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Altes Kaminstück von Heinrich Heine

Altes Kaminstück – Old chimney piece – von: / from: Heinrich Heine. (1797 – 1856)

Snowf

Draußen ziehen weiße Flocken / Outside all white flakes are drawn / durch die Nacht, der Sturm ist laut; / through the night, the storm is loud; / hier im Stübchen ist es trocken, / here in the little room it is dry, / warm und einsam, still vertraut. / warm and lonely quiet familiar.

Sinnend sitz ich auf dem Sessel, / Brooding I am sitting on the armchair, / an dem knisternden Kamin, / close at the crackling fireplace, / kochend summt der Wasserkessel / boiling hums the kettle / längst verklungene Melodien. / long fading melodies.

Und ein Kätzchen sitzt daneben, / And a kitten sitting next to it, / wärmt die Pfötchen an der Glut; / warms their paws on the embers; / und die Flammen schweben, weben, / and the flames are floating, weaving, / wundersam wird mir zu Mut. / wondrous feeling all in me.

Dämmernd kommt heraufgestiegen, / Dawning is ascending, / manche längst vergessene Zeit, / some long forgetting time, / wie mit bunten Maskenzügen / as with colorful masks and tails / und verblichener Herrlichkeit. / and departed glory.

Chimn

Forest

Chimn2

(Thanks to http://german.about.com/b/2013/12/02/the-hidden-christmas-tree.htm?nl=1)

The full poem may be found at http://de.wikisource.org/wiki/Altes_Kaminst%C3%BCck

“Altes Kaminstück” musikalisch interpretiert von meelman & Roman Symanski 2012 http://www.youtube.com/watch?v=Uz0afvRbOus

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Gluckel of Hameln: Jewish Women in the 17th Century

A fascinating story of an amazing woman……

Henry Abramson's avatarHenry Abramson

Lecture Sponsored by Judy Seed

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The tercentenary of the Treaty of Utrecht (1713)

The treaty of Utrecht has been rather ignored in the public sphere. Gibraltar and Britain’s “right” to the slave trade may partially explain why the 300th anniversary has had little attention and yet it was important at the time and provided a temporary peace-

rechtsgeschiedenis's avatarRechtsgeschiedenis Blog

Logo Vrede van Utrecht - Peace of Utrecht

In 2012 I wrote twice about the Peace of Utrecht, the series of treaties which ended the War of the Spanish Succession (1702-1713). The first post looked in great detail at the textual tradition of the Westphalian Peace of 1648, the Peace of Utrecht and the Peace of Aix-la-Chapelle (1748). The post contains an overview of treaty collections and relevant websites for historical treaties. In my second post I looked at Early Modern peace treaties more generally and I tried to summarize the results of my first post and to bring together some elements for a search strategy. One of my main points was these peace treaties are indeed treaties in the plural. The Peace of Utrecht consists of 22 treaties, counting also the treaties concluded at Baden (1714) and Rastatt (1715). On April 11, 1713 seven separate treaties were concluded. Last week it was exactly 300 years ago that…

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Paris Sunset: 3 Drinks with Vintage Zest

Nostalgia for the Marais at l’heure bleue

Theadora Brack's avatarParis: People, Places and Bling

By Theadora Brack

I’ve said it once, and I’ll play it again, Sam. The mere sight of the Paris rooftops at l’heure bleue has never failed to give me a thrill. Larger than life, I’m transfixed. I tumble flat.

Reaching for Henry Miller: “In Paris, on the asphalt, I have often walked saying: wild, wild, wild. You just say it, and walk, walk, walk. It makes everything rise, swell, burst. Then I am so happy I cannot bear it any more and I begin to sing. It is cause for bliss. You can get drunk on walking.” Oh, Henry!

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Das ist der Herbst bei Theodor Storm

TS2Das ist der Herbst; die Blätter fliegen,
Durch nackte Zweige fährt der Wind;
Es schwankt das Schiff, die Segel schwellen –
Leb wohl, du reizend Schifferkind! —
Sie schaute mit den klaren Augen
Vom Bord des Schiffes unverwandt,
Und Grüße einer fremden Sprache
Schickte sie wieder und wieder ans Land.
Am Ufer standen wir und hielten
Den Segler mit den Augen fest –
Das ist der Herbst! wo alles Leben
Und alle Schönheit uns verläßt.

http://www.youtube.com/watch?v=3_zHjPRo1oc

St Levab

TS1

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The Spiritual Goncharova

A contemporary of Serebryakova-

Fëanor's avatarArt of the Russias

[Loose paraphrase from Woman power русского авангарда, by Elena Fedotova, on Colta.ru.]

