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German Matters Literature Poetry

“Refugees”by Louis MacNeice

 

With prune-dark eyes, thick lips, jostling each other
These, disinterred from Europe, throng the deck
To watch their hope heave up in steel and concrete
Powerful but delicate as a swan’s neck,

Thinking, each of them, the worst is over
And we do not want any more to be prominent or rich,
Only to be ourselves, to be unmolested
And make ends meet–an ideal surely which

Here if anywhere is feasible. Their glances
Like wavering antennae feel
Around the sliding limber towers of Wall Street
And count the numbered docks and gingerly steal

Into the hinterland of their own future
Behind this excessive annunciation of towers,
Tracking their future selves through a continent of strangeness.
The liner moves to the magnet; the quay flowers

With faces of people’s friends. But these are mostly
Friendless and all they look to meet
Is a secretary who holds his levée among ledgers,
Tells them to take a chair and wait…

And meanwhile the city will go on, regardless
Of any new arrival, trains like prayers
Radiating from stations haughty as cathedrals,
Tableaux of spring in milliners’ windows, great affairs

Being endorsed on a vulcanite table, lines of washing
Feebly garish among grimy brick and dour
Iron fire-escapes; barrows of cement are rumbling
Up airy planks; a florist adds a flower

To a bouquet that is bound for somebody’s beloved
Or for someone ill; in a sombre board-room great
Problems wait to be solved or shelved. The city
Goes on but you, you will probably find, must wait

Till something or other turns up. Something-or-Other
Becomes an unexpected angel from the sky;
But do not trust the sky, that blue that looks so candid
Is non-committal, frigid as a harlot’s eye.

Gangways – the handclasp of the land. The resurrected,
The brisk or resigned Lazaruses, who want
Another chance, go trooping ashore. But chances
Are dubious. Fate is stingy, recalcitrant.

And officialdom greets them blankly as they fumble
Their foreign-looking baggage; they still feel
The movement of the ship while through their imagination
The known and the unheard-of constellations wheel.

Image result for Hester Street

This poem appeared just about a year after MacNeice visited America where he met Auden and Isherwood amongst other prominent figures during a short lecture tour. It appeared at a time of extreme danger for Britain:- Dunkirk was a recent event and The Blitz too was starting. I am of the opinion that Auden and Isherwood need little justification for having left the country. They had worked bravely on “Journey to War” in Manchuria and Isherwood’s novels gave a clear insight into the rise of the Nazis and the persecution of leftists, Jewish people and so on. That is by the way, since although this poem could be considered in some ways slight, it has interesting parallels with the comparable plight of refugees today. Given Trump, entering America has become extremely difficult in the past year. In addition, it gives an insight into the New York seascape and skyline which I seem to remember has been written about movingly by two Jewish exiles, Rose Ausländer (Januar in New York) and I think, Mischa Kalako.

The poem itself is obviously of it’s time and the first line is rather brutal on facial characteristics. There are some interesting words like ‘milliner’ and ‘vulcanite’ that have dropped out of common parlance rather. I particularly like-‘Into the hinterland of their own future’ which suggests the confusion of trying to find in a new environment some reference to the land left behind. It also contains, I think, perhaps unconsciously, reference to  MacNeice’s hinterland as an Irish born poet as well as much effective and ambivalent use of religious imagery. His father became a bishop of the Anglican Church of Ireland.

Image result for Jewish Refugee Paintings

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Existentialism, a Very Short Introduction, by Thomas R. Flynn

I only want to say that the clearest exposition of such philosophical concepts comes from the books and YouTube interviews by the Labour politician (U.K.) Bryan Magee. He interviewed Iris Murdoch – the philosopher and novelist Iris Murdoch who wrote much about Existentialism. It is of course a philosophy which has a strong connection with literature of various sorts. Thanks for your short introduction to V.S.Is!!

Lisa Hill's avatarANZ LitLovers LitBlog

Oh dear, it looks as if I’ve been bandying around the term ‘existentialist’ without really knowing what it means…

In the Preface to my latest adventure with the Very Short Introductions series, Thomas R. Flynn tells me that most people associate existentialism with Jean-Paul Sartre and Simone de Beauvoir and the  Left-Bank Parisian cafés where they hung out.  And the problem with that is that existentialism tends to get ‘packaged’ as a cultural phenomenon of a certain historical period which tends to get linked to the problems of that era and not really relevant to our own.  Flynn is on a mission to correct that because he says that existentialism is a way of doing philosophy that is still current.

So his first chapter, ‘Philosophy as a Way of Life’ is about demolishing the idea of philosophy as a doctrine or system of thought.  Philosophy, he says…

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RUINS

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TODAY IN BERLIN: THE THREE-WHEELED WONDER FROM SPANDAU

Berlin Companion's avatarKREUZBERGED - BERLIN COMPANION

D-Rad Taxi and it passenger in 1928 Berlin (author and source of the image unknown).

