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‘Enter the Dragon’ by John Keane, in Australian Foreign Affairs #11: The March of Autocracy, Australia’s Fateful Choices, edited by Jonathan Pearlman

This is a very detailed and useful summary with much thought provoking material. Thanks for your time and study.

Lisa Hill's avatarANZ LitLovers LitBlog

‘China is an emergent empire of a kind never seen before … It’s not a gunpowder or dreadnought battleship or B-52 bomber empire. It’s an information empire, propelled by commercial interests.’ –John Keane

The eleventh issue of Australian Foreign Affairs examines the rise of authoritarian and illiberal leaders, whose growing assertiveness is reshaping the Western-led world order. The March of Autocracy explores the challenge for Australia as it enters a new era, in which China’s sway increases and democracies compete with their rivals for global influence.

lot has happened since this edition of Australian Foreign Affairs landed in my post box last year, but still, the first essay, ‘Enter the Dragon, Decoding the new Chinese empire’ offers interesting insights.  Written well before the Pelosi stunt and the backlash from China, it made me suspect something that I haven’t read anywhere in the mainstream media or even at John Menadue’s Pearls…

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Mariam Batsashvili: Concerto in D minor 974 (Bach/Marcello)

Simply lovely!!

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Summer by Thomas Wilmer Dewing oil on canvas 42 1/8 x 54 1/4 in. (107.0 x 137.8 cm.) Smithsonian American Art Museum; gift of William T. Evans on 1909-07-21, Image Source: wikimedia

Thanks for Visiting 🙂

~Sunnyside

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Shetland landscapes 2022

Lovely- once again!

Jane's avatarJane Sketching

Sketching on the beach out of the wind, I am fascinated by the regular angles in which the rock cleaves.

Beach on the West Side, 27th June 2022, 1pm

The angle of the distant cliffs echoes the slope of the nearby rocks.

Sketching in the hills, islands and hills are of the same form.

Here’s a sketch in my small sketchbook. The green overlaid pattern is a print, made in advance.

Hills near Footabrough, 3 July 2022

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Paintings of Paul Signac 17: 1883-95 Boats and the Bourgeoisie

Perhaps not unusual that an art critic was an anarchist. The Dining Room painting reminds me a little of Vallatton and the lack of communication of a Pinter or Beckett play.

hoakley's avatarThe Eclectic Light Company

Over the last few months I have looked at many of the oil and watercolour paintings of Paul Signac (1863-1935), a modern master whose work spans a period of enormous change in art, from Impressionism to Modernism. In this article and its sequel I provide a short survey of some of his major paintings, together with links to each of the articles in that series.

1 Becoming Divisionist

After a promising start painting landscapes in Impressionist style, Signac’s oil paintings made the transition to Georges Seurat’s new Neo-Impressionism in early 1886.

signacsnowbdeclichy128 Paul Signac (1863-1935), La Neige. Boulevard de Clichy (Snow, Boulevard de Clichy, Paris) (Op 128) (1886 Jan), oil on canvas, 48.1 x 65.5 cm, Minneapolis Institute of Arts, Minneapolis, MN. Wikimedia Commons.

Much of his view ofSnow, Boulevard de Clichy, Paris, from January 1886, is white, but it also features more vivid colours in Divisionist passages such as…

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Forest House, Efteling, Holland

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Scenes from Raphael in Rome

Raphael, an inspiration to artists everywhere!

ginabuonaguro's avatarGina Buonaguro

When I went to Rome last month (yes, it was HOT), I was able to pay homage to Raphael, more than 500 years after his death in 1520.

One of my biggest joys was finally visiting the Villa Farnesina in Trastevere, where my favorite Raphael painting is located. I had to walk there because there was a two-day taxi strike in Rome and no easy way to get there on transit from my hotel. Finally I was rewarded with this street name after crossing the Tiber:

Walking along the Lungotevere Raffaello Sanzio. I wish I could say it was pristinely maintained, but it was sadly dirty and busy.

The Villa Farnesina, built in the early 16th century by Sienese banker Agostino Chigi, is tucked just off the Lungotevere Raffaello Sanzio and is a quiet and verdant oasis, although the gardens were unfortunately closed off.

A view from one of…

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Journal Sketch: Lego, The Expanse and Rockets

writingatlarge's avatarWriting at Large

The Lego set came out well:

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Sketching in Aberdeen, summer 2022

Brilliant- particularly like the cabin view!

Jane's avatarJane Sketching

Here is a house in Firhill Place, Aberdeen, near the University.

House in Firhill Place, Aberdeen, 24 June 2022

I sketched it from a coffee shop called “Grub”, on Orchard Street.

Here’s Aberdeen Town House, with its marvellous turrets.

Aberdeen City Council Town House from Broad Street. 24th June 2022

Aberdeen Town House was built in 1868-74 by John Dick Peddie and Charles George Hood Kinnear. It incorporates the remaining part of the Tolbooth of 1615-29 by Thomas Watson of Old Rayne at the east, and includes the City Chambers to Broad Street, added in 1975 by the Aberdeen City Architect’s Department, with Ian Ferguson and Tom Campbell Watson as its chief architects.

https://britishlistedbuildings.co.uk/200406609-aberdeen-town-house-castle-street-aberdeen-aberdeen

The building on the left of my sketch is the brutalist structure “City Chambers” covered in a tessellation of rectangles of grey marble. Its foundation stone was laid on 17th November 1975, according to the inscription…

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Edgar Degas: The Four Ballerinas in Blue (c1897)

At Sunnyside - Where Truth and Beauty Meet's avatarAt Sunnyside - Where Truth and Beauty Meet

Ballerine dietro le quinte (c1897), by Edgar Degas, pastel, Museo Puškin, Mosca, Image Source: wikimedia (Italian)

Ballerine dietro le quinte (c1897), by Edgar Degas, pastel, Museo Puškin, Mosca, Image Source: wikimedia (Italian), detail

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Italian wikiwand “Ballerine dietro le quinte

Google English translation of the Italian wikipedia page

Note

I found several different names for this painting on various websites.

Thanks for Visiting 🙂

~Sunnyside

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The Eagle – Alfred Lord Tennyson

It seems to me that some aspects of this poem prefigure The Imagists that came along a little later-especially as it is so short.

richinaword's avatarmy word in your ear

The Eagle

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.

Alfred Lord Tennyson (1850 - 1892)

When I first started taking an interest in poetry this poem was given to me as an entry point to define poetic expression in terms of a simple text. It certainly did that and looking at it again today it still invokes admiration.

L1 … Rhyme, rhythm, and alliteration and then personification as claws are transformed into hands. We have become the eagle. Clasps give strength to the fact of maintaining a strong hold. It gives a sense of safety. The many times I go to a lookout I make sure I am safe as I look down.

L2 … Of course, the…

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