Categories
Literature Penwith Poetry West Cornwall (and local history)

F.E.Halliday, Shakespeare scholar, writer and historian of Cornwall

Frank Ernest Halliday was a very enthusiastic walker. Tall with a mane of beautiful white hair and reserved, his elegant stride cut a figure, like a distinguished prophet or poet. He was when, first I became aware of his reputation as a historian and a Shakespearian scholar, hurrying down Back Road West in the general direction of Clodgy where he frequently seemed inclined to walk, frequently at this formidable pace. At about this time, he had already retired from school mastering at Cheltenham College where he had become a friend of Cecil Day-Lewis years before. That was in the early Thirties and the time to which I am referring was somewhere around 1960.

F.E.Halliday
F.E.Halliday

In 1953, Halliday wrote in History Today of the famous Cornish Historian, Richard Carew, a Member of Parliament and a friend of Philip Sydney,” The importance of Richard Carew has never been appreciated. Few, indeed, are even aware of the writer who, while Shakespeare was writing for the London stage, was quietly at work in his Cornish country house. This neglect is the result of his own modesty, the remoteness of his dwelling, and the multitude of his great contemporaries in and about the capital, and not of any lack of merit…..” Much of what Halliday wrote here about Carew is now equally true about himself and the extensive range of his own work. It is time to remember Halliday’s work, much of it written in his house next to the sea, downalong in St Ives. (Those interested in Carew will find a brief entry at http://en.wikipedia.org/wiki/Richard_Carew_(antiquary))

Back Road West, St Ives
Back Road West, St Ives

When Halliday’s Shakespeare appeared in an American edition in 1961, it was reviewed in the Renaissance News a little later;-

“Mr F.E.Halliday’s life of Shakespeare is the product of a widely read, fully informed, and prolific mind. After twenty years as head of the English Department at Cheltenham College he retired in 1948 to devote himself solely to writing. He is one of the few scholars today who have taken all Shakespearean knowledge as their province. For a period of over fifteen years he has been turning out studies which give an ever broadening view of the great dramatist. In 1946 he published Shakespeare in his Age. Then came Shakespeare and his Critics which although completed in 1947, first appeared in 1949.”

Frank 51w4YHv817L._

Halliday was educated in North Yorkshire at Giggleswick School where he learnt to cherish Latin poetry, including Horace and his reflections on the seasons, mutability and loss grew up in its unique atmosphere. He was growing up in the dark and difficult days of World War 1 which deeply affected both staff and boys. There is a useful short biography of him included in Cornwall’s People – A Biographical Dictionary by Carolyn Martin and Paul White (Tamar Books). He then went on to King’s College, Cambridge and later entered teaching himself. It was at Cheltenham College that he met and became a supportive friend to Cecil Day-Lewis, the famous thirties poet. Indeed, Halliday, who was an English master and became Head of Department, painted Day-Lewis’s portrait which is in the National Portrait Gallery and may be seen at http://www.npg.org.uk/collections/search/portraitLarge/mw07276/Cecil-Day-Lewis?LinkID=mp01220&search=sas&sText=Day-Lewis&role=sit&rNo=0

This portrait captures the refined appearance of the poet in a contemplative mood in profile but whether marking an essay or composing a splendid poem is not clear. Day-Lewis’s meeting and friendship in 1931 with Frank Halliday is recorded in some detail in Sean Day-Lewis’s biography of his father C. Day-Lewis, An English Literary Life. It appears that the dress code at Cheltenham was somewhat severe. Also Day-Lewis’s poetry was considered risqué when discovered by the self-appointed proctors of moral rectitude among the other masters. He was accused in a letter from the Headmaster of Bohemian tendencies!

“An Assistant Master at the school had seen him wearing a green shirt, while whitewashing the

walls of his flat, and another observer had reported the poet attending a concert with a stock about his neck under his dinner jacket: this was intolerable conduct, the staff must be properly dressed at all times.

Before replying he took the advice of a college master who, unlike the colleagues who had reported all departures from convention, was a friend. Frank Halliday was a sensitive Yorkshireman who loved literature and eventually became a writer himself. His autobiography tells how he first heard of Cecil as ‘a young married man who liked Beethoven and César Frank’ and was ‘said to write poetry’. He met the newcomers during their second term and registered Mary ‘with ballet dancer’s hair and figure and a dairy maid’s complexion’ and Cecil ‘reserved and almost severe with the trace of an Irish brogue’. Halliday was also a shy man and his mask was an offhand manner, at first discouraging. The discouragement had been overcome and by this March, Cecil and Mary had become friends with Frank and his wife Nancie, and they spent a long time discussing the best response to the headmaster’s outburst.” (Sean Day-Lewis on his father- Halliday’s own biography is called Indifferent Honest, Duckworth 1960)