Between October 16, 2013 and February 16, 2014, the State Tretyakov Museum holds an exhibition titled ‘Between the East and the West’, dedicated to the works of Natalia Goncharova (1881-1962).

Natalia Goncharova has been variously called an Amazon of the avant-garde, a great Russian artist, a left-wing painter of the Russian avant-garde. And yet a 100-odd years ago, conservative critics were deprecating her as an blasphemer and an untalented dauber. When you look at the amazing power of her spiritual cycles, her refined theatrical sketches, her decorative still lifes, it is difficult to understand why so much criticism clung to her, and why her works were snatched right off their displays.

Goncharova’s solo exhibition in 1914 (in Nadezhda Dobychina’s ‘Art Bureau’, at the time, the fashionable gallery for modern art in St Petersburg) created a scandal. An anonymous…

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Penwith Uncategorized West Cornwall (and local history)

Memories of St Ives at Christmas circa mid 1950s

The days leading up to Christmas are associated in my memory with a series of various festivals and events from Guise Dancing to Fair Mo and then Christmas itself. This too was soon followed by the scarlet coated and spectacular grandeur of the Western Hunt during St Ives Feast. The Guise Dancing was ominous and noisy; it seemed to myself-perhaps a timid child, with masked figures, lanterns and loudly beating drums. It was still commonly performed until the mid fifties but seemed then to have died out with the corresponding popularity of television. However, by Fair Mo, a Church based fair situated in the Guildhall and taking place at the end of November it was by then always clear that the Christmas season would soon be upon us. It is described now on the History of St Ives website, as,”… a less rowdy tradition, celebrated just before Christmas. This ancient ‘pig fair’ reflects the long-standing custom of keeping pigs in virtually every Downlong yard. Today local ladies dress in traditional costumes and hold their fair, or market, in the Guildhall.”

07 1950s Cornwall, England - 03 St Ives

Around Christmas Eve, or a day or two before, everyone in downlong had been serenaded by the agreeable euphony of perambulating choirs from the Primitive and the other MethodistChurches. These were accompanied by a clarinet or two and everyone emerged to the truly blissful sounds of Thomas Merritt’s Carols, before each the verses were briefly intoned and led by the choirmaster. “Hark the glad sound” resonated and reverberated against the cottages and along the cobbled streets with such utterly superb harmony that Christmas, together with its peaceful promise, seemed as imminent as the arrival of “the Saviour promised long.” The effect was utterly magical and glorious; recalling it again makes the hairs on my neck stand up on end. So that neighbours emerging from their doorways were thoroughly receptive to the “Tidings of great joy” that Gabriel brought “to you and all mankind.” After the melodic repetitions of Cornish and other carols people returned to their houses prepared by such benedictions to enjoy Christmas Day itself.

Hepworth
Hepworth

Most pubs and inns similarly resounded with affirmative renditions of the “Old Time Religion.”  The Cock Robin choirs provided youngsters with the opportunity for mild horseplay- as evidenced the next day by seeing a punt or skiff hoisted on to the roof of the fisherman’s lodge. Few would have ventured as far afield as Mousehole, for either Tom Bowcock’s Eve or even Starry Gazey Pie. There was absolutely no rowdy celebration on New Year’s Eve but grand and elegant Scottish or Hogmanay dances, attended largely by the professional classes at such grand venues as the Portminster Hotel or Kenegie Manor in Gulval.

Preparations for Christmas in the home were concerned with food, presents and decorations. There was an early ecological arrangement whereby potato skins were placed in a special bin and collected each week by the ‘pig man’. The result at Christmas was that every house received a good sized pork joint. The turkey-some in the family might have had goose -was paid for on a card signed for, again on a weekly basis, at the butchers over the autumn months leading up to Christmas. Pickled onions were prepared over a longer period and stored with peppercorns and tiny red chillies on a shelf above the stairway on the ground floor. Military pickle and piccalilli were purchased to go with the tongue, pulled together with skilvin (quality string from the Fisherman’s Co-op) and pressed in a saucepan, with a weighted lid-usually a smoothing iron. Salt beef was also prepared with other cold meats for suppers over the Christmas period.

