Arthur Roessler the Austrian art historian (http://de.wikipedia.org/wiki/Arthur_Roessler) wrote in 1927 in an essay in “Austrian Art” about Leopold Hauer: “Finally, once again, we have a man that is not only painter, but a painter that is a true artist , A creative artist endowed with instinct and intelligence, one that does not just produce “Decorate your home with Pictures”. Rather a man who shows himself to us as a gifted or talented artist and an individualist, without as immediate predecessor to showed the way. He is not a naturalist nor is he doctrainaire, he promotes originality and translates his impressions. He has achieved this already with so much skill that anyone who views his pictures is capable of experiencing both their sensual captivating charm and the pure spiritual enjoyment which they induce.”
I came across this lovely painting by Sergius Pauser in the Leopold Museum in Vienna. Mädchen vor dem Spiegel was painted in 1931 and Öl auf Leinwand, 92×73 cm, so oil on linen. The limited range of colour, the tone and the style, that is to say, The New Objectivity (in German: Neue Sachlichkeit), along with the model’s expression give this painting an attractive and contemplative feeling. The subject is, of course, a common one for artists including Lovis Corinth (1918) and famously Picasso (1932). It is also similarly the subject of the self-portrait by Zenadia Serebryakova as mentioned in my earlier posting http://penwithlit.wordpress.com/2011/12/19/self-portraits-1900-1912-3-zinaida-serebryakova/. Other paintings by Pauser will be found at http://www.sergius-pauser.at/
Quoting from the above link, this passage is of considerable interest,”The writer Thomas Bernhard (1931-1989) wrote of Pauser: “Sergius Pauser uttered thoughts about people – Adalbert Stifter, for example – that I have never heard before or since; he succeeded in revealing the most concealed corners of poetic sensitivity; he was a tender and vigilant diviner on the landscape of world literature, a philosopher and an artist through and through.” And yet a painter like Sergius Pauser is barely known today; only a few of his works hang in Austrian galleries and many of his paintings cannot be traced due to the emigration of their owners.”
Pauser was considered unreliable by the Nazis and had a tough time as recorded by Wikipedia.de:-“In seiner Monographie berichtet Rupert Feuchtmüller (S. 22), dass Sergius Pauser im Herbst 1944 mit fünftausend sogenannten „Politisch Unzuverlässigen“ in ein Schanz-Lager bei Radkersburg gebracht wurde. Der Schauspieler Curd Jürgens, der auch bei diesem Transport war, schreibt über diese Zeit: „… Ich weiß, dass Sergius sowohl als auch Boeckl … recht viel Unangenehmes durchmachen mussten, da die SA-Bewacher mehr und mehr die Nerven verloren und dies an den Gefangenen ausließen.“ (Curd Jürgens in seinen „Erinnerungen“, Autobiographischer Roman, Droemer Knaur Verlag 1976)”
Here are three more paintings by Pauser that appeal to me. Amerikanerin1948,
has an appealing delicacy and an optimistic and conversational appeal. The hardboard realism of Luis Trenker mit Kamera, 1938,Mischtechnik auf Hartplatte from an earlier period reminds me of a favourite painter, Christian Schad. I cannot find a colour image for Mädchen mit rotem Hut, 1942 Agathe Prinzessin von Ratibor but am intrigued to find that she was a Princess of a Polish town called Racibórz in Polish but very close to the Czech border and called Ratiboř.