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Book review: Fierce Appetites by Elizabeth Boyle (Ireland)

Sounds very powerful and lives up to its title!

imogen's avatarImogen is Reading and Watching the World: On Books, Film, Art & More

Fierce Appetites: Lessons from my year of untamed thinking is a collection of personal essays by Irish medieval historian Elizabeth Boyle. Sub-(sub-)titled Loving, Losing and Living to Excess in My Present and in the Writings of the Past, the book was published in 2022 by Penguin, and (appropriately enough) I’ve read it during Cathy‘s Reading Ireland month ’23

Part memoir and part deep-dive into medieval Irish poetry, it meditates on the interconnectedness of time and place, and describes a year in Boyle’s life, the pandemic year of 2020, which opens with her father’s death in January.

“My brother poured seventeen sachets of sugar into his black coffee. I muttered to him, ‘If dad dies while you’re adding all these fucking sugars I will never speak to you again.’

We walked back to the ward. Dad had died…”

There are 12 chapters, broken down by month, containing personal meditations…

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Glowing crocus

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Pierre Bonnard: Palmier rose au Cannet (1924)

Magnificent Bonnard!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Pierre Bonnard (1867-1947) Palmier rose au Cannet signed ‘Bonnard’ (lower right) oil on canvas 19 3/8 x 18 ½ in. (49.2 x 47.1 cm.) Painted in 1924, Image Source: Christie’s

“…Watkins has described the process by which Bonnard mediated and transposed these observations of the landscape back in his studio: “Paintings begun in the memory of a visual experience encapsulated in a drawing were transformed through color into a rich, immensely varied surface made up of a tapestry of brushstrokes, glazes, scumbles, impasto, and highlights of pentimenti” (op. cit., p. 171).”In 1940, Bonnard reported to Vuillard, “I am very much interested in landscape, and my strolls are full of considerations in this regard. I am about to understand this land and no longer try to find what isn’t there, since it conceals tremendous beauties. To establish the different conceptions to which nature gives birth from this perspective…

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The Perfectionist’s Shame: Why the Difference Between Responsibility and Blame Matters

It seems that perfectionism can stand in the way of learning- a skill for example. Mistakes are a necessary adjunct to learning. It may inhibit the development of experimentation and personal style as well as authenticity. I was thinking about Stanley Kubrick renowned for this quality but making repeated takes to attain what he required.

Leon Garber, LMHC's avatarLeon's Existential Cafe

“We don’t want to become what we are. We want to become a concept, a fantasy, what we should be like. Sometimes we have what people always call the ideal, what I call the curse, to be perfect, and then nothing we do gives us satisfaction.” -Fritz Perls

Idealism is the progenitor of shame.

On the one hand, it helps us cultivate a better world; but, on the other, it forms the foundation of a myriad of emotional maladies. Perfectionism is tied to the beliefs that one is inherently bad and unlovable, but it holds the promise of abundant affection if she can rid herself of her impurities. This love is as divine as she can be (and, sometimes, thinks she is), but it resides only in the fantasy of her daydreams. So, she lives in a juxtaposed state, in which she craves perfection but suffers immensely when recognizing her…

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Willow buds

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Trifecta: Kurkov, Voloshin, and Coulette

Congratulations on your many successes!

bdralyuk's avatarBoris Dralyuk

I haven’t posted a thing here in what feels like ages. It’s only been a month and a half, in fact, but what a month and a half it’s been! In February, Jenny and I learned that we were both finalists for the inaugural Gregg Barrios Book in Translation Prize from the National Book Critics Circle, which made us the first married couple to be shortlisted for any NBCC award — and this fact drew some attention from the Literary Hub and the Los Angeles Times. Last Thursday, I was stunned to learn that my translation of Andrey Kurkov’s Grey Bees won. I mean it: stunned. The news reached me over Twitter in Los Angeles, in the office of my old colleague Peter Winsky, who’s now teaching at the Slavic department at USC. I was about to give a reading from My Hollywood and Other Poems and couldn’t…

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Part 2: Why You Need To Explore Freud’s Unheimlich Or The Uncanny…. By Dr Linda Berman

waysofthinking.co.uk's avatarwaysofthinking.co.uk

Last week’s post looked at the uncanny, and how it resides within ourselves. Today, I will move on to exploring ways in which we can confront these aspects of our inner world, often termed our ‘monsters,’ or our ‘demons.’

  • The Struggle To Face Our Inner Demons

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Ghost – Mario Sironi. Wikimedia Commons.

“No one who, like me, conjures up the most evil of those half-tamed demons that inhabit the human breast, and seeks to wrestle with them, can expect to come through the struggle unscathed.”

Freud. From Dora: An Analysis of a Case of Hysteria, 1905

Facing our dark side, or our shadow side as Jung termed it, is far from easy. Jung’s shadow is akin to Freud’s ‘unheimlich,’ which describes parts of the personality of which we may be unaware. If we remain in denial about the existence of our own shadow, we will tend to project that darkness onto…

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Nights at the Alexandra by William Trevor

Only read very little of Trevor but he writes splendidly!

JacquiWine's avatarJacquiWine's Journal

The esteemed Irish writer William Trevor is frequently cited as a master of the short story, and rightly so. His stories are spellbinding – humane, compassionate and beautifully written. He has a way of getting into the hearts and minds of his characters with insight and precision, laying bare their deepest preoccupations for the reader to see. These skills are very much in evidence in Nights at the Alexandra, a slim collection comprising the titular novella and two short stories, The Ballroom of Romance and The Hill Bachelors. I simply adored these achingly melancholy pieces, exquisitely expressed in Trevor’s deceptively simple, understated prose. As in Clare Keegan’s novellas Foster and Small Things Like These, there’s a luminosity or purity to Trevor’s stories, an emotional truthfulness that’s hard to capture in a review.

The collection opens with the titular novella in which fifty-eight-year-old Harry looks back on the days…

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Odilon Redon: Saint John (c1910)

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ODILON REDON (1840-1916) Saint Jean signed ‘Odilon Redon’ (lower right), pastel on paper, 17 1/2 x 12 1/8 in. (44.5 x 30.8 cm.), Executed circa 1910, Image Source: Christie’s

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Odilon Redon at wikiwand

Fleur Roos Rosa de Carvalho, ‘Decorative panels’, in Odilon Redon
and Andries Bonger: 36 works from the Van Gogh Museum collection,
Amsterdam 2022, FREE PDF HERE

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Odilon Redon at Van Gogh Museum

Odilon Redon at Musée d’Orsay

Odilon Redon at Christie’s

Odilon Redon at Sotheby’s

Odilon Redon at wikimedia

Happy Sunday! 🙂

~Sunnyside

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Fernando Cueto Amorsolo: Under the mango tree (1950)

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Fernando Cueto Amorsolo (1892 – 1972), Under the mango tree, oil on canvas, signed F. Amorsolo and dated 1950 (lower right), Executed in 1950,Image Source: Sotheby’s

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Fernando Cueto Amorsolo at wikiwand

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Fernando Cueto Amorsolo at Christie’s

Fernando Cueto Amorsolo at Sotheby’s

Fernando Cueto Amorsolo at Bonhams

Thanks for Visiting 🙂

~Sunnyside

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