Halliday’s friendship with Day-Lewis was to last over forty years and much of it conducted by letters from St Ives where he seems to have lived first at Five Fields, Dynas Ia and later when they were completed in Barnaloft Flats, overlooking Porthmeor Beach. Day-Lewis was deeply interested in Marxism and wrote, somewhat ironically to Halliday about the class war and the colourful inhabitants of his local pub at Brinclose, near Axminster, of the News Chronicle, Liberalism and of course in 1938 of Chamberlin and the approach of the Second World War. Day-Lewis moved in an interesting circle of thirties poets and writers and it seems likely that Halliday too might have met such figures as Rex Warner and W.H.Auden. F.E.Halliday seems to have continued as an amateur artist and painted Brinclose in 1939. By 1942 Day-Lewis is working some sixty hours a week at the Ministry of Information and became a close associate of Charles Fenby, journalist and assistant editor of The Picture Post. Day-Lewis records an encounter at this time with another somewhat severe character, Arthur Koestler whom he mentions in his correspondence with Halliday. Day-Lewis’s letters have recently, in 2012, been donated to the Bodleian Library http://www.theguardian.com/books/2012/oct/30/cecil-day-lewis-letters-oxford.

The Wreck of The Firebrand
The Wreck of The Firebrand

By the 1960s after the suppression of the Hungarian uprising, which had incidentally also prompted Halliday to sign a letter to the Times, Day-Lewis vigorously renounced his earlier communist views. By 1968, Day-Lewis, who also wrote detective novels as Nicholas Blake, became Poet Laureate. However, in 1971 Day-Lewis mentions to Halliday, a searing review he received from another Cornish poet in the TLS. He correctly identifies the critic as Geoffrey Grigson who having been born in Pelynt was a Cornishman, and held somewhat negative views on Cecil Day-Lewis’s poetry although unlike his earlier Headmaster, regarded him on the single occasion they met at the BBC, as elegantly dressed!

In addition to his Shakespearian Studies, Halliday was active with regard to social and political concerns.  In 1963, he signs a letter to the Times along with John Betjeman, A.L.Rowse, Brian Wynter and more than thirty other prominent citizens against the Admiralty’s proposal to take some 355 acres for troop and helicopter training on the lovely Zennor moors. This was a major concern in Penwith at the time. This upset many local people and not least as the land had been placed under a special covenant by the National Trust. In 1975, just over 67% of voters supported the Labour government’s campaign to stay in the EEC, or Common Market and Halliday was writing to the Times again to advocate full political union; not just an economic agreement. Halliday was advocating a Yes vote because he strongly believed in the idealism needed to bring about an effective World government.

There was also a wryly amusing letter written at the end of December 1964(Shakespeare’s quatercentenary) with regard to a production by Lindsey Anderson of Julius Caesar. Anderson was a pupil of Halliday at Cheltenham, where the former also met the future novelist, Gavin Lambert. Halliday gently chides his former pupil for trying to ‘improve Shakespeare’, essentially by excising nine revealing lines of a speech by Brutus. These lines reveal much about the republican’s character. He compares this with how in the Restoration, much was made of Caesar’s ghost who was made to appear at Phillipi. Halliday proceeds to regret the trend towards displaying gratuitous violence in the History plays, whilst making it clear that he is not referring thus to Anderson  and expressing his sorrow that Falstaff is being reduced to a sinister figure. He remarks that although he had tickets at Stratford for seven plays he could actually only stomach attending five and a half! The previous year, in another letter to the Times he had taken on the subject of the identity of W.H. of the Dark Lady   Sonnets, an unknown William, he surmises, and disagrees somewhat daringly with the inimitable A.L.Rowse.

The walk past Man'Head to Clodgy, St Ives
The walk past Man’Head to Clodgy, St Ives

Recently, while reading my own copy of A History of Cornwall, published by Gerald Duckworth in 1959, I became intrigued by a fine chapter on the Eighteenth Century; a generally neglected period but here there was a rich variety of detail. I was particularly interested in the earlier part of the Century, essentially before the mineral wealth of the Duchy had been much exploited. This was an unsettled period of rebellions and Halliday points out, “ Impoverished by the Civil War, the Cornish people took little interest in the events that followed the death of Charles II- the Monmouth Rebellion, the Revolution of 1688, the Jacobite Rebellion of 1715-…” In St Ives, which had had a Parliamentary army garrisoned there, the inhabitants might keenly have felt ravages of occupation. There are also records showing that Monmouth was blown off course there on his way to Weymouth and his future defeat at the Battle of Sedgemoor. The Treaty of Utrecht which interestingly, has recently escaped much notice upon its 300th Anniversary provided a temporary peace to the Wars of the Spanish Succession and its signature was celebrated in St Ives at the time. Travel then was most easily carried out by sea although as the experience of Sir Cloudesley Shovell wrecked on the Scillies suggests, navigation was a hazardous affair particularly in determining longitude. http://en.wikipedia.org/wiki/Scilly_naval_disaster_of_1707