(The following story has been featured in our first book, “Notmsparker´s Berlin Companion”)

Did you know that between 1925 and the end of 1927 Berlin had a fleet of 180 motorcycle taxis which almost completely replaced the regular car taxi service in many parts of the city? Introduced #OTD 1925 the Motax-Droschke was a well-liked if only temporary form of public transport.

Like the rest of the city, Berlin-Spandau suffered consequences of the raging depression: their taxi service, for instance – a bit of a luxury but also an important means of transportation – collapsed almost entirely. With prices far too high for an average person, customers disappeared and the taxi-drivers were forced to wrap up their business (a catastrophe for their families depending on the driver’s regular income). Central-Berlin taxi companies, on the…

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Literature Poetry

Tobago Fruits by Roger Robinson

Image result for paw paws

There was the pink firm flesh of the watermelons.

There were julie mangos that smelled like honey,

yellow bananas with black spots,

rare seasonal caimats weeping milk at their stems,

rows of white yellow pawpaws. I was in transit

in Tobago and had a few hours to kill

before I flew back to England.

I bought green oranges and sliced pineapple

salted and peppered in a clear plastic bag.

She offered me some water and asked Where you from?

From right here. She shook her head You’re not from here lately

She had her hair tied in a bright white headtie

and her army green shirt was buttoned to the top.

If you’re looking for a wife I could cook and clean, maybe?

I ent have no children I doh cause no trouble

I real quiet and lovin’. I looked at her for a minute

and told her that I don’t deserve a woman sweet like her.

She gave me a free extra mango and I kissed her cheek

and on the plane I thought where is home now,

and what will become of my Tobago fruit wife.

(From “In their own words” by Ivory and Szirtes)

 

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Winterzauber Potsdam • Winter Magic

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Two Poems by Rose Ausländer translated by Vincent Homolka

Sebastian Hayes's avatarPoetry in Translation

Love VI

We will meet again
in the lake
you as water
I as lotus blossom

You will carry me
I will drink you

We will belong to each other
in everyone’s sight

Even the stars
will be surprised
here are two beings
transformed back
into their dream
that chose them

Rose Ausländer translated by Vincent Homolka


Liebe VI

Wir werden uns wiederfinden
im See
du als Wasser
ich als Lotosblume

Du wirst mich tragen
ich werde dich trinken

Wir werden uns angehören
vor allen Augen

Sogar die Sterne
werden sich wundern:
hier haben sich zwei
zurückverwandelt
in ihren Traum
der sie erwählte

Rose Ausländer

Czernowitz before the Second World War

Peaceful hill town
encircled by beech woods

Willows along the Pruth
rafts and swimmers

Maytime profusion of lilac

About the lanterns
May bugs dance
their death

Four languages
Speak to each other
enrich the air

The town
breathed happily
till…

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the Art of Motivation

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Cafe culture in Buenos Aires – in pictures

Julian Worker's avatarJulian Worker - Journeys

Via Instagram, Vicky Martínez beautifully captures the timeless atmosphere of the Argentinian capital’s cafe scene

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Vanitas Stillleben – Tag 1 – Zeichnung von Susanne Haun

Love these!

Susanne Haun's avatarSusanne Haun

Das zeichnen eines Stilllebens beginnt mit dem Anordnen der Gegenstände, die auf dem Bild gezeichnet werden sollen.

Ich habe eine große Auswahl dieser Gegenstände und heute habe ich die Strohblumen, die Roswitha Mecke mir bei der Ausstellung Eiswelten schenkte mit den Schneckenhäusern und Mäuseschädel von Nina Alice Schuchardt kombiniert. Natürlich sind für mich diese Gegenstände nicht bloße Naturalien, sie sind verknüpft mit den Personen und Geschichten derjenigen, die sie mir schenkten.

Freundschaft - Vanitas Stillleben Vers. 2 - 20 x 50 cm - Hahnemühle Aquarellkarton (c) Zeichnung von Susanne HaunFreundschaft – Vanitas Stillleben Vers. 2 – 20 x 50 cm – Hahnemühle Aquarellkarton (c) Zeichnung von Susanne Haun

Freundschaft - Vanitas Stillleben Vers. 1 - 20 x 50 cm - Hahnemühle Aquarellkarton (c) Zeichnung von Susanne HaunFreundschaft – Vanitas Stillleben Vers. 1 – 20 x 50 cm – Hahnemühle Aquarellkarton (c) Zeichnung von Susanne Haun

Die Fotos habe ich mit einer Festbrennweite von 50 mm aufgenommen. Die Tiefenschärfe ist bei diesem Objektiv sehr gering – ich habe es zum Fotografieren meiner Zeichnungen gekauft. Mit den unscharfen und scharfen Elementen habe ich bei den Fotografien gespielt:

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