I find these interesting – from their historical context as well as the combination of colours.
By the end of the 1880s, Hans Andersen Brendekilde (1857–1942) was still a good friend of L A Ring, but the latter spent more of his time with the Wilde family. Brendekilde had also been making good progress exhibiting at Charlottenborg, and 1889 completed what must be his best-known work.
Hans Andersen Brendekilde (1857–1942), Worn Out (1889), oil on canvas, 207 x 270 cm, Fyns Kunstmuseum, Odense, Denmark. Wikimedia Commons.
Worn Out (1889) is a painting which follows in the tradition of Jules Bastien-Lepage. An old man has collapsed when working in the fields. A younger woman, perhaps his daughter, is giving him aid and shouting for all she’s worth to summon assistance. The soil around them is poor, and full of flints; the two were engaged in the toil of the poorest of the poor, picking out the large stones and putting them into piles for collection. It’s backbreaking…
View original post 816 more words

Obdachlos in der Stadt – 20 x 30 cm – Collage von Susanne Haun (c) VG Bild Kunst, Bonn 2018
Life Writing is incredibly popular these days, and it came as no surprise to me to learn from This Very Short Introduction to Autobiography that Michel Foucault thinks that we have become ‘confessing animals’. The plethora of memoirs, autobiographies and ‘true confessions’ today seems to be evidence of a compulsion to record the complexities of human life, experience and memory, though it has to be said that some life writing seems of more lasting value than others. Autobiography, a Very Short Introduction by Laura Marcus, a Professor at Oxford, is a fascinating exploration of this kind of writing, starting with the Confessions of St Augustine in the 4th century, through to its modern manifestations in multimedia, autobiographical novels and autofiction.


…