Halliday remarks that this period around 1700 was characterized by a change in land ownership. Lawyers, merchants and businessmen started to invest in land that might be valuable more for the materials beneath the surface than as a source of food that gave it value to the gentry. This is a period where speculation starts to become important and clashes between the older aristocracy and the emerging entrepreneurs. This was particularly true in the western part of the Duchy where the known lodes existed. Halliday points to Celia Fiennes travel diary. He quotes her references to the shortage of timber for mine construction and the shortage of fuel. She writes, “They burn mostly turffs, which is an unpleasant smell; it makes one smell as if smoaked by bacon.” Fiennes, as Halliday points out, had to travel by horse because the roads were in such a poor condition. Copper was mined alongside tin but because of the shortage of fuel it was shipped to Bristol and South Wales for smelting. Little Cornish horses, she tells us were used to carry fish and the corn which was being cut.

The early C18, which Halliday covers in about thirty pages, sees the introduction of the first steam engine in about 1710. It was the very inefficient Newcomen engine, although state of the art at the time, and was used at the Godolphin mine at Wheal Vor. It used vast quantities of fuel. Even by 1740 there were just three steam pumps at work. It was not until the early Nineteenth Century  that Cornish engineers greatly improved the efficiency of those engines that had be designed by Watt, Trevithick and others http://en.wikipedia.org/wiki/Cornish_engine. Thus in effect this would henceforth reduce the cost of coal which had to be imported from South Wales, a trade in the hands of merchants and businessmen. Incidentally, it was a German Chemist, a proponent of the celebrated but misguided Phlogiston theory, Johann Joachim Becker (1635-1682) from Speyer near Heidelburg, who visiting Cornwall in the 1680s made an important discovery. At Treloweth, St.Erth, that Becher was said to have built a furnace for the smelting of tin using pit coal as opposed to charcoal. http://de.wikipedia.org/wiki/Johann_Joachim_Becher

Jjbecher

The celebrated Tory politician who rose to become Marlborough’s confrere and the First Lord of the Treasury, Sidney Godolphin, 1st Earl of Godolphin, KG, PC (15 June 1645 – 15 September 1712) might well be remembered for the work he did in passing the Act of Union with Scotland which created the united kingdom of Great Britain. He also established sound finances for Queen Anne and made possible the founding of the Bank of England. The Cornish might, however, have other reasons for remembering him as Halliday points out:-

…..”some of the old charcoal-using blowing houses were retained for smelting stream tin, which was of a finer quality than that from the mines. The use of coal probably saved Cornwall from being completely denuded of timber, the demand for which for shoring up the workings was enormous, and one of the last services that Godolphin did for his native county was to cheapen the price of coal by securing a drawback of the duty on that used for smelting. A few years before, in 1703, he had been responsible for the favourable terms of pre-emption granted to the Cornish tinners.” This unfortunately ended when Walpole came to power.

Frank Halliday was not only an author with broad interests, having written books on Chaucer, Dr Johnson, Wordsworth, Hardy and Browning besides Shakespeare; he was also a committed intellectual who was active as a School Governor, interested in social action and helped to set up with Bernard Leach and Barbara Hepworth in 1967, the St Ives Trust http://www.stivestrust.org/ which has been instrumental in developing conservation projects and working in alongside the St Ives Archive Centre. http://www.stivesarchive.co.uk/resource/

F.E.Halliday was an experienced lecturer and I can still recall a historical talk which he gave when I was a young lad in The Labour Party Rooms upstairs behind the back of the Union Hotel at the bottom of Ayr Lane. This is currently a rather chic restaurant but in the Sixties, a quite barely furnished room at the top of a steep winding wooden staircase. The subject concerned the early history of Cornwall and was concerned the Early Bronze Age and I particular recall much mention of the Beaker Folk (Glockenbecherkultur). Halliday’s tall figure loomed over slides showing the migrations of these people over Southern England at a time when Britain’s only significant export material was in fact Cornish tin. http://en.wikipedia.org/wiki/Beaker_culture. He mentions in a chapter on the Bronze Age in “A History of Cornwall” that, “Beakers are rare, but two have been found as far west as Land’s End, both of them in cists, and one, now in St Buryan church, accompanied by a flint knife.” It would be interesting to know if it is still located there.

