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Art and Literature: Mary Shelley’s Frankenstein and 19th. Century Art

Some interesting ideas explored here-thanks for posting!

Gomezbiamon's avatarBook Club Gardena

By: Nicoletta Campanini (Email: Ni-co-le@hotmail.it)

The spirit of an age reflects itself in thought, art, literature.

Reading Mary Shelley’s Frankenstein many pictures of the same period came vividly in my mind: I have thus decided to find the ones that best fitted the different events described in the book.

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Der Zauberberg: Thomas Mann, 1924

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Art and Photographic History Literature Poetry

Meredith as perceived by Richard Le Gallienne

I found Meredith a rather overwhelming person,

at least to me- a diffident youth.

A brilliant and fantastic talker-

one needed to be more his age;

more his intellectual match

to parry his verbal swordplay

and to comprehend his whimsical soliloquies.

 

He received me with the sympathy of a father-

soon put me at my ease.

His talk was like his books;

elaborately fanciful, knotted with thought,

a thicket of thorn bushes

hung with sudden starry blossoms.

One had to snatch what one could.

 

I was magnetised by the rush and verve

of his resonant voice, and dominated

by his lordly manner.

It seemed to me, slightly theatrical,

almost affected bravura.

Ulysses must have been such a man,

tall, lean and a rugged fighter.

 

With that far off crafty look

he seemed to me characteristically Welsh;

Roughly bearded, high browed,

keen grey eyes, slightly upturned fighting nose.

An immense intellectual alertness pervaded

his vigorous frame and was

his most characteristic expression.

 

His portrait,

known to everyone that reads,

by Hollyer is himself,

exactly.

Image result for george meredith

 

(Source of found poem- The Romantic 90s by Richard Le Gallienne)

More about Hollyer can be found at the V and A website https://www.vam.ac.uk/articles/frederick-hollyer-life-and-work

 

 

 

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Lebe

ove

and live

experience

and feel

handle

and sleep

dreams

and enfold

lamp

and fade

draw from life

your own sketch

Lyrix's avatarKlapperhorn

liebe

und lebe

erfahre

und spüre

handle

und schlafe

träume

und entfalte

leuchte

und verblasse

vom leben gezeichnet

dein eigenes bild

© Jo Wolf 2019

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German Matters Uncategorized

Spying and Popular Culture-a Powerpoint Talk

Spying Presentation

Speech by Spy Novelist John Le Carré, Oxford German Olympiad awards

 

 

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Une évanescente mélodie, Lucy Rose

Tres emouvant!!

Julien-James Vachon's avatarDirect-Actu.fr le blogzine de la culture pop et alternative

Depuis Tom Odell nous peinions à trouver une voix et une mélodie aussi enivrante, la voici, Lucy Rose, multi-instrumentiste qui a  commencé à composer accompagnée d’un groupe dont les musiciens ne sont autres que Björn Agren, ancien guitariste de Razorlight, Joe Steer, ancien bassiste de Broadcast 2000 et Sam Nadel à la batterie. Le côté folk et enivrant vont vous séduire, une seule date et adresse à retenir celle du 9 mais 2019 au café de la danse.

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Beatrice

apolla13's avatarNames Throughout the Ages

Beatrice is a female given name which comes from Latin Beatrix based on Viatrixmeaning “female traveler/voyager” though the spelling was later altered to resemble beatus, which comes from Latin meaning “happy, fortunate, blessed” derived from PIE root word *dew- (to show favor, revere). Beatrice is one of the main characters in Shakespeare’s Much Ado About Nothing (1598-1599).

Origin: Proto-Indo-European

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Variants:

  • Beatrix (Late Roman, German, Hungarian, Dutch, English)
  • Viatrix (Late Roman)
  • Béatrice (French)
  • Beatrise (Latvian)
  • Beatrycze (Polish)
  • Beatriz (Spanish, Portuguese)
  • Beatriu (Catalan)
  • Beitris (Scottish)
  • Betrys (Welsh)

Male forms:

  • Viator (Late Roman)

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Augusta

apolla13's avatarNames Throughout the Ages

Augusta is the feminine form of Augustus, which was originally used as a name and title for the first Roman Emperor, Gaius Octavius, and which eventually passed on as a title to other Roman emperors. It means “majestic, venerable, great” from Latin augere (to increase, augment) which derives from a PIE root word.

Origin: Proto-Indo-European

1e3f3b8011bf7b164011c4584700cfb0Pinterest

Variants:

  • Auguste (German)
  • Avgusta (Slovene)
  • Augustina (Ancient Roman, English)
  • Augustine (French, German)
  • Agostina (Italian)
  • Agustina (Spanish)
  • Augustyna (Polish)
  • Ágústína (Icelandic)
  • Augustîna (Greenlandic)
  • August (English)

Male forms:

  • Augustus (Ancient Roman, Dutch, English)
  • Augustinus (Ancient Roman)
  • Augustine (English)
  • August (German, Polish, Swedish, Norwegian, Danish, Catalan, English)
  • Aukusti (Finnish)
  • Auguste (French)
  • Augusto (Italian, Spanish, Portuguese)
  • Augusts (Latvian)
  • Augustas (Lithuanian)
  • Augustinas (Lithuanian)
  • Avgust (Slovene, Russian, Ukrainian)
  • Augustin (French, Czech, Romanian, Croatian, German)
  • Augustín (Slovak, Czech)
  • Agustí (Catalan)
  • Augustijn (Dutch)
  • Austin (English)
  • Austen (English)
  • Austyn (English)
  • Ágoston (Hungarian)
  • Agostino (Italian)
  • Augustyn (Polish)
  • Agostinho (Portuguese)
  • Avguštin (Slovak)

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Barbara Hepworth books and the Bowness collection

europeancollections's avatarLanguages across Borders

One of our department’s significant responsibilities is modern donated collections.  Our blog has chiefly focused on such collections in European languages, but this post looks at one largely in English – the collection of Professor Sir Alan Bowness, former Director of the Tate.  Recent arrivals in the Bowness collection include items from the library of Dame Barbara Hepworth.  These came to us with the aid of Sophie Bowness, the art historian and maternal granddaughter of Dame Barbara.

Hepworth’s signature in Bowness.a.1012

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Gelungene Vorführung Pastell Mischtechniken von Susanne Haun bei boesner in Hannover

Susanne Haun's avatarSusanne Haun

Langsam füllt sich die Vorführung Pastell Mischtechnik bei boesner Hannover, Susanne Haun (c) Foto von M.FankeLangsam füllt sich die Vorführung Pastell Mischtechnik bei boesner Hannover, Susanne Haun (c) Foto von M.Fanke

Letzten Freitag habe ich bei boesner in Hannover die zahlreichen Möglichkeiten von Softpastellen in Kombination mit anderen Materialien vorgestellt.

Für Präsentationen steht bei boesner on Hannover ein kleines “Theater” zur Verfügung. Die Bühne ist liebevoll wie ein Atelier eingerichtet und es wird eine schöne Atmosphäre geschaffen. Um die 50 Besucher*innen haben den Weg zum boesner gefunden. Herzlichen Dank für das Interesse!

Den Selficorner habe ich mit wahrer Freude in Anspruch genommen. 🙂

Am 14.9.2019 werde ich neuerlich in Hannover sein und mit Tusche zeichnen und kolorieren. Genaueres wird später auf meiner Seite Workshops (siehe hier) hier auf dem Blog bekannt gegeben.

Micha hat auch kleine Filme während der Aufführung aufgenommen. Einen zeige ich euch hier:

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