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The Clerk’s Tale and the expectation of astonishment

Interesting to see you tackling your old exam papers! When I was learning the algebra of conic sections and Fitzgerald was writing her her amazing novels!

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Avoiding Death in Venice

Did Karl understand his daughter?

Did she look like Romola Garai?

Did he foresee the dialectical change- Miss Marx the film star?

Perhaps this was an example of what?

A clear example of antithesis.

Could he now explain how the intensification of labour led to social distancing?

Perhaps this is what he meant by reification-

the consequence of capitalism in a higher stage.

Certainly alienation.

Wet market in Wuhan arriving at the film festival

In Venice.

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Today’s Haul

I was trying to get into Eva Ibbotson’s “The Dragonfly Pool”. It is actually quite good and suitable for regression. Maybe because the current situation seems to require hyper-vigilance or some other reason, I am reading it somewhat slowly. I know she has written interestingly about Vienna but this is set in Dartington in the pre-war era. The school is not called Dartington- but Delderton Hall in the book is clearly there. Incidentally this reminds me of an Edward Crispin crime novel about a cathedral which was set in the same area but a slightly later era.

Robert Lowell has much been in the news currently- I believe his letters were recently reviewed in the LRB or perhaps the TLS. The poem of his that I liked most was “Sailing Home from Rapallo” –

The crazy yellow and azure sea-sleds
blasting like jack-hammers across
the spumante-bubbling wake of our liner,
recalled the clashing colors of my Ford.
Tom Pauling has an interesting appreciation of this poem in his book “The Secret Life of Poems” In any case this poem and a distant memory of his most famous poem “The Quaker Graveyard in Nantucket” https://www.poetryfoundation.org/poems/48984/the-quaker-graveyard-in-nantucket 
In any case my reading about his friendship with John Berryman was enough to tempt me to part with £2-99 for the collection of essays about Lowell from the charity shop. Thumbing through this volume in a nearby coffee shop I discovered an essay explaining how Lowell and Berryman were in a tradition stretching back to Baudelaire- poète maudit. Outsiders responding to the new criticism of a special few like Allen Tate and Randall Jarrel. They were living in the era of the Cold War and also living life at an extreme pace, devoted to literature and studying its classical roots.
The Hemingway begins with a kind of prose poem to a particularly downtrodden and louche venue seen through the approach of autumnal mists- the Cafe des Amateurs. It no longer exists. It develops into a surreal story which Hemingway sounds lyrical and slightly sozzled!
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10 of the best novels set in Russia – that will take you there

I would add The Siege by Helen Dunmore and The Beginning of Spring by Penelope Fitzgerald.

Julian Worker's avatarJulian Worker - Journeys

This list of novels and novellas will help you explore Russia’s vast landscapes and complex history

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Penwith West Cornwall (and local history)

Mousehole on a Summer Evening -A Guest Posting

Many tangential thoughts on Mousehole on a summer evening –

I went to Mousehole this evening – it is of course an enclave and playground for the rich, consisting now almost entirely of holiday and second homes, which I noticed more than ever before. Still, I’ve always loved it there – perhaps the way and reasons I do are part of the problem.

The atmosphere is all loveliness and lingering warmth. The ice cream shop is still open. It’s crowded but there’s no hurry. Doors and windows are left open – cars left parked in the middle of the street. It’s not full of any old tourists either (this isn’t Penzance we’re talking about) and as it was late many of them will have been staying there. Wealth and the ease that comes with it was everywhere. An endless leisurely parade passed by, whilst their manner and the cut of their clothes silently shouted at me.

I watched, in what felt like slow-motion, as a thin woman in the whitest white jeans (clearly so expensive they managed not to look tacky, a feat) hesitantly starts to lower herself onto the harbour steps before realising she has a blanket in the house – no don’t worry, it’s literally 30 seconds away. A balding man carries a full glass of red wine out of a house further down the cobbled street to better enjoy the view, another follows with the bottle.

And all at once I realised I was feeling a discomfort that wasn’t only coming from insecurity to jealousy or general misanthropy. I mean I expected all this, it’s bloody August and I took the bus to bloody Mousehole. I went because I thought it would be beautiful on a summer evening. And really – awful realities aside – how can I fault others for wanting to see beauty?

But – that beauty is somehow flattened and now it doesn’t stand up on its own.

(I had a similar feeling when I was young on holidays in France – some of the places we went to felt curiously empty, though full of people. I’d tell myself – this is so beautiful – you should be feeling something here, finding something here. But some substance or context had gone. And I felt a guilt I couldn’t define, as though I was the reason. It was like visiting a model town, a perfect replica in every way but still a replica. And we would think – what a lovely change, to travel, to go away – what might we learn from this place, how might it change us. Still, we have paid to be here, this room was built for us to stay in – so, how lovely is the view we see, how good is the food we eat. Was it disappointing or would you recommend it to a friend? And there again was the emptiness that we’d brought).

So, this evening in Mousehole that valuable sea-view felt like something that was owned and hollowed. And I was colluding in it, and had to look away.

I’d never felt more strongly a ghost of somewhere with an identity, with continuity, the ghosts of lives lived and shaped by place, of real homes and a strong landscape with a beauty that’s incidental, of a sea that defines and encloses rather than being set back and seen. I’ve never felt more intensely that the place I was visiting was not that – because of us it was something and somewhere else.

And all I could do was sit on a bench, wearing clothes that until then I’d thought were smart, eating a pasty in a manner that would make a dog excuse himself from the table – pausing only to angrily brush chunks of potato off my jumper – and stare inland. Thinking about a place that loses itself over and over again, a summer at a time – and wondering how long even a ghost would be able to stay.

