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“Back to the Seventies” by Umberto Eco

Of course, Licoln was quoting the Gospel of Mark 3:25. I find so much of Eco interesting and have read one of his last collections, “Inventing the Enemy”. You are surely correct that much more tolerance is essential to rational discourse, especially where feelings run high over political issues.

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Kneipe Freitag

Reminds me of scenes out of Kubrick’s “Barry Lyndon”.

paulskin's avatarPreußische Kuriositäten

Endlich Freitag, ich gehe auch in die Kneipe…

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The Chinese Restaurant in Portrush by Derek Mahon

Before the first visitor comes the spring
Softening the sharp air of the coast
In time for the first ‘invasion’.
Today the place is as it might have been,
Gentle and almost hospitable. A girl
Strides past the Northern Counties Hotel,
Light-footed, swinging a book-bag,
And the doors that were shut all winter
Against the north wind and the sea mist
Lie open to the street, where one
By one the gulls go window-shopping
And an old wolfhound dozes in the sun.

While I sit with my paper and prawn chow mein
Under a framed photograph of Hong Kong
The proprietor of the Chinese restaurant
Stands at the door as if the world were young,
Watching the first yacht hoist a sail
— An ideogram on sea-cloud – and the light
Of heaven upon the mountains of Donegal;
And whistles a little tune, dreaming of home.

Image result for Chinese restaurant

This is the third poem upon this theme following my previous posting. Notice that the place is only almost hospitable. This reservation is somehat typical of Mahon. Nevertheless there is a lovely  relaxed and informal feel about this poem and the sense that home is not entirely out of reach.

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Poetry and Chinese Restaurants

It may seem niche and perhaps surprising that some great poems have been written in this context. Here is the one which carries ecclesiastical overtones:-

This interesting poem seems to be set in some town with spires and appearing in the early sixties examines the racial tensions between the conventional attitudes of the clerical customers in the slightly exotic atmosphere of the restaurant and those of the Chinese staff. Its tone is sardonic and wistful. There is a definite culture clash going on as well as some confusion over philosophies and belief systems.

I am not quite sure why the owner’s brother is burning money and the theme of incense seems to resonate throughout. Has he a drug habit or is he having to pay protection money? Both seem possible. The attitude to the Africans seems indulgent as well as racist. It is not entirely clear if it is the poet or the Archdeacon who takes this view over them. There again the eating habits of the customer’s are much disapproved by the Chinese traditionalists and authorities.

A somewhat sifferemt but related poem by D.J.Enright may be found at https://www.poetryarchive.org/poem/dreaming-shanghai-restaurant

 

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Inktober Day 7

Impressive- what sort of pen or brush is being used?

Alan Skyrme's avatar

Sohar Fort, Oman

I lived in Oman for a few years in the early 1970s at which time the old forts in the country had not yet been renovated. This one was at Sohar, little more than a fishing village, but strategically important for its position in the north of Oman.

Inktober was created by Jake Parker in 2009 as a challenge to improve his inking skills and develop positive drawing habits. It has since grown into a worldwide endeavor with thousands of artists taking on the challenge every year.

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Nadar: the story of a photography pioneer

Fascinating introduction to an early photographer.

europeancollections's avatarLanguages across Borders

Last year the Bibliothèque nationale de France organised Les Nadar, un légende photographique, an exhibition on this family of photographers (accompanying catalogue: S950.b.201.5289 featuring Paul Nadar’s portrait of Sarah Bernhardt on the cover). The most important of these was Gaspard-Félix Tournachon, photography pioneer, freelance writer and caricaturist, known by his pseudonym, Nadar. In addition, his son Paul and his half-brother Adrien Tournachon were gifted photographers.

