In a two part post Joseph Massey, Team Assistant, explores how the concept of ‘Great Britain’ hugely intrigued Jacobean cartographers, historians, poets and playwrights.
When James VI, King of Scots, ascended to the English throne as James I, his succession resulted in the Union of the Crowns as England and Scotland now shared a monarch. However, they remained independent kingdoms because the English and Scottish parliaments refused to legislate a formal union. Despite this on 20 October 1604, James declared himself ‘King of Great Britain’—though in reality England and Scotland remained separate countries until 1707.
Jacques-Louis David, The Death of Socrates (1787), Oil on canvas, 129.5 × 196.2 cm (51.0 × 77.2 in). Metropolitan Museum of Art, New York
“In this landmark of Neoclassical painting from the years immediately preceding the French Revolution, David took up a classical story of resisting unjust authority in a sparse, frieze-like composition. The Greek philosopher Socrates (469–399 B.C.) was convicted of impiety by the Athenian courts; rather than renounce his beliefs, he died willingly, discoursing on the immortality of the soul before drinking poisonous hemlock.”
KAZUO SHIRAGA (1924-2008), Emerald, signé en japonais (en bas à droite); inscrit en japonais et porte un cachet (au dos) encre, aquarelle et gouache sur carton, 27 x 24 cm. (10 5/8 x 9½ in.), Image Source: Christie’s
Described by the publishers as ‘a ground-breaking classic of post-war German literature’, Siblings is the first of Brigitte Reimann’s novels to be translated into English, and what an interesting rediscovery it is – bold, edgy and evocative with a style all of its own! Originally published in Germany in 1963, the novel is narrated by Elisabeth Arendt, a young, idealistic painter whose steadfast beliefs in the possibility of building an egalitarian socialist future in the GDR bring her into conflict with her beloved older brother, Uli, a disillusioned engineer.
Set in 1960, before the construction of the Berlin Wall, the novel is bookended by snippets from the same conservation between the siblings, giving the narrative a circular feel. While Elisabeth is determined to fashion a fulfilling life for herself in the East, Uli feels constrained by the Party structures and ways of working, fuelling his desire to defect to the…
FREDERICK CARL FRIESEKE (1874-1939), The Parrots, signed ‘F.C. Frieseke-‘ (lower right), oil on canvas, 63 ½ x 51 in. (161.3 x 129.5 cm.), Painted circa 1910, Image Source: Christie’s
Voices of Music, Soloists: Kati Kyme, YuEun Kim, William Skeen & Elisabeth Reed.
Interestingly paradoxical line; connection with buried trauma. Surely detachment is at a distance to trauma? The Lincolnshire image, with which you conclude sounds like an echo of Sebald in this context.
I’m circling back to writing up the last of the Lithuania-related cultural events that I experienced last year, with a Lithuanian psychological thriller that I saw in October at the second London Baltic Film Festival, held at Riverside Studios. I could have watched several Baltic movies over the course of a weekend, but in the end only made it to only the one screening, which was followed by a Q&A with writer and director Laurynas Bareiša.
Pilgrims (Pilgrimai) is a gritty 92-minute film, which was screened in Lithuanian with English subtitles. It was shot during lockdown on a low budget, in and around a B&B that is featured in the film, and was selected to represent Lithuania in the Best International Feature Film category at the 2023 Oscars. It won the Orrizonti award for Best Film at the Venice Biennale in 2021.
Pierre-Auguste Renoir, Young Spanish Woman with a Guitar, 1898, oil on canvas, National Gallery of Art (U.S.), Image source: Wikimedia
“…the best pieces from Spanish composers. Music written or transcribed for guitar by composers such as Tárrega, Albéniz, Sainz de la Maza, Sanz and Mompou.”