( Post from I V-W with thanks)

 

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Art and Photographic History Poetry

Qui est ce jeune plongeur ?

Is that really Maupassant readying

himself to dive  among the ladies?

These, modestly dressed like himself

beneath the white high cliffs of Étretat.

Behind him on the perilous board

a gentleman stands with arms

folded, wearing a woolen hat, about

to inspect the quality of the dive

into this so called “mer d’huile”.

Notchalantly, a modern-looking

girl in her black bathing costume floats

seemingly unaware of the garrulous.

society society on the nearby anchored punt.

So this jeune homme is conceivably

the fellow who will meet

Flaubert and Swinburne and

pen Bel Ami?

 

[With thanks to Paris Match]

The painter’s details are below:-

https://en.wikipedia.org/wiki/Eug%C3%A8ne_Lepoittevin

Eugène] Le Poittevin, peintre (Getty Museum)

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Skying 7: Impressionism

hoakley's avatarThe Eclectic Light Company

It’s only when you look through hundreds of Impressionist and Naturalist paintings – the movements which dominated European painting in the latter half of the nineteenth century – that you realise how high most of their horizons are. Despite a strong culture of painting in oils outdoors, and the general availability of oil paint in tubes, skying seems to have become much less popular after about 1850.

It’s also easy to mistake the rough facture and overall sketchiness of many of the paintings made by Impressionists as indications that their finished works were no more than the sort of sketches of clouds that John Constable made on Hampstead Heath. Skies weren’t a strong part of the mainstream Impressionist agenda, though, with limited scope for intensified chroma and lightness, leaving them to be relegated to backgrounds. As a result, the most prolific of the Impressionist sky painters were those at the…

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Girl, comment devient-on femme?

Julien-James Vachon's avatarDirect-Actu.fr le média de la culture pop et alternative

Girl est un film intéressant et marquant car il met en scène le combat de Victor pour devenir Lara. Ce film pose des questions théoriques, éthiques et sociologiques. Souvent nous sommes attachés à des termes sans voir le côté humaine sous-jacent qui se cache derrière ces “mots”. Le combat que mène Lara illustre un parcours silencieux que beaucoup de personnes voulant changer de sexe subissent. Une opération avant 16 ans en France est plutôt rare, mais le film se passe en Belgique, en projection bilingue, où chaque personne est un hybride, parlent, réfléchit en deux langues pour illustrer parfaitement la situation d’instance fragile qu’est le personnage de Lara.   

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Literature Penwith Poetry West Cornwall (and local history)

Reading Padraic Fallon

  1. Fallon (1905-1974) came from lovely County Galway and was drawn to Dublin by George Russell (AE) to take part in the Irish Literary Revival. Heaney wrote of him “His sensibility has weathered in Galway the rainy light that was familiar to both Rafferty and Yeats; it has been tutored by a landscape at once elemental and historical; a landscape that holds the walled demesne and the tower as well as the bog-face and the stone wall…”

I came across this poem entitled YESTERDAY’S MAN which contained the following lovely and intriguing stanzas:-

Lines of verse too left littering

After poems that never got away,

A pen drawing, very odd, the storm God Zu

Trusses in his fowl form to a carrying pole;

(From him the wren-walk on St Stephen’s Day)

 

Copied I suppose, to prove a point,

(Akkadian seal, Babylonian cylinder?) How

Much at home I am in this mad world

Suddenly and again! And here somewhere

You the girl enter

 

Anonymously, in two wooden stanzas, into which

You have entirely disappeared. Words, words,

That’s all you are, girl who never

Was a lover. And I likened you,

Body I could see through, to a catapult

The poem concerns itself with writing poetry and the poet looking through his notebooks and considering lost loves, regret and all in a stormy atmosphere. I like the variation between detail , here about the paraphernalia of writing and the vagueness…”here somewhere”. The latter representing ageing disorientation.

More on Fallon may be found at preview.co.uk where Seamus Heaney has written an appreciation and quotes some lines about Lands End.

 

 

 

 

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Books I havent got around to reading.

Strange. That pile of books ever supplemented by cheap offerings from charity shops. For instance The Cambridge Guide to Greek Literature. Must cost at least £20 and I got it for 50p. I know very little Greek but at least have a Greek dictionary. I know that to grapple with Neitzsche and Heidigger a background in Greek drama is necessary. I have picked up some slight knowledge of Greek myths from poetry (Irish and German) and Greek Drama from Woody Allen. However, it may be some time before I get to grips with the 50p prize.

More to be read!!

 

Then in my bag I have Eva Ibbetson. I have one in secondhand book form and another on Kindle. I was recommended this author as a lighter read at the end of the current crisis. I then remembered that she was given some prominence at bookshop at Jewish Book Festival. I started reading one about the Pool of Dragonflies” which started in a Harry Potterish vein and seemed to be a bit about Dartington- or rather a fictionalised version thereof. It looks good but not sufficiently so to detract me away from my current Julian Barnes.

So my Don Juan approach to reading is even more random with poetry. That reminds me that I must read more Byron, a frequent feeling which extends to Auden and MacNeice’s Journal from Iceland written in a Byronic style. The following volumes are cluttering my long coffee table;- Lowell, Delmore Schwarz, John Berryman, Padrigh Fallon and Ciaron Carson. Reading poetry at depth is an intensive business and I don’t think it can be hurried. So it is good to read some Betjeman, Kipling and Gavin Ewart. The latter I heard in the Penwith Gallery during the St Ives Festival  some 30 years ago.

Like the road not taken by Johnson in Scotland there is pleasure in the anticipation. Reading reviews can to a degree keep you abreast of the zeitgeist. However, it is often biographies that I most miss when I put them down. Salisbury, Melbourne and John Freeman’s are three that spring immediately to mind.