Categories
Book Reviews Penwith West Cornwall (and local history)

Monday was Washday- a review of “Women of West Cornwall”

Monday was washday. For many Cornish women, the busiest day of the week. The first day of the week one of strenuous activity after a long, quiet and for many a Methodist Sunday. The thought of washday recalls images of raw, red hands, buckets of “blue” whitener and the dangerous possibility of fingers getting crushed in the mangle. In this book from the Penwith Local History Group, “Women of West Cornwall”, all the of the back breaking effort of domestic routine, to which women were tied, is vividly recalled. In earlier days before washing machines and even hot water, it might involve catching and hauling buckets of rainwater. For women in large Victorian families catering for brothers fishing or sons toiling on the land it meant restoring heavily soiled work clothes. It was truly hard labour.WWC

This fascinating 100 page book gives the impression that many women’s lives were run along pre-determined tracks. Who you married decided rigidly the pattern of your future life. Also according to medieval laws, up until the late 19th century your property and dowry became your husband’s. It recalls the lines of Joan Baez’s “Waggoner’s Lad” – a folk song that was much heard around Penwith in the sixties:-

“Oh, hard is the fortune of all womankind
She’s always controlled, she’s always confined
Controlled by her parents until she’s a wife
A slave to her husband the rest of her life”DREADNOUGHTSW-620x452

Yet, in spite of destiny, which sometimes included injury or loss of a husband, perhaps in war, womenfolk were determined not just to survive. “Women in West Cornwall” shows how they were intent upon improving their lot and also that of their sisters, real and metaphorical. Even in small villages like Ludgvan there were successful attempts to create a Friendly Society by means of which women might alleviate difficult times or dire emergencies. In a similar manner, women who managed large families, adapted their skills to run businesses in larger towns like Penzance. Despite educational discrimination and rigid stereotyping, these ladies showed an enterprising spirit, determination and courage. They pursued their rights to preserve their privacy, dignity and reputation through the complexities of Church Court system.

In this splendid little volume, it is truly encouraging to read of the maternal care that one Mousehole women showed in wartime to a number of Jewish children entrusted to her care, showering them with love and understanding. Bearing in mind the current refugee crisis, this story moves the reader to meditate upon the nature of human progress and the transformative power of kindness.

Aste Nielsen- Die Suffragette (1913)
Aste Nielsen- Die Suffragette (1913)

In a short review it is difficult to mention all the useful studies in this fascinating and moderately priced book. It is delightfully illustrated with informative diagrams and background material. It is worth mentioning that it contains passages of humour, like the surreal yet socially revealing clash between Penzance carnival queens in the 1930s. There is an informative chapter on the vicissitudes of being the model of a famous artist and her later experiences. These ten chapters all written by women show, in a variety of styles, empathy and imagination, much systematic and painstaking research into primary sources. Such materials, wills and deeds, being hand written are challenging to decipher. There is in addition a productive use of personal recollection and family memories. This is a great contribution both to Cornish and Women’s Studies. Equality, sadly, is still a work in progress but this neat volume marks, in a touching manner, the distance travelled towards that goal.

Categories
Art and Photographic History German Matters Penwith West Cornwall (and local history)

The Penzance Arcades Project; Prinzessinnengarten Sonntag Flohmarkt in Kreuzberg

I like rooting around in secondhand shops, in fleamarkets and car boot sales-see my posting on Rosudgeon market. The Arcade building at the top of Chapel Street is often missed by visitors in search of other delights such as the Exchange Gallery. img42A long time ago-I will need to consult the Penwith Local History Group to discover when-certainly before the Srcond World War this building was W>H.Smith as the photograph shows.Chapel Street. Chapel Street Further details of the intriguing history of this street may be found at http://www.chapelstreet.co.uk/accommodation.html In any event the upstairs and downstairs regions are well worth a visit-these photographs show some sketches that I was able to purchase for a very modest price.F

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On the hunt for books rather than pictures, much fun is to be had in the Fleamarket in Prinzessinnengarten-close to Moritzplatz on the U-bahn. It always seems to be very hot weather when I have visited and a good reason to have a cool Weissebier at the trestle tables under the trees and to read the Sunday newspapers. There is always an interesting range of literature in at least three languages. There are a good range of other items including records, CDs, dresses and jeans. There is often a music group on hand and the atmosphere reminds me of St Ives in the Sixties or the summer exhibition at Falmouth Art School. There is a big emphasis on green issues, multiculturalism and the folk all seem jolly and entspannend. Further details may be found at http://prinzessinnengarten.net/de/was-passiert-im-garten/projekte/regelmaessige-veranstaltungen-in-der-gartensaison/F7F6

