Andrey Remnev Modern Russian Painter with a touch of the Medieval

Andrey Remnev

Strongly inspired by the Russian artistic movements of the 15th, 17th and 18th centuries, as well as in the painting of medieval icons, Andrey Remnev’s paintings are ostentatious and oddly hypnotic interpretations.


He wasborn and raised in Yachroma, near Moscow, in 1962. He has always been attracted to nature, people, cities and landscapes. Despite referring to medieval painting, Andrey’s works have a subtle and contemporary touch through the most surreal elements that it includes. Many of his paintings focus on women, elegantly dressed, but with wise looks that add mystery and power to their delicately painted figures.


Andrey carries his further influences by emulating old Renaissance recipes using his own handmade colors with natural pigments mixed with egg yolk. The result gives an intoxicating richness and depth to his works.
These paintings remind me both of Gustav Klimt in their use of gold and in their subject matter of the Newlyn Painter, Thomas Cooper Gotch.

French painter Pierre Puvis de Chavannes (1824-1898) -The Poor Fisherman – Oil on canvas

The Poor Fisherman - Oil on canvas, 155 x 192.5 cm (5' 1

According to the Web Museum in Paris,”He had only modest success early in his career (when a private income enabled him to work for little payment), but he went on to achieve an enormous reputation, and he was universally respected even by artists of very different aims and outlook from his own. Gauguin, Seurat, and Toulouse-Lautrec were among his professed admirers. His reputation has since declined, his idealized depictions of antiquity or allegorical representations of abstract themes now often seeming rather anaemic. He remains important, however, because of his influence on younger artists. He influenced, for instance, the German artist Ludvig von Hoffman and perhaps the Cornish based artist Thomas Cooper Gotch.

Ludvig Von Hoffman
Ludvig Von Hoffman







His simplified forms, respect for the flatness of the picture surface, rhythmic line, and use of non-naturalistic color to evoke the mood of the painting appealed to both the Post-Impressionists and the Symbolists.” Puvis

Hope by Puvis de Chavannes
Hope by Puvis de Chavannes
Woodburytype after a negative by Étienne Carjat (1808-1906)