Patrick Heron
Patrick Heron

The house was extra warm from the heat generated from the kitchen and if it was windy in the wrong direction, especially before a cowl was fitted, smoke from the coal fire would fill the sitting room. The resulting “smeech” would deposit smoke particles of varying sizes spoiling some of the coloured paper decorations in the sitting room. After saffron stamens had been floated in a small bowl to extract the lovely liquid yellow concoction, bowls both of dough and cake mixture were placed by the fireside, covered by tea towels and left to rise. Cakes purchased especially at Christmas included batten burg, chocolate log and walnut. Macaroons, coconut pyramids were prepared on rice paper as well as congress tarts. The one cookery book –the one which probably came with the oven- were referred to on an annual basis. Reference was made to on one or other well thumbed pages.

The Christmas tree was always a holly tree and the large fairy light bulbs were checked and replacements inserted into and the holders, some of which were in small copper lanterns my father had made and into which rice paper was inserted to diffuse the light. Embroidery thread was cut into lengths and tied on to the baubles or shiny things. The extra demand meant that the electricity meter ‘went’ more frequently and had to be fed and wound with two shilling pieces that were of course known as florins. This process was often accompanied by the question, “Where was Moses when the lights went out?” There seemed to be much to do in those days leading up to Christmas Day and my father might describe how in the 1920s he and my uncle would mostly just have oranges, some wrapped in silver paper and walnuts and brazil nuts as the main fillers in their Christmas stockings.

images (2)

After Christmas dinner, the turkey which was taken upstairs afterwards into the preservative cool of the so-called small bedroom, borne on the large appointed Victorian ornate and crazed platter. It was carved for suppers and other dinners over the next few days. Nobody could quite get through all the cakes or biscuits, so my father took it, as a snack, with his thermos flask of tea to the factory where he worked until about the middle of March. Apart from Sherry and usually Port – there might be a bottle of each- there was little in the way of drink until white wine, in the form of Blue Nun became a favourite with my mother in the seventies. On reflection much of the fun in the celebration of Christmas was probably also a recovery from the tough period during the war when my parents had travelled around air stations. From Filton in Bristol, where they both worked and had been bombed, they journeyed to Hull and Girvan in Scotland and other places. Housing shortages, especially in Cornwall had to be endured and the severe economic pressures of the Cripps austerity period had also just ended.

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London Pirate Radio | Maunsell Sea Forts

Following my review of “Death of a Pirate”….

dpr-barcelona's avatardpr-barcelona

A pirate radio can be described as an illegal or unregulated radio transmission. In particular, UK pirate radio [unlicensed illegal broadcasting] was popular in the 1960s and experienced another surge of interest in the 1980s, as Carole Fleming and Pete Wilby say at their research for the book The radio handbook in 2002. Talking about London, we can say that pirate radio is everywhere. Today’s broadcasts are hidden in plain sight, transmitting from secret tower block studios via homemade rooftop antennas, and we were surprised to see that one of these pirate radios is currently transmiting* from the Maunsell Sea Fort, constructed in 1943 and located in the Thames Estuary area.

Using for the London Pirate Radio the same description used for the Berlin’s one:

“There are places you won’t find in a tourist’s guide. Underground bunkers and mysterious hilltop listening stations, built to intercept radio communications.”

As…

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Book Reviews Uncategorized

Death of a Pirate

If you are inclined to take your cues from the weekly reviews, as the witty poet Gavin Ewart once expressed the matter, you will doubtless find currently articles as varied as; Russell Brand predicting the imminent decline of the BBC, various interpretations of liberalism and how these struggle for expression in Coalition Government policy. There are concerns too about the legislation governing the internet and references back to the Sixties battles between, on the one hand,  the unbridled self-expression of the free market and, on the other,  the virtues of self-restraint in such matters as the re-examination of the Lady Chatterley trial, now  fifty years ago. An unusual and quite intriguing book, Death of a Pirate, about the development of intellectual property and piracy in radio touches on all these contemporary concerns in a dramatic way. It combines the history of modern broadcasting with a crime story and consequent trial.

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This is a book about the conflict between two determined but erratic men that ended in violent death. The victim was Reg Calvert, whose parents were travelling musicians who separated early leaving him to wrestle a living in various parts of the music business as an impresario and dance hall manager. He had acquired an illegal handheld jet blowtorch as an item for his own self-protection and for that of the bouncers and henchmen that he employed –usually on a non-contractual ad-hoc basis. Through ingenuity in a series of not very successful ventures he came to control the pirate radio station at Shivering Sands. This was situated on a shabby, rusty and disused ant-aircraft gun emplacement on sixty foot high steel legs just offshore at Whitstable. Becoming the base for RadioCity, Calvert it bought from screaming Lord Sutch. It effected the training of a generation of DJs. Although the structure was physically stable financially it was anything but.

