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Thoughts on “The Knight” by Rainer Maria Rilke

Rilke- always fascinating!!

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Penwith St Ives West Cornwall (and local history)

A house in Downalong in St Ives

Bethesda Hill toward Porthminster, St. Ives

Bethesda Hill

(The Pool of Bethesda was a pool in Jerusalem known from the New Testament story of Jesus miraculously healing a paralysed man, from the fifth chapter of the Gospel of John, where it is described as being near the Sheep Gate, surrounded by five covered colonnades or porticoes.)

This cobbled hill leads down to the harbour and affords a view of the pier and the more recent lighthouse at the end. These are fisherman’s cottages essentially, and there was a sail loft- now Bradbury’s architects with a small raised forecourt from which artists would frequently paint the attractive view. Fore-sand is just at the bottom of the Hill and very popular with tourists. Just to the right of the exit at the bottom was an area often occupied by a horse and cart selling vegetables. Yet another horse and cart was used for unloading the catch of fish directly from the punts- very useful in this tidal harbour. The horse had no problem in a depth of water of the order of a metre. The catch was weighed at the platform in front of the Sloop- an area now completely occupied by the customers. The small weigh-house is still there; now entirely unknown except to a small number of locals.

The house itself backed onto a concrete lined fish cellar, into part of which, coal was delivered by Bennetts merchants and sold by the hundred weight. Its price, a constant source of worry for my parents. As far as I can recall, the house was purchased from my Uncle around about 1953 though I had slept there before whilst my Mother had to go suddenly into West Cornwall for an appendix operation. I think she was in hospital for some two weeks or so and probably operated upon by Mr White, the esteemed surgeon who perfected his skills in the Western Desert.

The coal cellar under the house occupied much of my time in childhood. It had my father’s tool kit – he had worked as a plumber and an aircraft fitter during the war. The was a steel ARP helmet and a washday mangle which became my “spaceship”, but I had been well drilled in health and safety. The lighting and ventilation were poor. I should perhaps explain that when my parents moved in, there was no bath and no hot water. Mr Brian Stevens, now a distinguished St Ives historian assisted in the building of a kitchen and bathroom at the rear of the property. My father installed a boiler system behind one of the coal fires and this was supplemented by a cylinder with an immersion heater. This rapidly used up 2-shilling pieces in the coin slot meter. Every time this ran out, my Mother would ask, “Where was Moses when the lights went out?”

It is perhaps worth mentioning that the walls between houses were very thin. We could easily hear, each Sunday evening our neighbour’s son playing Elvis whilst his parents were at Chapel. The small house was overfilled with visitors for many years and sometimes we all had to sleep downstairs. This was the era of Bed and Breakfast when everywhere was packed during for instance, Swindon week when railway workers had free transport to St Ives.

The Hill had two or three interesting features. There was a small meeting house tucked away in a small courtyard which was said to be used by a small Jewish community. There was at the top of the Hill on the way to the Island several larger guest houses and a shop where I was frequently sent where saffron cake was cooked each week and sold, there was often a long ash on the cigarette of the gentleman stirring the mixture and I often wondered if it fell in with the other ingredients. Cheese was sliced through by a wire and quarter a pound of sweets served into small paper bags from large tin boxes which had glass lids. On the doorstep milk was delivered in glass bottles and potato skins collected from a bin regularly by the “pig-man” in return at Christmas we sometimes received a pork joint. Ray (Skate) wings were often hung up for a day or two -said to improve its taste but also attractive to flies.

Monday was wash-day and sheets would sometimes be taken to the Island to dry. At this time there were some difficulties as fisherman used much the same space for drying freshly tarred nets!! The fisherman’s loft above Porthgwidden Beach -close to where Sven Berlin once worked was where the netting was stored. During the war, camouflage nets were made here and in the early 60s there grew a cottage industry in making up Brussel sprout bags with thick cord drawstrings. I remember helping my Mum a little by carrying rolls of 100 nets for which she was paid just a penny, I think. I would also load up bone needles- cut by my Father’s fret-working skills from ribs-with string. I could do a number of these quite quickly. The string was bound the thick cord around the net which was suspended from a cup-hook at a convenient height in the wooden door frame.

We left left the house which then still had round pin 15 Amp plugs in 2002. It is now, I think, an Air B’n’b cottage and house prices are currently above a third of a million.

 

 

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The Art of Anders Zorn 1: Portraits of success

I think it worth pointing out that Zorn painted fishermen and fish sales in 1888 in St Ives, Cornwall. David Tovey remarks that his painting in the Luxembourg, Paris brought many visitors to the town.

hoakley's avatarThe Eclectic Light Company

The story of the career of Swedish artist Anders Zorn (1860–1920) isn’t quite rags-to-riches, but he was born to an unmarried mother, and never even met his father, a Bavarian brewer who met her when she was doing seasonal work in a brewery in Uppsala. Zorn was brought up on the family farm near the village of Mora, in Dalarna, central Sweden. His itinerant father died in 1872, providing his son with a small legacy which enabled education at a grammar school in the distant town of Enköping.