Spread of the Beaker Culture
Spread of the Beaker Culture

Speaking about Cornwall he says,” And I loved it for its character: for its strength, although an outcast among counties; for its appearance of having known and suffered so much, yet without any trace of disillusionment, but having rather an air of expectancy; for its human virtues of patience and endurance; for its mystery…”

Categories
Penwith St Ives West Cornwall (and local history)

A Brief Memoir of Downlong in St Ives some sixty years ago

In the fifties, there were no flowers in hanging baskets or even in window boxes and the main smell downlong was of  fish and tarred nets, On the other hand there were houses built upon greenstone masses where you might well find a profusion of sea pinks in clumps. Heading along Back Road West towards the Digey, there were many village shops, including general grocers like Georgie Wedge’s at the top of Bethesda Hill, where everything from sweets to biscuits were sold out of glass topped tin boxes and placed in small neat paper bags. There was another grocers, Roucefield’s which did a smart trade in St Eia street, where many folk  in downlong had celebrated the Coronation, beneath festoons of flags in red , white and blue. The fare on this occasion consisted of saffron buns and bottles of corona served on long trestle tables. There was also a wool shop, at the end of Island Road where women discussed knitting patterns for winter jerseys or Fair Isle jumpers.Print2

At the top of Fish Street the gentle and well spoken, Mrs Laposta ran a  busy and popular fruit and vegetable stores just opposite Couch’s works which at this time employed more than 50 workers making parts like buoyancy trimmers for amphibious vehicles for the British Army on the Rhine. Two further venues in Back Road West were particularly intriguing. Further along before the Mariner’s Church, the house where pilchards were marinated in fish spice, vinegar and bay leaves which was accessed at the top of a steep staircase. It cost just a few shillings and a suitably large dish for a dozen had to be left, a few days before. Even more interesting for youngsters on a Saturday morning visit was the Laity Museum. This was crammed with models of tea clippers and Chinese junks, scrimshaw, and intricate furniture and dark sea chests inlaid with mother of pearl. Redolent in atmosphere of the clipper trade with the Far East, from jute to silk, spices and calico, there were contemplative jade Buddhas and several examples of fierce black Japanese armour. Further information, histories of the sea and tales of the Orient were liberally supplied by the ancient mariner who was the proud curator at this period of time.

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Categories
Art Exhibition Reviews Penwith

John B Anderson 1945-1997, Cornish Artist

Head to Head at Penzance Public Library Nov/Dec 2013

These works were made in the last ten years of John B Anderson’s life. To quote from the notes at the library, “The fine lines adopted from his abstract period remain as precise: less indeed can be more. The work is observational, some of it quite quirky including bad hair days and some serene moments……… John B Anderson pushed his figurative work as far as he could towards abstraction: he then returned to a figurative style with a more restrained and pared back approach resulting in these fine line works.”

JBA3

At http://www.thisiscornwall.co.uk/Library-pays-tribute-John-B-Anderson/story-13244578-detail/story.html#axzz2leYQH1no there are further details including the remark that, “An artist who was to die in 1997 when in his early 50s, in recent years his paintings have been seen in various local venues, from Trereife Gallery to Penzance Arts Club, and the sequence of his works about to be shown in Penzance Library reveal his admiration for such as Van Gogh, Modigliani and Picasso, and his search for his own style through the figurative and the abstract.”

JBA2

JBA1

The following images scarcely do these paintings justice taken hurriedly with my mobile. They are hung rather high and difficult to see at their best advantage. However, their geometric style and their delicate colours make them very appealing and remind me in particular of the work of Oskar Schlemmer (4 September 1888 – 13 April 1943) who was a German paintersculptordesigner and choreographer associated with the Bauhaus school. Some of the images displayed may indicate this similarity as well as with the Bauhaus theatre designer, Lothar Schreyer.

