from 1905, painted when he was a student in Odesa.

baranoffrossineviewsailboats Wladimir Baranoff-Rossiné (1888-1944), A View of Sailboats (1905-08), oil on canvas, dimensions not known, Private collection. Wikimedia Commons.

A View of Sailboats also dates from this period of 1905-08.

baranoffrossinebargednipro Wladimir Baranoff-Rossiné (1888-1944), Barge on the Dnipro (1907), oil on canvas, dimensions not known, Private…

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The Prawn Cocktail Years by Simon Hopkinson and Lindsey Bareham

Like Proust’s Madelaine it brings back memories!!

cathyc's avatarThis and That

I’ve had this book by my favourite English food writer (SH) on the shelves for years and opened it for the first time at breakfast the other day. A homage to the food they were brought up on, it got me thinking about a dinner we hosted on Saturday night. We decided to go for a seventies vibe. Chicken vol-au-vents for a starter. Then boeuf au daube – I used the Reader’s Digest cookbook for this, published early seventies, so it’s exactly the right vintage – and we had potato gratin (Stephanie Alexander’s) on the side. Caprice brought apple crumble for dessert and Sheila brought a seventies cheese platter. Jatz crackers, of course, none of this lavosh crackers with olive oil and rosemary, no siree. And a nice touch was an orange into which she’d poked a lot of toothpicks, each of which was headed by a teensy pickled onion…

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2 July, 2023 09:05

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Sultan Muhammad: The Court of Kayumars (c.1524–1525)

Amazingly colourful!!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Sultan Muhammad (attributed), The Court of Kayumars (Safavid: Tabiz, Iran), c. 1524–1525, from the Shah Tahmasp Shahnameh, c. 1524–35, opaque watercolor, ink, and gold on paper, 45 x 30 cm (Aga Khan Museum, Toronto), Image Source: wikimedia (detail)

“This sumptuous page, The Court of Gayumars (also spelled Kayumars— see top of page, details below and large image here), comes from an illuminated manuscriptof theShahnama(Book of Kings)—anepic poem describing the history of kingship in Persia (what is now Iran). Because of its blendingof painting styles from both Tabriz and Herat (see map below),its luminous pigments, fine detail, and complex imagery, this copy of the Shahnamastands outin the history of the artistic production in Central Asia.

The Shahnamawas written by Abu al-Qāsim Ferdowsi around the year1000andis a masterful exampleof Persian poetry. The epic chronicles kings and heroes who pre-date the introduction of Islam to Persiaas well as the human experiences of…

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The Towers of Trebizond (1956), by Rose Macauley

I loved reading “The World My Wilderness”- about the Maquis and Rosebay Willowherb!

Lisa Hill's avatarANZ LitLovers LitBlog

I don’t want to put anyone off, but I think that readers will miss some of the humour in The Towers of Trebizond if they don’t have enough background knowledge.  Let me try to explain, with the help of Wikipedia (lightly edited as usual to remove unnecessary links).

Dame Emilie Rose Macaulay, DBE (1 August 1881 – 30 October 1958) was an English writer, most noted for her award-winning novel The Towers of Trebizond, about a small Anglo-Catholic group crossing Turkey by camel. The story is seen as a spiritual autobiography, reflecting her own changing and conflicting beliefs.

Well, yes it is, but that description (apart from the camel) makes it sound earnest and boring.  The truth is that most of the time Macaulay is poking fun at religion in general and at hers in particular.  It is often laugh-out-loud funny, but as I can see from reviews at Goodreads not…

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Hallal Singers: O Lord, I Cry Before You

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Ivan Aivazovsky (1817-1900), Searching for survivors, signed and dated ‘Aïvazovskii/1870’ (lower left), indistinctly inscribed in Russian and dated ‘…/from I. Aivazovskii/1863’ (lower left), oil on canvas, 23¾ x 23 1/8 in. (60.2 x 58.6 cm.), Image Source: Christie’s

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Ivan Aivazovsky at Wikiwand

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Ivan Aivazovsky At Sunnyside

Thanks for Visiting 🙂

~Sunnyside

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The Whale (2022): Film Review and Critique

Fascinating material here. It has made me wonder if Melville’s work influenced the Gothic themes of Edgar Allen Poe.

leonbrennerblog's avatarLeon Brenner

Darren Aronofsky‘s 2022 film, “The Whale“, is a cinematic interpretation of Samuel D. Hunter‘s stage play of the same name. It delves into the last days in the life of Charlie (played by Brendan Fraser), a morbidly obese English teacher living in self-inflicted isolation. After acknowledging his impending demise due to compulsive eating and self-neglect, the film follows Charlie’s final attempts to mend the broken ties with his estranged daughter, Ellie (played by Sadie Sink).

The film presents a psychological examination of human destitute, exploring themes of self-isolation, paralysis, and the pursuit of redemption. It provides a glimpse into the psyches of characters caught in a cycle of self-isolation, entrapped in their lives due to their inability to move past traumatic experiences. Rather than confronting their painful histories and working towards resolution, they retreat into their shells, resigning themselves to an existential stasis. Charlie…

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Hauser: Now We Are Free

Richly romantic!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Odilon Redon (French, 1840–1916), Butterflies (c1910), oil on canvas, Museum of Modern Art, Image Source: wikimedia

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Odilon Redon at wikiwand

Fleur Roos Rosa de Carvalho, ‘Decorative panels’, in Odilon Redon
and Andries Bonger: 36 works from the Van Gogh Museum collection,
Amsterdam 2022, FREE PDF HERE

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Odilon Redon at Van Gogh Museum

Odilon Redon at Musée d’Orsay

Odilon Redon at Christie’s

Odilon Redon at Sotheby’s

Odilon Redon at wikimedia

Thanks for Visiting 🙂

~Sunnyside

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“Reserved for Natives”: Alexander Voloshin on the Status of Refugees

I think the last quatrain particularly brilliant!

bdralyuk's avatarBoris Dralyuk

The plight of refugees stalks the headlines: devastating wrecks off the coast of Greece, Ukrainian children orphaned and uprooted, often welcomed but sometimes mocked and bespattered by their peers. For those of us who have experienced displacement in the past, such stories bring back painful memories and old fears. I recall my family’s early days in Los Angeles — recall my mother’s struggles to clear the bureaucratic hurdles all immigrants face, as well as the playground bullying to which my friends and I were subjected. One of the chapters in the second part of Alexander Voloshin’s On the Tracks and at Crossroads recounts some of those perennial émigré troubles, applying to them a therapeutic layer of absurdist humor. Laughter was how my friends and I coped with our challenges, too; eventually, those challenges fell away, while we, I’m happy to say, are still laughing.

At this point in his…

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