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It also needed an effective transmitter-including an antenna- which was imported from Fort Worth in Texas under the aegis of Oliver Smedley then engaged in the financial revival of the station known as Project Atlanta. Smedley was altogether a different type. He hailed from a military background and had distinguished himself directing artillery fire in the summer of 1944. Smedley was not just a man of action; he was nearly 20 years older than Calvert and an ideologue for Hayek and unbridled private enterprise. Business machinations and the disputed ownership of the dilapidated aerial (which had comically fallen into the sea when first delivered, being hauled up by an unsafe lashed up crane, eventually recovered by a team of divers) led to Smedley launching a Combined Cadet Force type raid on the platform carried out by a motley crew of Kentish seamen. Smedley organised the capture of the platform and the removal of microphones and the home-made silicon crystal whose oscillations drove electrons up and down the rigged aerial and without this, of course the Calvert’s station could no longer transmit.

These actions eventually led to a highly distraught Calvert being driven down through the darkened hedgerows to the Essex home of Wenders Ambo where Smedley cohabited with his much younger secretary. Calvert’s entry was highly provocative, especially his intimidation of the girl, but scarcely excused his being shot at close range by the irascible Smedley, often inclined to rash action and this encounter was indeed quite unexpected. It was an incident that was to have repercussions for the future of the broadcasting industry.

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Strange encounters and a cast of intriguing characters, including spooks and criminals, make this factual account read like an engaging novel. The settings vary from Dean Street where many seedy business deals were cut to the untidy front rooms of amateur experimenters, laced with wires and triode valves strewn about the place. There are the grand offices of the BBC and the rusting hulks of the early pirate vessels. Prof Johns captures every aspect of the thrill of the early experimenter and scenes of espionage in conflict with the Nazis for control of the ether. The narrative tells of the thrill of the first listeners to the exciting broadcasts from Radio Luxemburg. It relates the propaganda and transmissions from within the narrow borders of the intriguingly independent and strategically positioned state of Liechtenstein. Sandwiched between Austria and Switzerland and with unstable neutrality, its windy heights became crucial to the battle of the airwaves and the control of populations.

A professor of history at the University at the University of Chicago, Adrian Jones provides a thorough and invigorating account. He has briefly outlined the impact of the technical developments from the early problems of feedback interference to the invention of the transistor. In summarising the ideological battles of the information age, he draws memorable pen-portraits of the austere Reith and the flamboyant technical wizardry of P P Eckersley, not to mention the aptly named Plugge. It was Plugge who created the International Broadcasting Company in 1931 as a commercial rival to the British Broadcasting Corporation by buying airtime from radio stations such as Normandy, Toulouse and Ljubljana.

To conclude Adrian Jones has written a well researched and clearly referenced work that demonstrates the connections between technical developments, listeners, broadcasters, academics and political factions. He shows clearly how the pirates provided the music and relaxation that the population, just after the austerity period, really wanted. He is particularly interesting on an academic called Ronald Coase who advanced arguments about the unfairness of the BBC claiming a cultural monopoly. So in addition to telling a tale with journalistic flair his book is also an introduction to cultural history and social change. It is, in this sense, a demanding book which however thoroughly repays close reading. As might be expected, there is a clear list of references and web material for readers to further their own research.

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Another review of this book may be found at:-http://www.offshoreradio.co.uk/citybook.htm

and more info on London Pirate Radio at http://dprbcn.wordpress.com/2010/04/11/london-pirate-radio-maunsell-sea-forts/

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The Magic Mountain, by Thomas Mann, translated by John E. Woods

After reading a small extract of Buddenbrooks in German and reading Evelyn Juers, I am developing an interest in the Manns…

Lisa Hill's avatarANZ LitLovers LitBlog

Well, I’ve finally finished The Magic Mountain.  I’ve been reading it for ages, about 70 pages a week, along with a group at GoodReads.  It’s an amazing book.

The plot is actually quite simple.  A young man, Hans Castorp, goes to visit his cousin Joachim in an exclusive TB sanatorium in the Swiss Alps, but is diagnosed with the disease himself and ends up staying there for seven years.  The sanatorium is a microcosm of European society just before The Great War – which provides Mann with the opportunity to explore an astonishing range of philosophical issues.  The novel is often satiric and witty, it bristles with ironies, and there are symbols lurking everywhere.  It’s the kind of book you could read many times and still discover something new each time you read it.

But I have only read it once, so I must leave the sophisticated analysis to those who…

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