Caricature of F. Nadar in La lune, 1867, 2015.8.2833

Félix Nadar was born in 1820 into a family of printers and booksellers in Lyon. From a young age he was an admirer of Dumas, Hugo and Balzac. He started to study medicine in Lyon but once his father died in 1837, he had to quit and moved to Paris. There he started his career as writer and caricaturist, collaborating in some journals. He frequented the Parisian bohemian scene in the Latin Quarter; where…

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The Contrarian’s Disconcerting Dualism

Fascinating Shaw-I must read Holroyd’s biography.

thomaspeebles's avatartomsbooks

Fintan O’Toole, Judging Shaw:

The Radicalism of GBS (Royal Irish Academy, $40.00) 

            By 1920, theatergoers throughout the world recognized the three letters “GBS” as a shorthand reference to George Bernard Shaw, not only the era’s most prolific and successful English language playwright but also a prominent social and political commentator with radical left-wing views.  GBS in 1920 was Shaw’s self-created brand, which he cultivated carefully and marketed shamelessly.  In Judging Shaw: The Radicalism of GBS, prominent Irish journalist and cultural critic Fintan O’Toole explores how the brand GBS interacted with Shaw the man and evolved over the years.  O’Toole does so through eight thematic essays, each a section on a separate aspect of Shaw’s long life (1856-1950), but without adhering to a strict chronology.  His work is more appraisal than biography.

Author of over sixty plays, among them Man and Superman (1902), Pygmalion (1912) and Saint Joan (1923), Shaw…

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Shingle and Saxons: a car-free trip to the Suffolk coast

Great photo-wonderful coastline too.

Julian Worker's avatarJulian Worker - Journeys

Suffolk’s marshes, beaches and estuaries meld into a dreamy landscape rich in history.

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Das ist das Traurige in der Welt…

Quite lovely and moving!

Wolfregen & Constanze's avatarDas poetische Zimmer

Richard von Hagn: Margaretenmühle vor Husum (1930)

Am blauen Stein

Hinter den Feldern am blauen Stein
Singt ein Vogel im stillen Hain:
Das ist das Traurige in der Welt,
Es löst sich das Blatt und fällt,
Doch das ist das Gute daran,
Es hängt sich woanders an.

Nimmt es der Wind aus den Ästen fort,
Treibt es einsam von Ort zu Ort,
Heimatlos, herbstlich, auf dunkler Spur
Dem Abend entgegen nur,
Doch über die Stoppeln hinweg
Strahlt leuchtend ein heller Fleck.

Dort in der Ferne glänzt Himmelslicht,
Wo der Kirchturm nach oben sticht,
Werden wir einmal zu Hause sein,
Ein Gotteswort lädt uns ein,
Die Sonne, sie weist uns den Pfad,
Ihr Zeiger dreht unser Rad.

Abschied von Freunden, die seelennah,
Traute Blicke, die nimmer da,
Liebende Herzen, die aufgehört
Zu schlagen, in Gram zerstört;
Ach, Ödland, wie wird mir hier kalt,
Das Jahr ist zu Ende bald!

Hinter den…

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Und mancher Apfel rot erglüht in Tagen…

Wolfregen & Constanze's avatarDas poetische Zimmer

Foto: ©Constanze

~ Herbstfeuer~

Das Grün des Sommers reicht weit in den Herbst
und mancher Apfel rot erglüht in Tagen,
die grau durchwirkt die lichten Äste tragen;
und alles, was du mit dem Goldton gerbst,
das leuchtet funkengleich in dunkler Zeit,
sei ernsthaft stets und für den Tod bereit,
doch feire auch die späten, güldnen Stunden,
die lange Ernte eines kurzen Lebens,
das seinen Sinn in Dankbarkeit gefunden
für all dies Schöne, das Musik ist, stillt
ein tiefes Herz, und deshalb nicht vergebens,
auch wenn mit Wehmut vieles dich erfüllt,
weil scheinbar es verhallt und Heimstatt schwindet
in schwerer Brust, die atmend sich doch hebt
und weiter an den Schicksalstüchern webt;
du selbst bist es, der sich ans Dasein bindet
und nicht zu früh fällt wie das Obst, verkümmert,
obwohl das Grün noch bis zum Winter schimmert,
orange sich färbt und gelb und braun und müd
sich…

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