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Categories
Art Exhibition Reviews Penwith St Ives West Cornwall (and local history)

Some views of Cornwall Open Studios 2016

Open Studios can indeed be a pleasant opportunity to travel around Cornwall, meet artists in their studios and, of course, purchase perhaps some pieces of their work. Not least is the fun of returning to Krowji and seeing new artists and new developments in what has become a vital and innovative centre for craft, jewellery, painting, prints and pottery situated in the old Redruth Grammar School and brand new studios.NH4NH1

It was great to view the outstanding ceramics made by Nic Harrison, hand thrown forms rooted in the Leach tradition. Nic having worked at the Leach pottery now has a splendidly appointed studio at Penhale Jakes in Ashton near Helston. Oxides of iron, copper and cobalt produce some wonderful coloured glazes. His work may be seen at http://www.nicharrison.com

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Also of considerable interest, because I particularly like the medium, were watercolour studies done both in Spain and locally in West Penwith of Paul Armitage. He has an exhibition coming up at the Trereife Gallery near Newlyn between 20th June and 5th July, this year 2016. The palette of earth tones and greys which he uses have a charming lyrical quality.

http://www.essextyler.com/artist/paul-armitageNH3

After travelling down the high lanes full with the abundance of early summer flowers, a warm welcome awaits in the surreal atmosphere of the Melting Pot cafe in Krowji. Once a Grammar School staffroom it now has something of what I imagine a Zurich kneipe might have developed in the 1920s. The stage seems about to erupt into some avant-garde spectacle.

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Penwith St Ives Uncategorized West Cornwall (and local history)

Spring arrives in Penwith

Porthmeor Beach, St Ives in February
Porthmeor Beach, St Ives in February

Just a few recent photographs from February to April- the onset of Spring.

Underpass in Heamoor
Underpass in Heamoor
Abbey Slip- Penzance
Abbey Slip- Penzance
Penlee Park in Penzance
Penlee Park in Penzance
Lambeth Walk in St Ives
Lambeth Walk in St Ives
Crab pots -Downalong, St Ives
Crab pots -Downalong, St Ives
Categories
Art Exhibition Reviews Classics Penwith St Ives West Cornwall (and local history)

Visiting Penwith Gallery-March 2016 in St Ives

Even on an overcast day, walking along Lambeth Walk is a pleasure. Just along from the slumbering elegance of the St Ives Arts Club are the reinforced portholes of the Porthminster Gallery. Currently among the many interesting and varied pieces on display here  are the intriguing ceramic tiles of the Austrian artist Regina Heinz.  http://www.porthminstergallery.co.uk/ The sea has always drenched over Lambeth Walk in Spring Tides, but dull or in the early Spring sunshine, the turnstones are a welcome sight. They seem to have appeared during the time that the seagulls have become more aggressive when swooping indiscriminately down to snatch the lunches or suppers of unwitting and hapless tourists. The turnstones are currently abundant and closely related to sandpipers.Turnstones

Currently the Tate Gallery in St Ives is closed although, of course, the Barbara Hepworth Museum and Sculpture Garden is open. Details are available at http://www.tate.org.uk/visit/tate-st-ives/admission-opening-times. A worthy alternative to the Tate Gallery is the Penwith Gallery where at http://www.penwithgallery.com/about/ it is stated that,”In 1960, the present site, then a pilchard-packing factory, was acquired and converted into a gallery, with artists’ studios above. In 1970 adjacent property became available, and the artist members, assisted by Barbara Hepworth, sought funds to create the present group of galleries, studios and workshops. To take on the task of maintaining its buildings and workshops, to arrange the programme of exhibitions and execute the gallery business the Penwith Galleries Ltd. was created.” Just opposite the Ropewalk where, of course, rope was manufactured, it was here that Troika pottery had it’s workshop and showroom.

Jane Yates
Pot by Jane Yates

The current exhibition runs until April 19th and visitors are likely to find it various with many works to catch the eye. There are the well-known and established favourites like Antony Frost, John Piper and Noel Betowski (whose work from a previous exhibition is shown on the clip above)  as well as painters who have recently joined such as Jessica Cooper;mentioned previously on this blog. In addition to the paintings both pottery and sculpture are on display in this well-lit environment.