Lothar Schreyer
Lothar Schreyer
Oskar Sclemmer Auf der Treppe
Oskar Sclemmer
Auf der Treppe
Oskar Schlemmer Postcard of Young Men
Oskar Schlemmer
Postcard of Young Men
Categories
Penwith Uncategorized West Cornwall (and local history)

Memories of St Ives at Christmas circa mid 1950s

The days leading up to Christmas are associated in my memory with a series of various festivals and events from Guise Dancing to Fair Mo and then Christmas itself. This too was soon followed by the scarlet coated and spectacular grandeur of the Western Hunt during St Ives Feast. The Guise Dancing was ominous and noisy; it seemed to myself-perhaps a timid child, with masked figures, lanterns and loudly beating drums. It was still commonly performed until the mid fifties but seemed then to have died out with the corresponding popularity of television. However, by Fair Mo, a Church based fair situated in the Guildhall and taking place at the end of November it was by then always clear that the Christmas season would soon be upon us. It is described now on the History of St Ives website, as,”… a less rowdy tradition, celebrated just before Christmas. This ancient ‘pig fair’ reflects the long-standing custom of keeping pigs in virtually every Downlong yard. Today local ladies dress in traditional costumes and hold their fair, or market, in the Guildhall.”

07 1950s Cornwall, England - 03 St Ives

Around Christmas Eve, or a day or two before, everyone in downlong had been serenaded by the agreeable euphony of perambulating choirs from the Primitive and the other MethodistChurches. These were accompanied by a clarinet or two and everyone emerged to the truly blissful sounds of Thomas Merritt’s Carols, before each the verses were briefly intoned and led by the choirmaster. “Hark the glad sound” resonated and reverberated against the cottages and along the cobbled streets with such utterly superb harmony that Christmas, together with its peaceful promise, seemed as imminent as the arrival of “the Saviour promised long.” The effect was utterly magical and glorious; recalling it again makes the hairs on my neck stand up on end. So that neighbours emerging from their doorways were thoroughly receptive to the “Tidings of great joy” that Gabriel brought “to you and all mankind.” After the melodic repetitions of Cornish and other carols people returned to their houses prepared by such benedictions to enjoy Christmas Day itself.

Hepworth
Hepworth

Most pubs and inns similarly resounded with affirmative renditions of the “Old Time Religion.”  The Cock Robin choirs provided youngsters with the opportunity for mild horseplay- as evidenced the next day by seeing a punt or skiff hoisted on to the roof of the fisherman’s lodge. Few would have ventured as far afield as Mousehole, for either Tom Bowcock’s Eve or even Starry Gazey Pie. There was absolutely no rowdy celebration on New Year’s Eve but grand and elegant Scottish or Hogmanay dances, attended largely by the professional classes at such grand venues as the Portminster Hotel or Kenegie Manor in Gulval.

Preparations for Christmas in the home were concerned with food, presents and decorations. There was an early ecological arrangement whereby potato skins were placed in a special bin and collected each week by the ‘pig man’. The result at Christmas was that every house received a good sized pork joint. The turkey-some in the family might have had goose -was paid for on a card signed for, again on a weekly basis, at the butchers over the autumn months leading up to Christmas. Pickled onions were prepared over a longer period and stored with peppercorns and tiny red chillies on a shelf above the stairway on the ground floor. Military pickle and piccalilli were purchased to go with the tongue, pulled together with skilvin (quality string from the Fisherman’s Co-op) and pressed in a saucepan, with a weighted lid-usually a smoothing iron. Salt beef was also prepared with other cold meats for suppers over the Christmas period.

Patrick Heron
Patrick Heron

The house was extra warm from the heat generated from the kitchen and if it was windy in the wrong direction, especially before a cowl was fitted, smoke from the coal fire would fill the sitting room. The resulting “smeech” would deposit smoke particles of varying sizes spoiling some of the coloured paper decorations in the sitting room. After saffron stamens had been floated in a small bowl to extract the lovely liquid yellow concoction, bowls both of dough and cake mixture were placed by the fireside, covered by tea towels and left to rise. Cakes purchased especially at Christmas included batten burg, chocolate log and walnut. Macaroons, coconut pyramids were prepared on rice paper as well as congress tarts. The one cookery book –the one which probably came with the oven- were referred to on an annual basis. Reference was made to on one or other well thumbed pages.

The Christmas tree was always a holly tree and the large fairy light bulbs were checked and replacements inserted into and the holders, some of which were in small copper lanterns my father had made and into which rice paper was inserted to diffuse the light. Embroidery thread was cut into lengths and tied on to the baubles or shiny things. The extra demand meant that the electricity meter ‘went’ more frequently and had to be fed and wound with two shilling pieces that were of course known as florins. This process was often accompanied by the question, “Where was Moses when the lights went out?” There seemed to be much to do in those days leading up to Christmas Day and my father might describe how in the 1920s he and my uncle would mostly just have oranges, some wrapped in silver paper and walnuts and brazil nuts as the main fillers in their Christmas stockings.