While he was there, Zorn must have showed artistic talent, as in 1875, at the age of only fifteen, he won himself a place to study sculpture at the Royal Swedish Academy of Fine Arts in Stockholm. He left the beautiful rolling lakelands of Dalarna for the crowded capital. It was there that he discovered that watercolour painting was his forte, and…

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Troubles, by J G Farrell, winner of The Lost Booker Prize, 1970

As far as I can discern JGF is a fine writer. Interesting to compare with Elizabeth Bowen. The English have a huge lapse of memory with respect to Ireland.

Lisa Hill's avatarANZ LitLovers LitBlog

Reviews From the Archive

An occasional series, cross-posting my reviews from The Complete Booker.
To see my progress with completing the Complete Booker Challenge, see here.

Troubles, by J G Farrell, was the retrospective winner of the Lost Booker Prize in 1970.

July 7th, 2003

Troubles is the predecessor to The Siege of Krishnapur which won the Booker, and this one won the Faber Memorial Prize in 1970 (and posthumously, the Lost Booker Prize, one which has zero credibility with me because it was determined by popular vote).

Troubles is not as good as The Siege of Krishnapur, but it’s very good in parts. It’s set in Ireland just after WW1 when the Troubles were just beginning. Major Bernard Archer goes to the ill-named and shabby Majestic Hotel (a symbol of the declining British Empire) to sort out an intemperate engagement but ends up falling in love with…

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Thoughts on “Pericles” by William Shakespeare

This play is being streamed to cinemas on September 23 rd from the RSC. Some useful points about this “curate’s egg”!

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#Non-fiction Bolívar

Sounds like essential reading for understanding South America.

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Art and Photographic History Art Exhibition Reviews

Clifford Rowe (1904–1989) The painter for the people

The Fried Fish Shop | Art UK

I very much admire this painting, “The Fried Fish Shop”, its composition and the limited range of colours which suits this painting which is in the New Walk Museum and Art Gallery in Leicester. Rowe was an important active member of the Artist’s International Association https://en.wikipedia.org/wiki/Artists%27_International_Association

An interesting Guardian Review of an exhibition in 2013 can be read at https://www.theguardian.com/artanddesign/gallery/2013/sep/13/exhibitionist-art-shows-14-sep

 

 

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June 25~ Pride Month

Very interesting artwork!

Christy's avatarThe Misty Miss Christy

Paul Cadmus and Jared French and Margaret Hoening
(PaJaMa)

There are six links below

Margaret Hoening was a painter and an etcher [who studied] at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret).
~https://d6jcg90g7mpvu.cloudfront.net/s3fs-public/margarethoeningfrench.pdf

Self Portrait by Margaret Hoening French
ND / Pencil on Paper / Private collection

Circus Performers and Animals by Margaret Hoening French
ND / Gouache on board / Private collection

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6 – Detail aus meinen Gedanken – nochmehr Iris – Zeichnung von Susanne Haun

Susanne Haun's avatarSusanne Haun

Detail aus meinen Gedanken, 76 x 56 cm, Tusche auf Hahnemuehle Leonardo Büttenpapier, Zeichnung von Susanne Haun (c) VG Bild-Kunst, Bonn 2020Detail aus meinen Gedanken, 76 x 56 cm, Tusche auf Hahnemuehle Leonardo Büttenpapier, Zeichnung von Susanne Haun (c) VG Bild-Kunst, Bonn 2020

Detail aus meinen Gedanken, 76 x 56 cm, Tusche auf Hahnemuehle Leonardo Büttenpapier, Zeichnung von Susanne Haun (c) VG Bild-Kunst, Bonn 2020Detail aus meinen Gedanken, 76 x 56 cm, Tusche auf Hahnemuehle Leonardo Büttenpapier, Zeichnung von Susanne Haun (c) VG Bild-Kunst, Bonn 2020

In den nächsten Tagen zeige ich euch jeweils ein Detail aus der Zeichnung Aus meinen Gedanken.

Die 76 x 56 cm große Zeichnung ist gerade auf Hahnmühle Leonardo Büttenpapier am Entstehen.

Für mehr Text fehlt mir gerade die Energie.

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Poetry Uncategorized

Lockdown Litany

dutch east indies architecture | Tempo Doeloe #9 - Bandung, Hotel ...

The usual combination-

a doctor gone to seed and

a rum skipper in the South China Seas,

 

in accordance with the author’s predilections

a handsome tow haired young man

predictably on the run from some

funny business that sadly

he has done.

 

A storm arises and shakes

the bored doctor’s equanimity

to the core;

only the crafty wicked sea captain

can negotiate such raging seas.

 

They arrive to the transparent tranquillity

of a tiny Dutch island.

Finding lodgings and satisfactorily breakfasting

the travellers meet eccentric characters

both esoteric and exotic.

 

Naturally, a beautiful maiden arrives,

a stunning love scene soon  ensues

involving the tow haired Australian

on the loose from his dirty deed

and the prose flows engagingly enough.

 

The novelist must tie up his plot.

The women behave in various unladylike ways.

The story clangs, chancy and unreal.

The body count mounts

as fictional fate  mechanically reveals.

 

You really have to ask yourself

if this is the best use of your time.

Reading this second-rate novel

by this first-rate novelist.

 

Even then the ending was uncertain,

though

perhaps prefiguring the postmodern.