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Cyprien Katsaris: Schumann, Kinderszenen, Op. 15

Lovely!

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James Jebusa Shannon, Jungle Tales (Contes de la Jungle) 1895, Oil on canvas, Credit Line: Arthur Hoppock Hearn Fund, 1913, source: The Met

Recorded live at Tsuda Hall, Tokyo on 20 December 1989.

0:09– From foreign Lands and People 2:11– Curious Story 3:09– Catch me if you can 3:38– Entreating Child 4:25– Perfect Happiness 5:48– An Important Event 6:40– Dreaming 9:33– By the Fireside 10:19– Knight of the Rocking-Horse 10:53– Almost too serious 12:40– Frightening 14:08– Child falling asleep 16:32– The Poet Speaks

Hat Tip

Many thanks to sakura at One Step at a Time for introducing me to this musical selection in her post, The Eyes of a Child.

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Robert Schumann at wikiwand

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“They Make Their Exit, Arm in Arm”: Vernon Duke and LA’s LGBTQ History

Interesting and atmospheric. Loving your collection-My Hollywood. Struck by the word “drear” here and its connotations in early poetry. “Johnny Frenchman” too was intriguing as the title of a film from around 1947 about Cornwall and Brittany.

bdralyuk's avatarBoris Dralyuk

Malibu Pier area in the 1950s

It was a multifarious delight to see My Hollywood praised in The New York Review of Books, in a wonderful piece by Anahid Nersessian, a professor of English at UCLA, that paired the collection with Adam Kirsch’s own loose (in all but the metrical sense) LA memoir-in-verse, The Discarded Life. Nersessian’s reading is generous and her phrasing is lapidary; she doesn’t groan at my rhymes and detects in my poems an “air of upbeat sorrow,” as well as “an émigré mood, defined by the conviction that things could always be worse.” How true, that last bit. And it gave me special pleasure to see the critic connect this mood to the work of the composer Vernon Duke, né Dukelsky, whose Russophone Angeleno poems I’ve been translating for some time. Not only does Nersessian mention the two I included in the book, “Farmers…

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Autumn, Cypress Gardens, Florida

Splendid- truly splendid.

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Inktober Day 10: Sunrise of the Independence Garden

The two colours have worked pleasantly together here.

writingatlarge's avatarWriting at Large

Had an unusual start to the day, with an early morning walk before my usual morning run. I’m embracing the spirit of experimentation with these, so this one was sketched using diluted Sennelier shellac based ink (non fountain pen friendly) in waterbrushes, paired with a fine nibbed TWSBI ECO filled with J. Herbin Emerald of Chivor, and a Diplomat Aero with a fine nib filled with Colorverse Golden Record. The Midori MD Cotton paper does not take nicely to any amount of moisture and there was bleed through (and of course see through) to the other side of the page, but in general it held up much better than I expected.

Independence Garden at Sunrise. Playing about with various kinds of inks.

Here are all the tools used for this quick sketch:

From left to right: waterbrush filled with blue in, waterbrush filled with sepia ink, TWSBI ECO, Diplomat Aero…

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Frederick Carl Frieseke: Under the Awning (1916)

Fascinating painting and rather amazing to see this dated as 1916.

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FREDERICK CARL FRIESEKE (1874-1939), Under the Awning, signed and dated ‘F.C. Frieseke- 1916’ (lower left), oil on canvas, 36 x 36 in. (91.4 x 91.4 cm.), Painted in 1916, Image Source: Christie’s

“Frieseke’s celebrated Giverny subjects of women in domestic interiors, or, such as in the present example, enjoying moments of leisure in the village’s opulent gardens, are imbued with a remarkable sense of light and high-keyed palette adopted from the French Impressionists. William H. Gerdts writes, “It was Frieseke who introduced into the repertory of Giverny painting the concern for rich, decorative patterns, related to the art of Edouard Vuillard, Pierre Bonnard, and the other Nabi painters. There are patterns of furniture, patterns of parasols, patterns of fabric and wall coverings, patterns of light and shade, and patterns of flowers, all played off one against another in bright sunshine…” (Monet’s Giverny: An Impressionist Colony, New York, 1993…

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Snow Bridge, Warsaw, Poland

Like a very early Christmas card!

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Lake Wanaka, New Zealand

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András Schiff: Schubert, Beethoven, and Bach

Lovely music!!

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Theodore Robinson, Autumn Sunlight, (c1888), Source: Wikimedia and Florence Griswald Museum

Robinson, a Vermont native, painted this scene in France, perhaps at Giverny, where he was a friend of Claude Monet. The woman recalls the peasants of Barbizon art but confronts us as they do not. Women who appear to blend with a natural setting are seen often in American Impressionism.

Florence Griswald Museum

Franz Schubert: Piano Sonata No.21 in B-flat, D.960

  • 01:21 I. Molto moderato
  • 20:57 II. Andante sostenuto
  • 29:29 III. Scherzo, Allegro vivace con delicatezza
  • 33:48 IV. Allegro ma non troppo

Ludwig van Beethoven: Piano Sonata No.32 in C minor, Op.111

  • 43:53 I. Maestoso / Allegro con brio ed appasionato
  • 53:11 II. Arietta, Adagio molto semplice e cantabile

Encores: Johann Sebastian Bach: Well Tempered Clavier Book I Prelude and Fugue in C Major, BWV 846

  • 01:13:09 Prelude
  • 01:14:54 Fugue Franz Schubert: Piano Sonata No.20 in A, D.959
  • 01:18:15…

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Painted Stories in Britain 6: Benjamin West and Modern Histories

hoakley's avatarThe Eclectic Light Company

While Joseph Wright of Derby was painting his unusual chiaroscuro narratives of the Enlightenment, a new American artist stopped off in London, on his way home to Philadelphia. Over the next fifty-seven years he was among the leading history painters in Britain, painted for the King of England, and became the second President of the Royal Academy in London.

When Benjamin West was born in Springfield, Pennsylvania, in 1738, the edge of European ‘civilisation’ was only a hundred or so miles to the west. As the tenth child of an innkeeper, with little formal education, limited training in painting, and almost no knowledge of classical history or mythology, he seems an implausible figure. Quite how he became the eminent artist that he was when he died in 1820 isn’t clear either: the most detailed contemporary account of his life and work was written by a novelist, John Galt, who compiled…

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The Bombing of St. Ives Cornwall and the Strafing of it’s Beaches by the Luftwaffe August 1942 .

This raid was much talked about when I was growing up in the town in the 1950s

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bomb damage

Owing to censorship in WW11 , many details were left out of newspaper reports of enemy action over the British Isles .

The full report below in The Cornishman 3rd September 1942 only gave scant details of locations and buildings damaged in the raid by two German fighters . St. Ives was just loosely referred to as a “South-West town” .

It was only by checking the names of the injured and the one lady killed and then locating them on the previous 1939 Register , that I was able to pin-point the report to be the of St.Ives .

The attack appears to have started with strafing of Porthminster Beach by machine gun fire . The pilots must have known that being the end of August there would be many children  and holidaymakers on the beach but nevertheless went ahead with their attack . Miraculously it appears no-one was…

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