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After Christmas dinner, the turkey which was taken upstairs afterwards into the preservative cool of the so-called small bedroom, borne on the large appointed Victorian ornate and crazed platter. It was carved for suppers and other dinners over the next few days. Nobody could quite get through all the cakes or biscuits, so my father took it, as a snack, with his thermos flask of tea to the factory where he worked until about the middle of March. Apart from Sherry and usually Port – there might be a bottle of each- there was little in the way of drink until white wine, in the form of Blue Nun became a favourite with my mother in the seventies. On reflection much of the fun in the celebration of Christmas was probably also a recovery from the tough period during the war when my parents had travelled around air stations. From Filton in Bristol, where they both worked and had been bombed, they journeyed to Hull and Girvan in Scotland and other places. Housing shortages, especially in Cornwall had to be endured and the severe economic pressures of the Cripps austerity period had also just ended.

Categories
Art and Photographic History Art Exhibition Reviews Penwith St Ives

Ida Car (Ида Карамян 8 April 1908 – 24 December 1974) in Truro;

“In 1960 Ida Kar (1908-74) became the first photographer to have a retrospective exhibition at a major London art gallery. Her portraits offer a fascinating insight into post-war cultural life and her subjects included some of the most celebrated figures from the art world of 1950s and 1960s Europe and Russia. A number of the artists Kar photographed also included artists from the St Ives School.” as it says at http://www.royalcornwallmuseum.org.uk/exhibitions/.mpu.ex.Ida

I saw this exhibition on Saturday and was truly moved at this small but fascinating exhibition and the sculptures that came with it which included Hepworth and Epstein. Lovely picture of Ida with Victor Musgrave with whom she lived in the 1940s in Cairo. Delightfully bohemian, her work is taken from the studios and ateliers of Paris and London. Even more exciting I found her photographs of St Ives in the 1950s. Her Braque portrait captures the essence of the artist-his eye sockets look as though they were a Picasso portrait brought to life. The portraits of Leach, Denis Mitchell whose reputation is still growing and Hepworth forming an armature from wire for a sculpture are all lively and moving. The original exhibition at the National Portrait Gallery is reviewed at http://www.theguardian.com/artanddesign/2011/mar/13/ida-kar-bohemian-photographer-review. There is a great review of her photographs at http://www.bbc.co.uk/news/entertainment-arts-11998337. Should you get to Truro Museum at the moment there is an intriguing collection, A Century of St Ives Art 1840-1940.

The Wharf, St Ives
The Wharf, St Ives
Ida with Victor Musgrave
Ida with Victor Musgrave
Categories
Penwith

Seaside Animals in Cornish; Tiere auf Cornish(Kernewek) und Deutsch

Seaside

Am Meer

download (1)

Goolan

Gull

Die Möwe

Palores

Chough

Die Steindohle

Sether

Gannet

Der Tolpel

Nath

Puffin                                                    puffin

Der Lundi

Kanker

Crab

Der Krebs

Legest

Lobster

Der Hummer

Mesklen

Mussel

Die Muschel

Pysk

Fish

Der Fisch

Reun

Seal

Der Seehund

Morhogh Dolphin Der Delfin
Morhogh
Dolphin
Der Delfin
Categories
Art Exhibition Reviews Penwith

The 2013 International Art Fair followed by Nancy Pickard and Simon Turner at the Cornwall Contemporary

Having just returned from the International Art Fair http://www.20-21intartfair.com/ in Kensington Gore, where I was particularly taken, indeed entranced by the Artists of Russia  stand, it was great to see the quality exhibition of Nancy Pickard’s work together with that of Simon Turner at the Cornwall Contemporary here in Penzance. The Art Fair in London was great fun where I not only saw for the first time work of the German Expressionist, Käthe Kollwitz (July 8, 1867 – April 22, 1945) but also discovered the lovely paintings of  Olga Oreshnikov. (http://www.artistsofrussia.com/olga-oreshnikov)

Whispered Aside by Olga Oreshnikov
Whispered Aside by Olga Oreshnikov
Kathy KollwitzB rother_Love/ Verbrüderung
Kathy KollwitzB rother_Love/ Verbrüderung
Country Girl Olga Oreshnikov
Country Girl
Olga Oreshnikov

olga-oreshnikov-14263As Julian Ravest has written, “In 1990, Olga immigrated to Israel. She works in oil, tempera, watercolour, and gouache in a unique style. Her paintings are humorous, symbolic, and yet serious in content, meticulously executed and with a fresh and dreamlike quality. Her assured drawing, elaborate composition and rich use of colour are in the tradition of European painting. Her images and landscapes seem to be from a different timeless world, telling stories that are tender, dreamy, overpowering and seductive.” I was particularly taken by a work, an acrylic, called “Whispered Aside” which has a theatrical and magical quality about it. The expression on the face of the aging sailor and the slightly astonished young actress transported me to some imaginary dramatic venue in St Petersburg. The quality of execution in this painting too was quite extraordinary and delightful.