Classical Head by John Emanuel
Classical Head by John Emanuel

Two works caught my attention and set off trains of thought. The first was a small work by John Emanuel, who moved to St Ives in 1964 (his work is often to be seen at the charming Belgrave Gallery just off Fore Street-http://www.belgravestives.co.uk/) and is a delightful classical head. Hearing the sound of the sea in the distance might prompt us to these lines of Homer from “The King of Asine” in the Illiad:-

And the poet lingers, looking at the stones, and asks himself
does there really exist
among these ruined lines, edges, points, hollows, and curves
does there really exist
here where one meets the path of rain, wind, and ruin
does there exist the movement of the face, shape of the
tenderness
of those who’ve shrunk so strangely in our lives,
those who remained the shadow of waves and thoughts with
the sea’s boundlessness

(http://www.poetryfoundation.org/poem/181850)

Jason Lilley
Jason Lilley

The second work attracted my attention because it reminded me of the abstract expressionism of Adolph Gottleib. I have often noticed the attractive prints of Jason Lilley – http://jasonlilley.co.uk/gallery_cornwall_artist_jason_lilley.html However, the similarity with Gottlieb may be judged from the accompanying images below. GottliebAdolph_summary

Gottlieb

Categories
Art Exhibition Reviews German Matters Penwith West Cornwall (and local history)

Louise Thomas -The invention of the real

“Louise was born in 1984 in London she studied at Falmouth school of art in Cornwall graduating in 2007. She was immediately picked up by SAATCHI/channel 4 collaboration ‘Sensations’. She exhibited internationally living in Cornwall, London and Paris for a while. After a residency in Iceland and living with Nuns in a convent in central London she settled in Berlin in 2013 where she currently lives and works.”

Logan's Rock by Louise Thomas

The above is a quotation from the artist’s personal statement. Louise has lived in a number of interesting environments. I couldn’t help smiling, when she described how when homeless in London, she wrote around to numerous agencies and the only supportive assistance she received was from the convent. She is currently based In Berlin and has it happens in the long Sonnenallee – a location in East Berlin made famous by Thomas Brussig in his ironic and witty novel, which has now been made into a film and performed as a play at BTZ.

Am kürzeren Ende der Sonnenallee 

Ships that are Wrecks
Ships that are Wrecks

Currently, Louise Thomas has just completed a three month placement at Porthmeor Studios where her work has focussed largely upon an historical approach to the coastal landscape including ships and shipwrecks. About her work, Louise has written,”I construct magical realist narratives through collages, sculpture and painting. The enviroments or events depicted show contrast between real and magical elements. These elements are visible through my different methods of production and placement of resources. I find inspiration from a wide range of source material, from films I have made of abandoned interior spaces, to specific walking routes, to archive material of paintings hanging in museums. I perform extensive research and careful study of the subject matter, building a pool of scenarios to work from.”

“Through construction of models and collages I develop my ideas for painting. From the initial source material I make collages and if necessary bring in images from holiday brochures or photocopies from unique archives. I will research historic events, sourcing restoration records from museums or libraries. I usually end up with stage sets to play out scenarios. The models can be in clay, paper, plaster and other site specific materials. I work my way through various stages, addressing ideas of scale, colour, atmosphere until I find a valid reason to develop a painting. The historic elements run alongside fictional narrative I have developed; for example flooding the space, rebuilding it, imagining it thousand years from now or highlghting natural phenomenon.”

Lifesavers oil and Cornish china clay on two aluminium panels 60x40cm 2015
Lifesavers oil and Cornish china clay on two aluminium panels 60x40cm 2015

 

 

Categories
Art and Photographic History German Matters Literature West Cornwall (and local history)

The Woman in Gold

I watched and thoroughly enjoyed but was also saddened by this brilliant film viewed as a DVD last night. I visited Vienna in October last year including the Belvedere. The first posters I saw going down into the U-bahn in Munich. Although the places and the actors too were sort of familiar as was the historical context, for instance from reading Eva Menase http://www.goethe.de/ins/au/lp/prj/bkm/rev/aut/men/enindex.htm and George Klaar http://www.independent.co.uk/news/obituaries/george-clare-memoirist-who-recalled-life-in-nazi-vienna-and-postwar-berlin-1726060.html

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The Jewish life in Vienna was so evocatively and poignantly rendered that it brought tears to my eyes. The music was interesting too for obvious reasons and the director’s commentary equally moving. Hence it was particularly interesting to discover in the Penwith Gallery to discover the work of Albert Reuss, who not only was in Vienna at this time but ended his life in Truro having lived in Mousehole nearby. Further info at http://www.artistsandart.org/2010/01/albert-reuss-1889-1976-austrian-artist.html

http://www.bbc.co.uk/arts/yourpaintings/artists/albert-reuss

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The film is also useful for people learning German as the Untertitel in English are so klein!!!

(This article also provides an opportunity to refer to my friend, Susan Soyinka on her family and researches at https://susansoyinka.wordpress.com/)

(c) Newlyn Art Gallery; Supplied by The Public Catalogue Foundation
(c) Newlyn Art Gallery; Supplied by The Public Catalogue Foundation
Categories
Art and Photographic History Art Exhibition Reviews Penwith West Cornwall (and local history)

Kitchen sink dramas from Los Angeles -Robert Therrien at The Exchange

(No Title) Pots and Pans II 2010
(No Title) Pots and Pans II 2010

Robert Therrien’s work is being displayed at the Exchange Gallery, Penzance until 26th September 2015. Working in Los Angeles, this 68 year old artist is displaying his work in collaboration with ARTIST ROOMS, an organisation which is a venture  of both the Tate and the National Galleries of Scotland of con temporary art, which is international, that is on tour currently.

(No Title) Oil Can 2004 and (No Title) Stacked Plates 2010
(No Title) Oil Can 2004 and (No Title) Stacked Plates 2010
A selection from Srubbrush Bird Book
A selection from Srubbrush Bird Book

ARTIST ROOMS is travelling with this exhibition and showing at 17 museums and galleries  across the U.K. An artist’s biography can be found at http://www.tate.org.uk/art/artists/robert-therrien-2312 and details about ARTIST ROOMS and this artist is at http://www.artistrooms.org/roberttherrien with a short explanatory video clip.

Further images may be seen at http://artnet.com/artists/robert-therrien/

(No Title) Large Red Brick Drawing 2003
(No Title) Large Red Brick Drawing 2003
Categories
Art and Photographic History Art Exhibition Reviews Penwith St Ives West Cornwall (and local history)

Jessica Cooper (RWA) Interviewed

Jessica’s own website is at http://www.jessicacooper.co.uk/JC

 

 

 

 

JC1Further information on Jessica and her work may be seen at http://www.edgarmodern.com/Artist-Info.cfm?ArtistsID=188&Collection=&info=CV&ppage=6

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Categories
Literature Penwith Uncategorized West Cornwall (and local history)

Walking Cornwall with Wilkie and Jak Stringer

Wilkie Collins
Wilkie Collins

Alone on stage, ennervating the audience mostly with the voice and a glance or a gesture has a singularly dramatic effect. This is what the Falmouth theatre-studies graduate, Jak Stringer achieved with her performance of “Walks with Wilkie” at the now well-established literary festival in Penzance in mid-June last year. The venue in the Acorn, once a Victorian chapel added an extra ambience to the subject, Wilkie Collins the eccentric friend of Charles Dickens and author of classics like “The Moonstone” and “The Woman in White”. Less remembered are his plays and less for his travel writings in Cornwall by means of which he initially gained fame. Curmudgeonly in some respects and daring in others, Jak Stringer has fell for him hook, line and sinker.

Jak Stringer, who has also received rave reviews from the NME as a  musical impresario, shows herself to be an assured and energetic performer. In the year previous to this performance she retraced the footsteps of Wilkie Collins, bringing the stories from his somewhat forgotten classic, ”Rambles beyond Railways subtitled ‘Notes on Cornwall taken a-foot’, to life on the Acorn stage. This she does with verve and alacrity. Jak displays a range of emotions; at first sounding like a naive and almost, but not-quite, over-enthusiastic primary school teacher and rising to the eeriness of a Macbeth Witch into her recollection of an ancient lynching or parochial haunting. She poses Wilkie’s dilemmas from the 1850s-“Did the people of Looe consume their rats?”and “What made the women of Saltash clean the boots of strangers for sixpennyworth of beer?” and dauntingly examines the evidence for his finding a tavern filled with babies at the Lizard.

Jak Stringer
Jak Stringer

Creeping around the stage and sometimes not averse to a little appropriate melodrama, this performance was a continuous pleasure to watch-not least because Stringer varied the tempo and maintained a narrative pace throughout. She also used humour. She also showed her initial pleasure at receiving Collin’s bound volumes through the post. These she waived invitingly at the audience. In fact she used few props, none more effective than her woollen shawl sometimes drawn around her to convey poverty or want, at others spread to show joy at the reception which Collin’s work eventually received.