In “Garden Light”, Orishnikov has depicted an ingenue, endearingly innocent amongst a cavern of leaves, peering into the distance under her straw bonnet and surrounded by blossoming  mauve flowerheads. She clasps her hands in a gesture that reinforces her distance as an observer and suggests her naivety. Tragicomedy, flora and contemplation combine in her work to embody an elegant exuberance. This is repeated in “Country Girl” where the girl cherishes a crimson sweet pea  and beholds the blossom on the spindling stem.

The Anatomist by Simon Turner
The Anatomist by Simon Turner

Arriving this sunny morning at Sarah Brittain’s delightful gallery in Parade Street Penzance, my attention was drawn to Simon Turner’s bearded “Landlady” painted on found panel. Many of these pictures seem to have a Victorian or Edwardian quality, perhaps a little reminiscent of Monty Python. These reminded me a little of Adam Birtwistle’s portraits which I had recently seen displayed at King’s Place, http://whosjack.wpengine.com/wp-content/uploads/2010/01/adam.png especially in relation to the horizontal structuring of the composition. Simon’s surreal playfulness shown in several zany mosaics are a nostalgic  investigation into time, dream and reminiscence. I particularly liked  “Man sending an e-mail”.stmansending

Nancy Pickard, Black Tulips oil on canvas 50 x 50cm
Nancy Pickard, Black Tulips
oil on canvas 50 x 50cm

The exuberant compositions of Nancy Pickard, however, made the visit. Nancy, who has been in Cornwall for over ten years now is clearly influenced by the landscape and the sea. It is the blue luminescence of  her inspiring canvases that drew my attention. It is the domestic peace of these compositions which attract the eye, which is echoed in her ceramics. Her delightful work may be viewed at http://www.nancypickard.co.uk/gallery.html

npblue

Cantaloupe Nancy Pickard,  oil on canvas 50 x 50cm
Cantaloupe
Nancy Pickard,
oil on canvas 50 x 50cm
Categories
Penwith Uncategorized West Cornwall (and local history)

Pills, Potions and Proper Medicine

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Ben Batten and Mary Quick have both referred to various home remedies used when calling the doctor might have been expensive. For many purposes a kaolin poultice was a frequent resort, as was various sorts of herbal tea or for sore throats honey and lemon was a simple palliative. Looking through copies of The Cornishman from the late 1920s an impressive number of remedies were advertised as being on offer:-

1) Women who are tired out

 

-How to regain lost vitality for women who feel tired out, nervy and overwrought, and suffers from headaches and backaches.

Try Dr Williams’ pink pills –of all chemists 3/- a box

 

2) Clarke’s Blood Mixture

 

“Just as good for abscesses, ulcers, bad legs, inflamed wounds, swollen glands, haemorrhoids, also rheumatism and gout- all of which are signs of blood impurities.

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3) Swan’s Oxygen Therapy, Alperton, Penzance

 

Inhalation therapy for asthma, tuberculosis and pneumonia

 

Each copy of the newspaper would carry around five of such adverts, some large but few efficacious.

Had medical science a great deal to offer? As the CountyMOH report of 1933 shows the Women’s Hospital in Redruth was busy-some due to unsanitary home conditions- and some areas of the county, like Sennen, had no midwife coverage of any kind. Puerperal fever as it was termed had not been eradicated although the work of Oliver Wendell Holmes, the Boston Physician with literary leanings, as far back as 1843 had shown the risk of physicians carrying infections from one infected patient to others. Whilst this was recognised, effective treatment for the condition depended upon the development of antibiotics. It was only in 1936 that Colebrook’s research was reported in the Lancet about the effectiveness of sulfa drug on a condition that was more lethal than pneumonia. They also worked on meningococcal meningitis so that the death rates for such conditions started to fall after 1940.

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Eric Kemp mentions in ‘We want to speak of Schooldays’, that because his mother lost a sister, who died soon after she was born in St Ives, he comments, “…they decided that when I came along, they’d go up to London, and be born in a proper hospital.”

 

 

 

Categories
Art Exhibition Reviews Penwith Uncategorized

A Visit to Maggie Matthews’s Studio on the North Coast of Penwith

Maggie with a major work for her forthcoming exhibition

At the end of May I had the opportunity to meet Maggie at her lovely granite cottage just off the coast road from Land’s End to St Just where I interviewed her about her development as a painter and printmaker. She has recently bought herself a new etching press which was on the table where we sat and had coffee around the sturdy wooden table. Her next exhibition will commence at the Cornwall Contemporary (http://www.cornwallcontemporary.com/ ) on the 17th August and runs to the 10th September.

Detail from the work above

Maggie grew up in Brynmawr in Gwent, South Wales and first came to Cornwalljust after leaving Exeter College of Art and Design.  (Further details may be found at http://www.maggiematthews.co.uk/). Graham Sutherland was an early interest, particularly his use of colour. Having already been inspired by the landscape of South Wales with its magnificent mountain scenery, she was further impressed by the fabulous light of Penwith. Her family had strong naval connections, her grandfather had in fact been bombed out of Devonport, and the sea itself was an additional attraction for which she felt a strong, familiar affinity. Her palette changed completely and she became deeply interested in the St Ives painters. She was now to paint in bright and vivid colours which she soon came to use and to love.

Porthcawl andBarryIsland, nearCardiff, during the Miners fortnight holiday had already started a love of the beach and its natural history.ComprehensiveSchoolhad encouraged her interest in art, ceramics and sculpture but in addition Maggie enjoyed biology and maths, interests which were to prove an inspiration as her work has developed.

Detail from Maggie’s recent sketches

The facilities at Exeter, near the river inspired her interests in printmaking and ceramics. The geological society had an outward-bound bus and so there at weekends came down to Cornwalland whilst other students examined the rocks in CotValleyand other places, Maggie would be enthusiastically sketching. The sea, the mining and the Celtic connections were an additional attraction. After a period working on the manufacture of air and oil filters in industry in South Wales, Maggie arrived at Penzancejob centre whilst on a two-week holiday. She got a post working on the Jetsetter computer graphics project drawing paired-down sketches of simple objects like wine glasses and pencils.

Maggie continued to sketch the landscape intensively at weekends. She also went on Friday nights in St Just with Mary Stork to draw life studies, which she found a useful exercise and with Mary’s support she exhibited her work for the very first time.

Maggie outside her cottage with a work for the forthcoming exhibition at Cornwall Contemporary

Her first solo show was in Brown’s Restaurant which Maggie then proceeded to show at for another two more years and then had a further displays at Avalon in Marazion. Her very abstract colourist compositions at this point were very much influenced by her attraction to Patrick Heron’s work. In particular Maggie likes his later garden works and the space and depth created in these compositions. Paul Nash, Samuel Palmer, William Blake and Sutherland remain her favourite works for their pastoral, lyrical qualities. She remains interested in printing, ceramics and expresses an interest too in sculpture.

Categories
Book Reviews Penwith Poetry Uncategorized

Bardhonyeth Kernow,Poetry Cornwall (Volume 27)

Bardhonyeth Kernow

This issue contains a wide variety of contributions from over sixty poets from Scotland(which also provides the lichen encrusted wheel arch cover image from Callander) to Germany, from Wales to Spain. Naturally the emphasis are on Cornish poems and it is the landscape of Kernow which provides the inspiration for many of these verses in dialect and Kenewek with a translation and interpretation section carefully chosen by Grand Bard, Mick Paynter. It is good to see the enthusiasm for good poetry in the Duchy from such various sources as French, Scots Gaelic and even the Romany language of Gurbet. This is a collection which is not afraid to approach the edge, like Sam Harcombe, who at Warren Cliff approached, ignoring stakes and danger signals:-

Hoping to catch sight of seal,

I wanted to look closer at the inlet far below, but

riddled with rabbit holes and

cracks it was obviously dangerous.

I went a few steps past the stakes

And still saw not enough

Bernard Jackson prefers the sylvan safety of the Sunlit Leaves as the sun sinks and he wanders entranced by the magic of a slow watered stream:-

Eternal is the flame that ne’er consumes,

Yet blazons leaves, nor shall one instant fade.

From woodland reign that readily assumes

This seasoned garb, immortally arrayed.

In traceries where sunlight shines between,

God’s glory is a miracle of green.

Bardhonyeth Kernow’s Editor Les Merton

Besides such nature poems form Perranuthnoe to Predannack, there are some moving poems inspired by the cheerful and encouraging words from the nursing staff on Geevor Ward which as Donald Rawe puts it “Restore humanity to the clinical desolation”. There are sad, human reflections on Casualty and Geriatric Wards. There are too the lifting memories of repairing with his father My Pink Bicycle by Graham Rippon:-

“Paint it any colour you like”

But the only colour we had was Pink

This little collection is a gem and a tribute to the current interest in poetry in our Duchy.